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Showing posts with label preview. Show all posts
Showing posts with label preview. Show all posts

Saturday, May 6, 2017

Extraordinary Season 1 Preview #FreeComicBookDay #Serial #Extraordinary #Sci-Fi

Extraordinary Season 1 Preview #FreeComicBookDay #Serial #Extraordinary #Sci-Fi




So, in honor of Free Comic Book Day, I thought I'd share the first act of my new episodic novel series, Extraordinary. The first three episodes will be out tomorrow for purchase on Amazon Kindle. Click the Amazon link at the bottom of this post to get to more of my works. Hope you enjoy.

The Tease:

Extraordinary, in its first season will follow a small group of 16 people (I know, it seems like a lot but by the end of the season you'll know most of them intimately and have your favorites) in a not-too-distant future where Mars is hardly the space darling it used to be. Instead of obsessing over Mars, scientists and space-enthusiast alike have looked just beyond the red planet to a solar system anomaly referred to as The Eye. A wormhole that defies certain theoretical physics while supporting other theories, The Eye provides not only the next jewel for galactic fascination, but it becomes a portal to another world. An alien world. It is here that Colonel Nelson Corman makes a daring escape from the clutches of an insect-like race of aliens, jetting back through the stars to earth, determined to warn us all. His warning: Aliens soon shall come.

A dire warning, only a select few hear this. They set on a mission to change the world for the better before the aliens, good or bad, arrive to earth. But to do this, they'll need volunteers.

Enter Michael, one of the unappointed leaders of the group of volunteers for a strange new study by a company named Paradigm. He, along with 12 others, is chosen after a less-than-extensive search for desperate people in need of cash. A little daughter and ex-wife to support, he tries to do right by his family but finds that he must sink to low paths in order to get there. Little does he know just what Paradigm has really done to him and the others.


Think of Extraordinary in the same vein as the ABC series Lost or Stephen King's The Stand. You will see multiple stories from each character as they carve out their identities, and all experience this life-transforming happening together. It does have an adult tone so it will be rated for a mature reader. Reader's discretion is strongly advised (that means cursing, substance use and the like).

Note: the numbers are page numbers that will be properly worked into the completed format on Amazon. And now for your sneak preview. Enjoy!. 


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Extraordinary achievements mark man's passage of time upon this earth. From wallowing in a sphere of dust and water, to blasting into the highest reaches of the firmament. Still, more achievements lie ahead. Yet, with all of the impossibles made elementary, many questions remain. What awaits beyond the sky magnificent? Will we ever truly etch our place into the stars? And if earthly trappings bind us only to here, to this rock, what will the limit to our potential be? Will we ever become more than that which we see before us?
HG
BLACK.
PRELAP: An unidentifiable GUTTURAL SCREECH, like a mix of elephant's horning trunk, lion's roar, and rusty screech of a train's breaks halting on an old line.

EXT. PLANET – DAY
Sparsely-clouded sky plays home to the wild imagination dripped at end of painter's brush. A magenta drapes the atmosphere. In the distance, a red dot—flames of a brutal star—plays sun. Ain't Earth.

Breathing. Panting... The right foot of a white boot stamps the orange clay-soil of the alien planet. The subject: An astronaut runs, with squirrelish fury, away from the white-grass thicket lining a dry clay field. He spills onto what resembles Earthly desert landscape with little time to savor its flawed, morbid beauty.

Like a greasy, acned face of a teen, divots, puddles and unsteady ground lay before him, pockmarks from an abused territory.

