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Monday, February 5, 2018

You Heard The Thunder Now Here’s The #BlackLightning #3weekroundup #recap #review #CW #DC

You Heard The Thunder Now Here’s The #BlackLightning #3weekroundup #recap #review #CW #DC

All pictures courtesy of the CW


The wait is over! Well, I guess it’s sorta been over for a long time now. In any case, black superheroes have returned to your screens both big and small... and handheld. Though Black Panther still has a few weeks to go, Black Lightning is here to bless you with that Mandingo power you've been lookin’ for. Don’t act like you ain’t been lookin’ for it, you know you have. But is Black Lightning electrifyingly good or is it shockingly bad? Let’s find out together!

Black Lightning is the CW’s newest addition to their superhero lineup. Though it currently doesn’t feature into the same universe as Arrow, Supergirl, The Flash, and Legends of Tomorrow, never say never as Supergirl was previously not part of the group also, and it does have a producer in common with Greg Berlanti behind it along with black producers Mara Brock and Salim Akil (a married couple; Mara was behind the show Girlfriends). Here, we are introduced to a new (to the audience) hero with a storied past. Black Lightning or Jefferson Pierce is unlike any of the other superheroes we have seen on the CW so far. Played by veteran actor (you’ve seen him before but probably never knew his name) Cress Williams, Jefferson Pierce is a middle-aged high school principal with two near-grown daughters (one is a student at the school and the other seems to be a teacher there but maybe also a college student) that lives in the fictional city of Freeland. A city similar in tone to Chicago or some other Midwest city, it has its pockets of good and bad neighborhoods with decent houses and decent people while also having gangbangers and thugs lurking around many corners.


Right now the city is in the throes of another bad run which has given rise to a gang known as The 100 (RIP CW’s teen drama The 100). A predominantly black gang, it has many members stretched like tentacles throughout the city but seems to be run by one Tobias Whale; however, the front man for Jefferson’s section of the city happens to be a man by the name of Lala, a past student of our do-gooder principal. I don’t want to age neither the character nor the actor, but I must point out here that it does give me some pause to think about just how old Black Lightning is supposed to be. I get that he could’ve been a young teacher that has only recently taken on the principal role, but on the second episode we meet a woman who was a past student of his and who also now has a daughter that goes to the same high school and I’m like what? I thought he was supposed to be closer to 40 but maybe he is closer to 50 than I thought. I digress.

Lala being one of the heads of The 100 has to operate the business as he sees fit and tries to play the big baddie of the hood. But because he was once a student of Jefferson the kind-hearted principal thinks he can reason with the man. See, Jefferson has actually had a deal with the surrounding gangs for a number of years: his high school remains off limits to and for any illegal gang activity. In return, he doesn’t get the police involved in stuff that could be gang-related in his area. But this deal gets broken when his daughters get into some trouble.

His youngest daughter Jennifer, played by China Anne McClain of Disney fame, is still a teenager exploring who she wants to be as she comes of age. She does normal teen stuff like lying to her parents to sneak out to parties. She does exactly that when she skips a stuffy adult-laden school fundraiser in favor of a party down at Club 100 with a friend (yes, Club 100 is the favorite hang spot for The 100 gang). Well, she gets into a little trouble when a guy starts flirting with her in the club. Young, the boy looks near her age and is trying to get down to business, but she is not that fast. But when members of The 100 gang come and grab the boy, they take Jennifer too. In some crazy prostitution plan, they say that the boy has a debt and that “his girl” can work it off down at this seedy motel the gang runs. But Jennifer doesn’t really know this fool, and he’s certainly not her boyfriend. Still, that doesn’t quite matter to Lala and his brood.

At Center Focus: Jennifer played by China Anne McClain
Meanwhile, as Jennifer is getting into trouble, her father is at the charity dinner schmoozing donors, talking to one of his old friends and current cop Inspector Henderson. Henderson is taking heat for all of the gang violence that seems to have swept through the streets in the last ten years. He’s trying his best, but the cops can only do so much. Jefferson is committed to trying to choke the power of the gang’s by choking off their membership. He feels that if he truly invests in the youth in a meaningful and uplifting way, then they will never be tempted to join a gang. As a partner in his vision for the school, he has Ms. Fowdy. Let me get this outta the way right now and say that all the women (including the daughters) on this show are fine as hell and that you probably won’t find a better smoke show this season. #BlackExcellence. Ms. Fowdy, from what I can surmise, may be the assistant principal or the administrative assistant, but I don’t think she is part of the ordinary faculty. In any case, she seems to have a crush on Jefferson.

