No Juliette Barnes For A Full Episode? Yessssss! #Nashville #ABC
#SoCountry
All pictures courtesy of ABC
Yet another blog post and this time it's on Nashville (#Nashville)
which I'm pretty sure I haven't done all season I've been so busy
with other posts. Currently, I'm also writing a post for my three
week roundup of Ash vs. Evil Dead so expect that sometime in the next
couple days. So, how was the last episode of the country music night
soap? Better than it has been in a few weeks.
To begin, the episode was devoid of the most annoying character on
the show Juliette Barnes. I know I might be branded a Juliette hater,
but frankly that's precisely what I've become. When the show first
started I thought her character as the young know-it-all with the
dark past was interesting, Britney Spears-esque and would soften as
time went on, and we'd all know and love her and root for her. But
after so many seasons of this girl doing everyone around her dirty, I
got fatigued on her bad girl persona. Not only have I not really seen
any character development outside of her becoming more drugged out
and a worse person, but she has been written and portrayed as one of
the devil's own brides--like, his most favorite, evilest one. When
she wanted to commit suicide about three episodes back I actually
applauded the writers for possibly doing it, until they wimped out
and killed off Jeff. Not only is she not needed anymore, but I feel
like there's so much more going on that her story almost distracts
from the rest of the plots and drags the show down.
In walks this week's episode of Nashville and what do we have but a
Juliette-free episode with a lot going on. First there was the plot
point of Rayna's daughter Maddie dyeing her hair more blonde, behind
Deacon's back (he was left in charge of the girls while Rayna helped
produce her new artist's album). As if the hair dye wasn't enough,
Sony calls to gauge interest in signing the 16-year-old to a
recording contract, something she overhears her mother flatly refuse.
While she throws a tantrum her younger sister feels left out because
her dad is currently in prison and nobody talks about her anymore
since Maddie wants to go solo.
Next
was the tour for The Exes starting. Gunnar in all his Gunnar-y glory
figures that it'd be a good idea to hire his sex buddy as the sound
person for the tour. Receiving reminders from everyone around him
that he is unable of keeping it casual as this woman wants to do, he
defies the odds when he and Scarlett's concert short-circuits do to
the inexperience of the new hire. He actually yells at her for
misrepresenting her ability but accepts her apology and offers advice
when she comes to his room later.
Scarlett
on the other hand not only suddenly gets serious about trying to make
this group work, but finds it near impossible to keep in touch with
her doctor boyfriend back home. A man who seems too worried about his
girlfriend touring in close quarters with her ex-boyfriend, he gets
frustrated and sounds it over the phone, straining the relationship
even further.
— Nashville (@Nashville_ABC) November 16, 2015
While
Gunnar is away, his roommates Avery and Will bond more as Avery looks
for a place for him and the baby. Unfortunately people still think he
and Juliette are a thing and can't wait to meet her which turns him
off the whole apartment-hunting experience. He bonds with Will when
the recently dumped gay singer emerges from his bedroom with sheets
and sheets of lyrics he wrote about the break-up with his first gay
love. Too afraid to perform it himself, Avery takes the song and
performs it for a packed crowd at the Bluebird. Unfortunately, Will
is even too afraid to stay in the back and take credit for having
written the song, but is hopeful when an exec asks about the
songwriter possibly coming to have a meeting with him. Will convinces
Avery that Gunnar will be gone for two months and it's a big house,
so Avery might as well stay for now and get the free babysitting that
Will provides.
After
the Luke Wheeler-heavy episode of the previous week, Luke had little
play as he continued dealing with the fallout from his son's
distrust, his budding new relationship with his manager/PR woman, and
the drama that is Juliette. Deacon on the other hand got a great deal
of the spotlight as his pet project of the newly renamed "Beverly"
took off with a bang of the wall. Two former drunks owning a bar
together sure to make a little drama, Deacon supervises the
renovations and even tries to knock down a wall by himself before the
other sober owner comes in and tells him that he's dry-drunk, or
acting drunk because he's overcompensating for other problems in his
life.
His
main problem is that he suddenly feels useless after getting his
sister's organ and hasn't been able to find his way. Not even his
attempts to parent Maddie and Daphne go well. With Rayna bonding a
little too deeply with her new artist (he's wanted to sleep with her
since he met her on the plane) she spends full days and nights
producing him. Only after she has a heart to heart with him and
returns home do she and Deacon come together to try to figure out the
best way to deal with Maddie and the Sony thing. Their solution? Sign
both girls as a duo to Highway 65, Rayna's fledgling label. While we
all knew and expected this to happen, Maddie also knows that this is
just a way for her mother to control her further and feigns happiness
about it. Time will tell if that blows up in her face.
At
the end of the show, Deacon read the text of the new artist guy,
discovering that the idea Rayna posed to Deacon about maybe having
the girls signed was actually this other guy's idea. Never the best
at not being jealous, the last shot is of him ruminating on the
possibility of this guy wanting his woman.
What
do you think? Is the show still interesting, if not better without
Juliette? What do you want for her character when she comes out of
rehab? How do you think this new artist will affect Rayna and
Deacon's relationship next week and for the foreseeable future? Let
me know in the comments below (hint: click the no comments button if
you see no comments).
If
you’re looking for a scare,
check #AFuriousWind, #DARKER, #BrandNewHome or
#ThePowerOfTen.
For those interested in something a little more dramatic, check
out #TheWriter.
The full first season is out now NOW exclusively on Amazon. If you
like fast action crime check out #ADangerousLow.
The sequel A New Low will be out in a few months. Join us on
Goodreads to talk about books and TV, and subscribe to and follow my
blog with that Google+ button to the right.
Until next time, "you gotta know
when to hold 'em, know when to fold 'em, know when to walk away, know
when... you get the gist of it."
P.S. Don't know why I thought of that Geico commercial but I did. I
might even have used that sign-off before but it's been a long day of
moving leaves for me and I finally called it after realizing that I
knew precisely when to fold 'em... for the day. I'll come up with
something better next time.
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