The suit svelte and white with reflective foil wrapped at the ankles and knees, he ran without restriction, an earthly gravity neither 
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buoying nor bullying his stride. Worn, the suit and its wearer had seen the planet's worst. Clay skids sullied the once pristine white with the decoration of discovery, of desperation, of fear.
The inside no better, the helmet—a less bulky, almost Hockey-like design—had a spider-webbing of dry spittle in the lower left corner nearest the astronaut's mouth. Remnants of a dehydration-sweetened saliva expelled in overexertion, it misted and fogged under the astronaut's hot breath.
His brow sweat-lathered, eyes ghost-widened and with just as much fear, here ran astronaut Colonel Nelson Corman, PhD. A man of 43 years of age, white with brunette hair, a sharp triangular nose, a Neanderthal-model's jawline, and the rugged good looks of a Hollywood action star, he had served as the captain of the spaceship that landed upon the planet. Thousands of real-life flight experiences in everything from fighter jets to airbuses, two years training as an astronaut pilot and all the dreams in the world about following in his heroes' John Glenn and Neil Armstrong's footsteps couldn't prepare him for this. Until he got his wings again, he'd have to revert back to his basic training, and run.
The out-of-breath panting of an over-ran marathoner, body fought mind as one wanted to slow and the other knew he couldn't. Not far behind, something wicked chased him.
Goowarrrrr! Another gnarled roar thundered through the air, wetting the stale wind with grievous intent, sending Colonel Corman tripping and plummeting to the ground. Less than an inch of soil loosened on the orange peel of a planet, he hit hard upon rock, his chest and right side absorbing much of the blow. Pain his second nature, he flipped to his back to see what stalked him. Nothing? Whatever he fled from had yet to make it through the white field. Still, that could not erase from his face the look. That look that poet's 
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 gone to war wrote about; that look that haunted the nightmares of murderers; that look that not even cameras could capture and that the devil himself rejoiced from. Abject terror lived on his face. In all the years he had toured and warred on Earth, nothing scared him like what lay just beyond the gentle sway of the tall white grasses.
Spotting no movement, he felt around his suit, patting at his legs, his back and chest, searching. A mumbled question, he asked, “Holes? Rips? What is the suit integrity? What is the suit integrity?”
Musings of a madman? No. The suits AI—an upgraded mix of Siri, Alexa, and HAL—answered, “Suit—suit—suit integ... -ty: 100 perc—perc—perc...” On the fritz, the AI's inter-suit communication system had taken a beating just as bad as the colonel. It stuttered, stammered, and auto-corrected worse than a clunky 80s computer.
Corman got the gist. He started to breathe relief when it added, in smooth enunciation, “But breathable oxygen is now at two percent.”
“Shit! Gotta get back to the ship! Gotta get back to the ship!”
Goowaaarr! The creature grew closer. The colonel rolled to his knees and pushed to his feet, taking off down the straightaway. His direction predetermined, 20 feet ahead sat an outcropping of rocks. Half gray, half orange they stood out of the ground like elongated egg-shaped pillars. About the colonel's height—five-ten, five-eleven— they provided perfect cover from what laid before him.
Corman ran to the rock outcropping and deliberately fell hard against the rocks, shouldering into the grayish-orange substance to hide from what was on the other side of the rock. Sounds of them stepping, he slowed his breathing and peeked out to the left side of the rock to spy on his objective and the beast.
The goal: reach the escape spaceship that sat about 20 feet from a cliff's edge. A triangular pod dipped in white, black, blue, a metallic teal, and coated with the current planet's filth, it served as his only 
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escape. About a football-field's length away, he'd have no problem getting to it had he not spotted what stood in his way.
Off to the left, and almost exactly halfway between ship and rocks, stood one of them. A metallic blue, almost as if someone had painted a truck with regular house paint then sprayed it with a glittery gray finish—the creature stood in dreary color. No less than 22-feet-tall, the hulking beast resembled a Frankenstein-like mix between furry animal, insect and spider. It moved with bone tentacles, standing only on two at a time as the other eight made circular patterns in the air like antenna looking for something. The tentacles each had no less than four knobby, knee-like joints allowing them the fluidity to whip like eel through water, or to fold like a blind-man's cane.