Though Ms. Fowdy may have eyes for Jefferson, he only has eyes for his ex-wife and mother of his children Lynn. The character list on IMDb says she never reverted to her maiden name which means—in conjunction with the heat they make on the show—that there’s a strong possibility of them getting back together. Neither is over the other and the only reason she left him was because she felt it was too dangerous for her and her mental health to be married to him as he continued in what she sees as his “addiction.” Funny enough, the girls still lived with him. Frankly, they need to explain this discrepancy better to me. 

Left to Right: Anissa, Jefferson  Back Center: Ms. Fowdy
Finally, there is Jefferson and Lynn’s eldest daughter Anissa. She is the Black Lives Matter, power to the people protestor that is supposed to be the troublemaker. As said before, she seems to be a young student teacher still in college or maybe just subbing on the side. Anyway, she covers for Jennifer when the latter goes to Club 100. Well, Jefferson finds out what’s going on with his daughter and goes to the club to rescue her from whatever dubiousness she might’ve gotten into. When he does, things get a little hectic. They won’t let him through to see his daughter in the boss’s back room, so he shuts the lights off and shocks a few people. Oh yeah, he’s Black Lightning.

See, about 20 or so years ago Jefferson was this amazing superhero called Black Lightning. He has electricity surging through his veins, and he can wield it at will. The problem, though, is that Lynn who saw her man coming home half-broken and beaten every night and wanted a normal, safer life. So while the streets were safe, she didn’t feel she was loved, and she left. Ever since, they’ve been co-parenting successfully while he managed to give up his crime-fighting in favor of time spent with his children. Still, he and Lynn didn’t quite make it back to what they once were. He’s retired from the hero biz.

Until that night. The electricity going out frees up Jennifer enough for her to escape into the crowd of the rest of the panicked patrons. The police come to make the crowd disperse and Jefferson hits them with some electricity too just for being idiots. The rest of the episode plays out like your standard kidnap and rescue. Jennifer is confronted at school by the same boy from the club who agreed to sell her into sex slavery to pay off his debt. As it turns out, he is the cousin of Lala and is part of The 100, and doesn’t even go to that school. Anissa embarrasses him by flipping him to the ground and showing that Woke Bae got some serious key-raw-tay skills. He comes back with a few of his fellow goons and kidnaps the both of them right out of class, whisking them away to the seedy prostitution motel. They’re gonna repay his debt to Lala.


So, while that is unfolding, Jefferson goes to see an old friend, a Mr. Peter Gambi played by veteran actor James Remar (you’ve seen him in a helluva lotta stuff, I’m sure). Gambi is like a mix between Batman’s Alfred and The Flash’s Harrison. A suit tailor by day, he’s been waiting for Jefferson to come back so that he can aid him in fighting crime again. In anticipation of this day, he helps Jefferson get cleaned up from his most recent soiree in the club and also makes him a cool new suit as he knows the old one probably doesn’t fit anymore. Now, dressed in a cool black and electric blue suit with hints of yellow on it and an eye mask similar to Batman’s Robin, he’s ready to get down to crime-fighting, if only for one night. He goes to the motel and beats through a gaggle of goofy goons before reaching the boy who kidnapped his girls. Having just missed Lala, he throws the boy off of a two-story balcony onto a car and rescues his daughters. The cops show after the fact to start arresting people and the day is saved for the moment. But not all is good. Lynn, while thankful and relieved that their babies are safe, sees his one-night-only foray back into the superhero biz as a harbinger of more to come. She’s starting to get scared again, and just when she was this close to caving and going back to him full force. Even crazier, the episode ends with the eldest daughter Anissa getting up to go to the bathroom in the middle of the night and having some kind of super-charged red energy surge through her body until she unwittingly breaks the porcelain sink in half like it’s nothing.

Episode two focuses on the aftermath of Black Lightning’s sudden reappearance and re-retirement. Naturally, we get the “people are intrinsically stupid” trope here which sees parents asking why Black Lightning came back and only saved Jefferson’s daughters but not anyone else’s. Like, really? For real? For realsies? The dude doesn't even wear that good of a mask. Two and two have never been more eager to be put together but I digress. When he learns from one of the mothers (the former student I was talking about) that the whoring motel the cops raided after he took out all the baddies is now back open and that she thinks her daughter was kidnapped and taken there, he gets super angry and re-commits to his life as Black Lightning. Lynn steadily talks about his addiction to using his superpowers which he simply one day discovered he had, but he says that he was doing good with them before, and he feels compelled to start doing good with them again. Yet, he still insists that he only has to suit up one more time. In his mind, Lala is the one who is running things (he doesn’t seem to know about Tobias Whale yet), so he figures that if he takes out the homicidal thug, then he’ll have put a serious damper or end to The 100’s infestation. All he has to do is bring Lala in with the proper evidence to convict him.

Lala

As it so happens, Lala makes it easy on Black. First he kills his own cousin after springing him from the ambulance just after Lightning dropped him onto the windshield of that car. Yes, they say some BS story about how the kid hopped out of the ambulance himself but really? Really? Dude’s back should’ve been fractured in three places not to mention shards of glass embedded deep in it. In any case, Lala dumps his cousin’s body in a dumpster. He then kills the anguished mother who came to the motel looking for her daughter. Not wanting to be bothered, he shot her a few times in the parking lot, not knowing that she had a cameraphone set up in her car window recording the whole mess.

The cops find the recording, now all they need is to go and get Lala. As it happens, Lala is currently holdup in some downtown high-rise stacked with tons of bodyguards throughout the entire building to prevent any do-gooders from raiding. The police probably would’ve made a valiant effort to get through and lost. But Black Lightning is on the case because a brotha needs all the exercise he can get. He double-handedly takes out all the bad guys up the stairs leading to Lala’s place, electrocuting them and just outright beating them silly as he climbs to the top. And once he finally gets close enough to give Lala a thunder-slap beatdown, the cops burst in like they actually did somethin’ and look at him. And for a second we get this glimmer of recognition from Inspector Henderson but are unsure if he knows it’s his buddy or not. Black Lightning makes a clean escape, leaving Lala to be arrested and taken in on murder charges of that mother.

Obviously, Tobias Whale can’t have this. While Black Lightning might not know, the police do know that Lala is just a small cog in the gang’s overall dominance. It’s just a matter of time before they pressure him into a deal where he is going to talk about ways to bring Whale down. Who is Whale? Whale is the big boss similar to The Kingpin in Daredevil (at least I thought he was). He is, from what I can tell, a large albino black man who thinks he’s the coolest brotha alive and dresses like the pimp-gangster that he is. He runs all the crime in the city and has too many connections to count. And he wants Lala dead. Does he get one of the many cops on his payroll to kill him? No. In a supreme boss-level move, Whale and his right-hand woman go down to the police station where they are escorted into the building by a few cops and walk straight into Lala’s holding cell. Whale then proceeds to do some short but sweet pontificating about the idiocy of Lala for getting caught before one-hand choking the dude clean out, killing him with an effortless palm squeeze. At that point it is not known whether or not Whale has superpowers.


We end the episode with another glimpse of Anissa’s budding superpowers of her own. While we don’t get the same red flashes of lightning that we got from the first episode, we do get her being able to throw a robber clean across a convenient store, then shrugging it off. And it seems that using her powers makes her headache go away. Up until this point, they’ve been super sparse with the details on these powers for both her and her father, but this may tell us two things: these powers are hereditary, and maybe they actually do need to be used as some kind of stress reliever. I’m unsure.