Its body looked of nothing, the torso a mixture of a fat cockroach and cow. Silica-like, gray-teal hair hung from its underside and dotted its tentacles. Protruding from either side of its body hung scorpion-tail stingers that, when raised to the red sunlight, looked translucent with turquoise outline. A venom inside of them yellow in color and boiling in appearance. The actual stinger could open like a flower, even serve usefulness as a hand and arm. A frightening creature, it moved with its tentacles in unique ways, no buggish pattern or dance to its movement, though a slime excreted sometimes from the bottom of the tentacles.
Though the blue creature stood closest to him, even farther away and more to the left stood a pinkish creature with similar attributes to a crab. Standing only 15 feet in height, it used all of its tentacle joints to walk at once. No stingers, it had claw-like joints with flattened white boards that looked like glued-together, elongated fingernails. Facing the astronaut and the blue alien, its face had a softness to it, almost appearing human or animal in shape and form: three proper holes from which illuminated its eyes; yellow-pyramid
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 beak, which opened into its mouth; three vertical slots that resembled an antique wood stove—all made for an actual face.
Squared off against the blue alien, it moved side to side, slowly, methodically, strategizing its movements. Corman watched as it stepped to its right (Corman's left), and he thought, see me. See me!
The glow of the pink alien's eyes shifted color as its head tilted down to look across the cliff to the rock outcropping. He spotted Corman's head peeking out from the rock. Corman nodded and smiled in agreement. His eyes turned from the alien to the ship in hopes big pink would know of his plan.
As Corman looked once more at the ship, this time squinting to see harder, he spotted something lying far right of it. At cliff's side edge, sprawled upon the clay, laid another astronaut, a member of his crew, no doubt lifeless with their left arm outstretched and a book bag half-wrapped around it. Biology Officer Lacy Denaghue, he thought. Too many losses to count, he didn't have time to mourn them all now. He needed only to escape.
He continued his scouting glance, spotting what looked like a large clay doughnut. Wise to the crude aesthetic, he knew it to be a weapon used predominantly by the blue creatures.
Not thinking, Corman took one step toward the weapon and the dead officer only for his boot to kick a baseball-sized pebble. The noise just enough to draw the blue alien's attention, the elongated turtlenecked creature whipped around to see him. Far from the face of something recognizable, it had glowing eyes of yellow with a red ring around them that protruded like insect eyes; half a dozen of them on its face. Serpent fangs hung from the bottom of its neck and the entire neck opened to reveal a salmon-colored, gill-like flesh.
Spotted, Corman ducked back behind the rock as the blue creature lowered its two most-rear tentacles and took two steps 
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 toward him only to be called back to the gladiator battle between it and the pink alien. The blue thing whipped back around as the pink alien galloped toward it at full speed and lunged into it.
The cries, roars and screeches of battle emanating from behind him, Corman concentrated only on his dilemma. Think, damn it! Think! Go for the ship, make it out alive. Go for the backpack and you've got a greater probability of dying. Even if that monster doesn't get you, you'll still probably run outta air. “Gah! Life or science? Life or science?” Always a soldier, he'd never be able to live with himself if he didn't complete his mission. “Aw shit!”
Ker-booomp! The crackle of an unfamiliar storm rumbled through his ears. Still leaned against the rock, Corman looked out to the left of the cliff to see the sky darkening green as a storm rolled in. Far from an earth storm, the green was not clouds. The clouds that already covered the sky persisted, staying still as if glued to the atmosphere. Having lived through one storm, he knew what followed would trap him there. He had to get out before the rolling rain and striking plasma covered him and the ship.
His eyes fixated upon the storm in the distance until a pink appendage flew up from the gorge below the cliff and spiraled toward him. A near hit, the pink limb landed to his right side, smacking hard against his shelter rocks and forcing him out into the open. He whipped back to the two aliens in battle only to find the pink alien atop the blue, ripping one of its tentacles in half and watching black pus spew from it. Maybe he can make it with those two distracted.
He took one step toward his downed comrade, when—Goowaaarr! He whipped around to see another blue alien climb up from the gorge and get atop the cliff about 400 feet from him, just at the start of the white grass thicket. It locked eyes on him.
“Oh my god!” Time to move. He started to dart across the clay...
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EXT. CLIFF, ALIEN PLANET – SAME