Episode three starts with the funeral of the slain mother from episode two—or maybe it's just a wake or something because it's at night and far too late for a funeral. Jefferson, Lynn and Jennifer all show up to sit in the pews and listen to this pastor preach on how the mother was standing up to the gangs and how she didn't deserve what she got. In a feeble but exasperated attempt to do something, he calls on his congregation to take a stand against this violence from The 100 and march with him, something which Jefferson is hardly a fan of. Jennifer wants to go which ropes in her mother to go as well (chaperoning). Jefferson and Inspector Henderson try to talk the reverend out of doing this because they know that it will simply put good people in harm's way and escalate the violence even further. As a viewer, you understand both sides. The cops can't seem to do their job fast enough because they have so much corruption in the force, but are trying. Meanwhile, though the pastor is criticized for rocking his thousand dollar watch, he also wants to help, wants this to stop but truly has grown so frustrated that he's run out of ideas. In Old School Days, you wanted change you marched. Now...? But he sees the return of Black Lightning as a harbinger of hope again. He feels that he and the marchers will be protected by Black and that his return was a sign from God.

Meanwhile, as the rest of her family sits in the church, Anissa is out in some dark junkyard trying to train herself to use her powers. In what has got to be one of the fastest “let's see what I can do as a superhero” scenes I've ever seen, she beats on an older washer for a few minutes before getting super frustrated, nearly hurting herself and then coming to the epiphany that it all has to do with her breathing. Funny enough, the way this is filmed, I don't actually know if she was speeding up her breathing or what she was doing, but it works. When she was hardly able to make a dent on the washer, she can now kick it clear across the yard.

Anissa seems pretty jazzed about her powers for a while until she comes to a library and finds herself lost amid the stacks, searching for research books on mutations and powers and whatnot. There she runs into this cute Asian chick who is into comics and shows her one of her books. They flirt a little and I was like, “Hold up, doesn't she have a girlfriend?” The Asian girl tells her about this costume party they are having at what appears to be a lesbian bar (or maybe it was just ladies' night??) where she works and invites her to come dressed as a superhero or villain herself. Here, we also get our first reference to one of the other DC superheroes/shows on the CW in Supergirl. I'll withhold my judgment of that until the critique.

Anissa goes to the club and predictably grinds all over the Asian girl until her girlfriend suddenly pops up out of nowhere, and I was like, “Huh? What? Like... huh?” Was she tracking/stalking her? I digress, but just know that I thought it was kinda weird for her to just show up and find her. This leads to their break-up and Anissa having to give back her girlfriend's key. She doesn't hook-up with the Asian chick but she does sit at the bar and have a drink, so it seems that we might see this girl again.

With the march set for the end of the week, Jefferson and his apparent tech guru Peter Gambi (yeah, the tailor) have to figure out how to change the protest route to keep the marchers safe. Can I just say here that they kept saying “parade route” instead of protest route and it bugged me and the people I watched this with. Parades are for celebrating; protests are for when there is little to celebrate. Anyway, Gambi also makes some improvements to the suit which allow Jefferson to shoot a single concentrated beam of electricity toward a person and not hit bystanders, so he can safely take out gang members in the crowd. But while that is going on he and Lynn have bigger fish.

Lynn, Jefferson's Ex-Wife
That bigger fish happens to be Jennifer's deflowering. In a super-modern parent-child relationship, Jennifer tells her parents (and at family dinner no less, sans Anissa) that she is ready to have sex. Yeah. Black Rob circa 2000—Like, Whoa! She is very diplomatic and straightforward with it, too. She and her boyfriend plan on losing their virginity to each other (yes, he confessed that he was also a virgin in a rather cute little scene of acceptance) on Saturday, during the day, at a hotel room they'll be renting. They said she could always come to them to talk about it when she was ready, and she actually did that shit. Oh my god! Listen, I always thought I was a fairly good kid, but even I don't think I would've done this if it came up at that age. Naturally, Lynn and Jefferson are stunned by her decision and honesty and just want to make sure that her young self is having sex with the right person, and from what we've seen of Khalil (her bf) in the previous episode when he chastised Jennifer for drinking and being a bad role model for the other girls, he can't get any more righter at this point in life. This dude first lied about being experienced in sex, and then went back and told the truth on his minty-fresh dingaling. Hell, I still know at least five dudes in my life that swear up and down they made it with Beyonce and ain't never even been in the same building, let alone the same room with her. He is literally a younger, lighter version of her father—the epitome of what young black boys should be.

Still, being a father, Jefferson must interrogate the boy in as awkward of a way as possible. While he doesn't threaten him like most dad's might, he does ask the boy about his personal hygiene to check to make sure the boy isn't going to infect his daughter with some kind of fungus or something. It was a very funny but completely ridiculous scene and will be mentioned in my critique.

In an episode that feels like it moves super fast, the march is upon us in no time. Peter has put up construction signs all through the city to direct the people into safe areas that Black Lightning keeps watch over from the rooftop. When a thug hired by Tobias Whale jumps out with a machine gun to try killing all of the marchers, Black jumps down and puts up an energy force field to absorb the bullets. He then shoots the dude down with one of his bolts, along with another gang member that hid in the crowd. Saved, the group starts to sing Amazing Grace as the pastor stares at Black as if he was Jesus. From down the street, Whale and his henchwoman sit in the car talking about how much he hates churchgoers. Henchwoman takes a shot at Black but misses, instead hitting the pastor just above his heart. But the bullet flies through the pastor and ends up in the spine of Khalil—no loss virginity for Jennifer this weekend. Luckily, both the boy and the pastor survive, but this has only stoked the lightning more. Little does he know that he is not only battling against Tobias Whale but also against another, even bigger boss in Jill Scott's Lady E. Yes, the singer Jill Scott. What will the future hold? This family can only stay together to make it through.

What's my grade? I give it a solid B. Being black I definitely want to see more minorities succeed, so I try to judge things as fairly as possible. With that being said, there are a few flaws in this show and pet peeves of mine, but let's start with the good. The casting is phenomenal here. I can believe that the two girls are the daughters of Lynn and Jefferson. Everyone has good chemistry and there's no level on which I feel that any of the people don't know or are uncomfortable with their character. Out of all the late-40s actors that they could've chosen, I think that Cress Williams was actually a perfect choice for the role, considering the budget that they have and what they would ask him to do. He fits the role well both physically and presence-wise and seems like a high school principal. I also like Tobias Whale, even though he is thinner than I would expect for someone with the name Whale. I will say that at some times his acting is a little suspect, however, knowing that this is a comic book show and that he is supposed to be this over-the-top gangster allows him some wiggle room.

I also like the overall positivity of the show and how it displays a black family (any family, really) where the parents are both successful, and successful at co-parenting while not together. They broke up and don't hate each other; in fact, they still love each other but things are complicated. If you want good images of black people, this is it. Hell, the youngest girl is the picture of what a perfect daughter looks like. Yes, she's trying to be a little rebellious but you even get the strong sense that it is a phase and that she really just wants to be a good girl.

I also like how the show confronts the inner-city's issues head-on. It's not just about crime, it's about being socially conscious of the community, and what you can do to help it. And finally, I also like the costumes and the special effects are on par with every other CW show.

Now, for some of the bad and ugly, we have to discuss this writing, y'all. That third episode could be indicative of the people they have in the writer's room and if it is, God help us. The third episode was a mess. Everything from the strange conversation between Jefferson and Khalil, to Anissa's girlfriend randomly catching her in that bar grinding on that Asian chick, to Anissa magically learning how to use her powers in a snap, to Whale being able to stop and monologue about how he hates the protesters while sitting right down the street within their view. Almost all of it rang false and played false on the actor's lips. There's a problem with the writing when you have too many conveniences. They can make the writing overly melodramatic (some melodrama is fine, but too much and it becomes kitschy) and can make the audience put aside their disbelief in favor of asking too many obvious questions with no answer other than “because.” Why did Anissa's girlfriend know where she was at? Because it's convenient to the plot. Why did the mother get out of her car and start waving a camera in Lala's face? Because it's convenient to the plot. Why is it that the suit tailor happens to also be the tech guy? Because it's convenient to the plot. Too many of these will frustrate an audience.

Also, it feels like there's no backstory here. Other superhero shows on CW started with some kind of “creation moment” as I call it. It's that time when the person goes from regular guy/girl to superhero. Yes, we get a little of that with Jefferson, however the fact that he was a superhero before and is now returning to that somewhat cheats the audience. Look, you can do this with other, more popular characters like Batman or Superman or Marvel's main characters, but I had no idea who Black Lightning was before this show and three episodes into the series, I still have little idea of how he became the superhero in the first place. Yes, they have a full season to show his story, but they could've fit in a little flash back to his very first day on the job or what turned him or how he got his superpowers to let us know that he wasn't always this stand-up superhero man. Viewers need a good backstory in order to identify with the hero on a more human level before they exalt them to their pedestal.