CRANE OUT to reveal landscape. From above, we look down on a marbled gorge on either side of the Lion King-esque cliff.

Brilliant whites, oranges and yellows – colors of the ground – reflect back, as we see and hear a much larger battle waged below. In the gorge, pinks vs. blues lay waste to each other, savaging one another as body parts flail and fly. Black goop from the blue aliens and green goop from the pink aliens smears on the ground.

An alien Gettysburg moves in rage as the green storm nears. Fire shoots pink aliens' mouths; ice from blues' eyes. A blue vomits onto a pink he's locked tentacles with, melting through its claws like acid.

Still fleeing like tiny white dot is the Colonel, the second blue alien gaining on him, using its many legs to zoom across the ground.

The sound of the approaching blue at his back, Corman ran for everything he ever held dear in his life, leaping and bounding from one stable bit of land to the other. He leapt over a blue puddle of unidentifiable liquid. Can't be water. Their water is clear, white even. His leap timed with the loogie of the second blue alien behind him, the spit hit and ignited with the blue puddle.
Boooom! The explosion flung him across the cliff, jettisoning him farther toward the weapon and the backpack. Thud-landing upon his right side once more, he rolled to his back, shook it off and looked across the field. Snapped to attention, the first blue alien eyed him in full view. It started toward him when the pink alien tackled it from behind, pulling it back into their death match.
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Another lucky break. Then the suit began to sound as he scrounged to his feet. “Breathable air now down to one perc—perc...”
“Engage air recycling filtration system,” he said, though he knew it busted nearly a day prior.
“Negative. Air filtration system inoperable. Warning: Breathable air down to one perc—perc—perc...”
“Ahh!” And up he went. Steps more sure than before, he took one look over his shoulder to spot the second alien close on his tail, now within 50 feet of him. Pushing his luck, he darted the last ten steps to the doughnut-shaped weapon.
“Okay, how the hell do you work?” He had only seen it used once before, but he had only been on the planet for 30 days, so everything stayed fresh in his memory. Some kind of gun or cannon, it looked like a hula hoop standing upright and perfectly balanced without rolling forward or backward, but far from smooth. About six feet tall, he had no hope in moving it, but found a port at its back that just happened to point downhill toward the second alien. A port filled with a yellow snot-like substance, he jammed his hands deep into it, then wrapped the blue vine that hung from its side around his right foot, and kicked forward and down. A massive white energy blast ten feet in diameter shot from it like a softball toward the blue alien, blasting it halfway back down the hill. Stunned but not dead, the alien shook off the blast and got back upright to restart its approach.
Enough distance between the two, Corman ran ten steps farther to reach his fellow astronaut at the end of the cliff.
Worse than a cheap slasher movie, he looked down to his science officer to see the front glass of her helmet caved in and her face pulverized to such a messy pulp that nothing about her appearance looked human. Only her jawbone jutted forward with a few cracked teeth, the rest an Irish Blood soup of brains, flesh, eyes and other 
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sinew. A praying man, Corman closed his eyes in quick prayer for the blue's prey. A mumbled word to the heavens only God and his heart could hear, before he could say amen his communion found interjection in the victorious roar of the first blue.
Corman opened his eyes to look across at the first blue standing at cliff-side's edge with big pink hoisted above head, half its tentacles torn off. Like Moses casting ten commandments down from on high, the blue hurled the pink off the cliff and roared once more in victory.
“No.” Corman's one, quiet utterance called attention to him as the blue whipped around to spot him and pointed one of the sensor tentacles at him, reading its prey from afar.
Distracted by the pull to survive, Corman started to take off, getting three steps away from his downed crew mate before remembering, “Science,” and whipping back around to grab the bag. He found the bag entangled with the outstretched left arm that had grown stiff. He crouched down, yanked at the bag's strap twice before ripping it off and flinging the one usable strap around his right arm.
Beep! Beep! Beep! “Warning: Breathable oxygen will dissipate within 15 seconds. Warning: Breathable oxygen will dissipate within ten seconds... nine... eight...”
Time low, he took off, running double-time as the AI counted down and the beeping wouldn't stop. Don't look back. Just keep moving forward. Forward, damn it! Forward! His mantra helping him speed up, he paid no attention to the second alien having doubled its rate of approach, now closing the gap, within 50 feet of him along with the first blue. For such big creatures they moved like lightning, scurrying quicker than ants across the plane, almost gliding with the ends of their tentacles as they pursued him.