And finally about the writing, how many bosses are there on this damn show? Because in episode one we see Lala, and I'm like, OK, cool. Then at the end of that episode we learn that he's working for the higher-up Tobias Whale. And I'm looking at this spooky, surly-looking, mean-mugging dude and I'm like, “I like this!” But then in episode three we see Lady E and I'm like, “Hold on. I like Jill Scott but what the new hell is this?” Because the way she spoke (and didn't offer him a seat) made me think she was the big boss. For starters, do any of them have superpowers or are they similar to Daredevil's many powerless rogues? And which one is the biggest one, the crown jewel of the underground? And am I always gonna meet one boss at a time, and that person is then taken out and replaced with another bigger boss? I mean, does Lady E have someone over her? Am I someday gonna see Jill Scott actually fighting in an action scene against Black? It's both intriguing and exhausting to think about. I never saw the first seasons of Arrow and because of that I don't watch it regularly now, but on all the other superhero shows on the CW there was always one main overarching villain for that season, and they were helped by other smaller weekly villains. And usually those villains were smart and/or had some kind of good twist to them.


Here, it's very different. There is no clearly defined main villain. He's just battling street punks, which is fine but can get repetitive if the stakes don't feel like they are steadily increasing on a weekly basis. I've already seen Black take out dudes with guns three times now. When will I see him take out dudes with something else, or truly see him actually be challenged on a physical level? With him already knowing his powers as opposed to bumbling through a learning process, and with every villain he beats being some dude with an illegal gun, there's almost no tension in his fights. He's Superman against non-Luthor humans. Basically, all of his villains so far have been red-shirt Trekkers (Trekkies are the fans, Trekkers are the actual characters) that are easily thrown away. And we keep hearing about how Whale thinks he killed Black himself a long time ago, but how? We haven't even seen a cool weapon that would match Black's powers and truly put him dire straits. He just wins all the time. And that can get boring, even if we are supposed to consider him an aged superhero who knows what he's doing.

Then there's the soundtrack. OK, so this is a pet peeve that will sound rather off-putting, especially to some younger black people but I have to be real when I say that I actually don't like all the Hip-Hop in the show. I know, that sounds super crazy because I do like Hip-Hop and can be found listening to some Drake or Kendrick Lamar when driving. And I know that supporting rap or R&B, which is predominantly black-created music, is exactly what we should want from a show like this, however I don't like it for a few reasons. First, I kinda hate when black movies and/or shows do this: assume that all black people like or want to hear rap, R&B or Jazz all the time. This is partially why you look at a lot of black films either from the past or current ones and will see soundtracks filled with the latest hot rappers that are often rapping about nothing. Or you will get the occasional theme song filled with weak lyrics from a black rapper that you don't know and couldn't recognize in a sea of white people. For some reason blacks always seem to do this, save for the times when there is extreme oversight. We did this on an almost continual basis in the 90s with everything from superhero movies to just about any black-made movie that came out. Unless it had high studio hopes, it got a soundtrack filled mostly with Hip-Hop, which, at the time, was often superior than what we hear today.

As I've said multiple times on this blog (usually in posts about movies) a soundtrack and overall sound of a movie or TV show can play huge into how well it is received and can even affect it's quality, either enhancing it or degrading it. The subtle tones followed by thumping beat of The Dark Knight soundtrack blended so perfectly with every scene that it helped to raise the tension throughout the entire film. Go and re-watch that police station interrogation scene starting with Gordon and then having Batman come in to beat on Joker. The music adds to the conversation, ratcheting up the insanity of Joker AND the intensity of Batman. Even in the movie Get Out which, thankfully, doesn't suffer from this trend, we hear one really good R&B song at the beginning (Redbone by Childish Gambino) which fits with the overall tone of the film both philosophically and music-wise. The song is slow-building just as is that song, both possessing a haunting quality to them. They pair well and each one feeds well off the other. Hip-hop often does not pair well.

With Rap or any form of Hip-hop, what we usually get is some form of a dance when the music is played. Often used in fight scenes, the repetitive nature of the beat (or just about any radio-commerical song) doesn't lend itself well to any climax in the fight. All cinematic fights need to steadily crescendo up but here? Eh! They don't crescendo, making them cool but far less effective to the arc of the hero. If it doesn't seem like the hero is ever really overcoming something while defeating his enemies, the music is partially to blame. The non-orchestral music makes it feel like every fight he gets into is just a warm-up/workout and that we haven't seen him actually challenged or tested in any capacity, which lowers the stakes. Often, the only good times to use Hip-Hop in a fight (or any radio-commercial songs) are to make a comical point. 


The second reason why I could do with less Hip-Hop is because I want the identifiable orchestral music. We all grew up knowing the themes to the original Superman, Star Wars, Indiana Jones, James Bond and a gamut of other films and TV shows. One of my gripes with the new Dynasty was that for the first two episodes they ditched the original music in favor of that pre-loaded synth-drum beat. Now they have a rushed, party-like version of the original music that strips away the grandeur of the original orchestration, which exuded wealth—the main thrust of the show.

Here, what do we get? There's a bevy of songs both old and new, both secular and religious coming at you every week, but none of them stick around for a second episode. And the theme song is barely understandable save for the last few words, “... Black Lightning's back!” Unlike the rest of the superhero shows on TV, it doesn't feel heroic. When you think theme song for a superhero, you want something that will either cause you to want to, or where you can think of the superhero themselves, stand “Supermanning” in a posed position of triumph. (For those unaware, the term Supermanning means standing in a position with your fists on your hips and your chest poked out and proud like you've just accomplished something, like Superman was always seen doing in the early comics). This music elicits none of that imagery. It feels like they went with what they thought would be the coolest thing to do, but sometimes, especially concerning superheroes, it's better to do what you think will be legendary than it is to do what will be “cool for the moment.” This theme song is not legendary and, in fact, feels almost like a placeholder for something better to come in the future. I would just like to see more orchestral music than this, but I know that there are going to be plenty of people who like the music as is, especially the younger crowd. But it's not like black people don't create orchestral music, too. Still, I like the show.

Should you be watching? Yes. If you are looking for a family show and/or are looking to add to the many comic-based shows you inhale, then I think that Black Lightning is different enough for you to like it and enjoy it as a family. I haven't seen the Luke Cage show so I can't compare the two, though I read some reviewer say that Cage's show was darker. Black Lightning fits perfectly with the rest of the CW shows. The one big question is: Will this show somehow fit into the wider DC TV universe and unite with the other superheroes on the CW? As yet, I don't think a decision has been made about it, but that Supergirl reference was enough to wet the appetites of CW viewers I'm sure, and it is from the same producers. If they do decide to cross in the future (remember, Supergirl wasn't originally part of The Flash and Arrow's universe) then it would be interesting to see in which world this would be set. With the other shows having established that there is a multiverse of 52 worlds, this show could very well take place either on Supergirl's world, Flash/Arrow/Legends world, or some other world we have yet to explore. Ooo, what if it took place on Earth-2 (or maybe it's three now) which Cisco and Barry visited in season two I think where their current HG is from (not Supergirl's world)? I think the possibilities are grand. Anyway, diverse superheroes are back in a big way. Support and we could see more. Black Lightning airs on CW Tuesdays at 9pm EST. Catch up on the first three episodes at CWTV.com.

What do you think? Have you heard of Black Lightning (not to be confused with Black Panther the movie)? If you haven't, do you think you'll tune in now? If you have heard of it, have you seen it? Did you like it? Was I being too harsh on it or too soft? If you haven't read the comic, how do you think Jefferson got his powers? Who is Peter really? When will Jefferson learn of Anissa's powers? And do you think Jennifer has powers too? Let me know in the comments below.

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Until next time, “We didn't land on Plymouth Rock; Plymouth Rock landed on us!”

P.S. To the people of power, stand strong. Happy Black History Month! I'll think of a better sign-off next time.
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