Gooowwaaarrr!
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“Don't look back! Don't look back!” he yelled at himself, tasting the salt of his sweat upon his lips. The beeping drove him crazy.
“Four seconds... three seconds...”
Almost there. Ten feet. You can do it, Corman! Six feet!
The aliens zipped across, the second blue crunching into the body of the other dead astronaut, treating it like pavement gum.
The back loading door of the spaceship down and its ramp deployed, he needed only a few more steps to get inside. Two steps... One step, and jump!
He dove onto the ramp and crawled farther inside as he knew one had swung its lengthiest tentacle at him. A red lift button to his right, he smacked it and flipped onto his back to watch the alien's reach the back lift door. He scooted farther and farther into the ship as his suit continued to beep, out of oxygen. Lungs starting to swell, he held his breath as he watched the lift-gate close—wait! It's stuck?
The hydraulic got stuck, sending out an airy mechanical zip like the sound of a copy machine on repeat. The first blue alien arrived as the door nearly closed. It stuck its tentacle into the open space and tried grabbing Corman. Not to be undone by them, and knowing he had to close the lift-gate in order to engage the ship's faux-earth atmosphere, he kicked at the lift pipe to his left, hoping it would click back into place or move.
Come on you bastard! He willed the pipe to correct itself, finally kicking it smooth and allowing the lift-gate to close. The alien yanked its tentacle out just as the ramp closed.
Still not clear, he started to feel the wooziness of having held his breath so long. Get to the front! You've got to get to the front. Only from the pilot's seat at front could he turn on the artificial environment. He tried pushing to his feet before feeling lightheaded from lack of oxygen. His legs gave out and sent him tumbling back to 
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 the ground. From walk to army-man's crawl, he muscled to the front to smack a green button and swipe his hand across a screen to...
“On-board artificial environment engaged,” the ship's AI said.
The helmet heavy on his head, he unlatched it and threw it off to take a big gulp of air—“huooooohnn!”—before rolling onto his back and looking at the ship's ceiling.
Goobababoom! Goobababoom! The ground rumbling from outside mixed with the storm still nearing and the metallic thwack of the tentacles upon the outside of the ship. Corman elevated to his feet, threw the backpack off and into the co-pilot's seat to his right and plopped down in his captain's chair.
“Initiate emergency flight protocols! Skip check-through!” he told the AI.
“Systems analysis skipped. Would you like to—?”
“Start engines!”
“Engines started. Would you like—?”
“Engage thrusters!”
Outside, the white heat of the spaceship's thrusters burned across the clay, turning its color from a dull orange to a shiny marbled red. Boomp! Gaaboomp!—two more hits from the aliens.
Dang it! I can't wait for the engines to power up. If I don't get outta here now, I'll never get out alive. No doubt those things can rip this tin can apart. Having seen plenty of what they could do up close, he wasn't looking to be proven right. He looked out the front window that covered the entirety of the front of the spaceship like a visor, and spotted the rain hitting the battlefield below to the right.
A touchscreen display before him with all sorts of buttons for the ship's operations, he dialed a few to initiate the piloting gear to come out from beneath the table and dock in front of him. “Lift-off ready!”
He wrapped either hand around either pillar of the steering yoke 
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 and yanked back.
“Warning: Engines not to full power! Taking off without full power may result in fai—”
Corman didn't want to hear it. He clicked a button-switch to the right of the touchscreen console to momentarily switch off the AI.
And lift-off he did. Wobbly, the ship pushed off the ground about one foot, hovering in place as he struggled with the controls.
“Come on! Come on!” Feeling the tug of the creature at back, he jostled with the yoke and yanked it left, hoping to fling the alien off. Half in control, the ship spun like a top, whirling twice in the air, scraping its right wing on the ground as it turned. And forward! It hop-skipped across the ground toward the edge, closing the 20 feet to the drop at a snail's pace as the engines fought the new weight.
“Ahh!” Not until the second spin did Corman notice salvation out to the left of the window. The pink alien that had been tossed off the cliff's side threw one of its tentacles over the side. Then another, finally pulling itself back up onto the plateau. “Yes!”
Angrier than Clint Eastwood in a Western, the alien scuttled its way across the cliff as fast as it could, moving no less than 30 miles an hour toward the ship. One final battle cry, it dive-bombed into the two blues, ripping them from their attachment to the ship. The momentum sent all three of them cascading off the side of the cliff, freeing the ship to sputter along until it reached cliff's edge.
Sputtering, sputtering, sputtering, and... Drop! Corman looked out the windshield only to see ground not too far away. The engines' power was not fully restored. A daring pilot, Corman put his feet up on the dash and pulled up with all his might, freeing himself from the straight vertical plummet and leveling out just at the height of the blue creatures. War still waging, he looked across the ravaged plane at the mess of creatures entangled in battle and remembered the 
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 kindness of the pink creatures. If he was forced to fly low, then he might as well do some damage.
Yanking and jockeying with the yoke, he turned the ship sideways and bowled the right wing directly through a line of blue creatures like a sideways Frisbee. He boomeranged to his left and turned to take out two more of the deviant blues before the engines warmed enough for him to make the pull upward into the sky.
No sooner had he braved and conquered one peril did another come. The storm fully upon him, now he had to fight against the malevolent weather of the planet. Rain splashed upon the windshield, hitting like balls against bats. Were it water, he'd be safe. But this was no ordinary H2O2. A liquid thicker than vegetable oil, and just as greasy, spit down from the heavens in brown droplets big as a child's hand or a god's tear.
“No, no, no! I need visibility! I need to see, damn it!” Corman yelled at the window as the brown rain coated like thick gravy. He flicked the button-switch to turn the AI back on and instructed it to, “Defrost the windows.”
“System has found no need to defrost th—”
“Then do somethin', god damn it! I can barely see!”
“There is an obstruction 100 feet away. I advise you to pull up!”
The obstruction: a cloud. As nearly everything else on the planet, the clouds sat differently in the purple haze of day and green of the storm. Instead of puffs of condensed moist air consisting of white foam pushed by the geothermal breeze of the planet's rotation, these clouds seldom moved. These were gelatinous gray blobs that Corman and his crew never got around to thoroughly analyzing. His chief botanist hypothesized that they, similar to earth, consisted of condensed formulations of the planet's atmosphere. However, nothing on the ground supported such a theory.
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One thing they did discover: Hitting one, flying through it, shared traits with driving through quicksand or Jello—you felt the impact.
Visibility low, Corman yanked on the yoke once more, pulling straight up in hopes of missing the curve of the nebulous dwelling before him. The rain hitting thick upon the ship forced the tail down and made it scrape through the clouds, catching a piece of the gel on the end as he dared not stop.
“Detecting mass increase of ten percent. There is an 18 percent probability that the thrusters will be unable to lift us out of the stratosphere,” the computer said, hardly the news he wanted to hear. “Barometric pressure increasing to...”
As the AI continued, Corman focused on the gauge that displayed at the upper left-hand corner of the touchscreen. It read the same as what the AI warned: “Mass increased by ten percent.”
“Damn rain and... Clouds!” he said, feeling like an idiot for cursing the clouds. Another decision to make, any extraneous movement to shake free the cloud (now glued to the back of his ship) would waste thrust power and overtax the engine, and he needed every bit of power to get back through deep space.
“Now piercing Explored Planet one's exosphere and entering into inner-space,” the computer said. Not cause for celebration, the colonel still flew with teeth grit and hands wrapped tight around the yoke. The absence of a fiery canopy to burn off the rain and the cloud nothing new to him, he zoomed into the darkness of space full speed.
“We're not out 'til we're home,” Corman barked to no one.
“Nearing Icarus One's warp dock. Warning: Severe damage of warp dock detected. Warning severe...,” the computer yapped.
Nothing the colonel didn't already know, he looked out the rain-greased window to see a man-made ring satelliting the planet, a space-station docking that should have held the back-end of the ship
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 he currently piloted. This was just the planetary explorer. The rest of the Icarus One had met its untimely fate during a blue alien attack a few weeks earlier. It, along with parts of the circular ring it fit into, sustained maximum damage. Now, all Corman had to get home was the ring and the explorer. Luck on his side, the docking ring contained the warp-drive engines to get him far, and fast.
Just in time to link up with its planetary rotation, he slowed the Icarus One explorer, ported into the ring, initiated the coupling protocol and locked together with the ring.
“Initiate Icarus One supplementary thrusters now!” he yelled. As commanded, the thrusters kicked into gear and blasted him around a nearby planet and into a space where light and time warped, a black hole that had been dubbed The Eye.
Down on the surface of the planet, one of the blues looked up past the clouds, and flicked a secondary lizard-like yellow eyelid over their eyes to see through the rain and right into space. It watched as a burst of energy blasted from the rear of the spaceship and sent it deep into the black hole. Corman's escape gave it license to let free one final roar! Gooowaaarrr!
Ripping free from the black hole, Corman yanked back on the yoke with all his might as he felt himself going too fast. The Eye spit-out Icarus One into the belt of space junk and potential comets between Mars and Jupiter. Warp still engaged, the circular mechanism ripped apart at the onset of Mars' gravitational pull as he crested the bend. Corman looked down to the touchscreen's left corner. Sure enough, it still said that he was ten percent heavier in mass, meaning not even the worm hole and warp speed could peel off the gelatinous cloud substance. He wouldn't know it but somehow the cloud scraped through the space dust particles of Mars, spider-webbing a small part of the red planet's atmosphere as the ship
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 curved around the planet's gravitational ellipsis.
Corman's worries extended far beyond that. Because of the warp-drive having been fitted for a ship much bigger than the tiny explorer, he had a problem. Shit! I'm going too fast. He'd be within earth's reach within minutes.
His saving grace: “Wait, I should be able to contact them.” He swiped across a blue panel of the touchscreen to get earth on the communication line. “Icarus One Explorer to earth! This is Icarus One explorer to earth, do you copy?”
No answer. The comms were just as dead as when he and his crew went through the worm hole. “Icarus One explorer to earth, do you read me?” Still nothing. “Somebody answer, damn it!” Try as he might, he'd get no response. Still, for posterity's sake, protocol stipulated that he speak out any problems encountered in space flight for the recorder. “OK, uh... This is Colonel Nelson Corman, captain of the Icarus One space explorer spaceship. I have re-entered our solar system and have already passed Mars. Due to unforeseen circumstances I have had to ditch the rear of the ship and am flying the planetary explorer. Because of my decreased mass, I am coming in way too hot to earth. I will—”
“Warning: Approaching for a landing on earth at the current speed could result in a catastrophic event. Warning: Approaching for a landing on earth...” the computer blared.
Corman reached for the button-switch and turned it off again before saying, “Basically, I splash down on the pre-coordinated target and I could cause the extinction of the world's entire ecosystem, if I'm lucky enough not to blast a hole through the entire planet and crack it like an egg.” Stopping to think, he finally smacked at the reverse-thrusters—a disappointment as they did virtually nothing to slow him. And then...
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Eureka! As he looked at the world coming fast, he concocted a true flier's plan, “Currently, my only option is to use the gravitational pull in conjunction with the magnetic field of the earth to slow my trajectory and allow me to land with minimal damage to the earth. Computer, calculate how many revolutions around the earth I'd have to make in order to slow me enough for re-entry and—damn it!”
He switched the computer back on and restated the command. The computer calculated three rotations within ten seconds of him hitting the exosphere and smashing through a Russian satellite. An experienced pilot and highly intelligent scientist, he flew around the earth the opposite direction of its rotation, and against the gravitational centrifugal force in order to slow the ship before hitting the heat of the atmosphere.
“We're goin' down! Ahhhh!”
“Warning: Brace for impact. Warning: Brace for impact. Icarus One explorer off course. Icarus One explorer off course,” the computer barked.
The yoke unbearable to hold, it snapped to the right, breaking his arm in two as he tried to control it. Flames engulfed the windshield as the heat increased tenfold during re-entry. All the while his eyes kept glued to the console readout at the top left that insisted he still had the same mass as before—a ten percent increase due to the cloud. Shouldn't that melt off in the fire? His question for both the clouds and the filthy rain still smeared upon the front windshield.
Off course from his original splashdown landing in the Atlantic, he fell through the night sky like a shooting star, hurdling toward an empty field near a farm in a foreign country. The rounded front of his ship dove into the ground more than 200 feet, carving out a massive cave 22 miles long—Kaboom-doom-doom-doom-doom-doooom!
A disruptive quiet, inside the ship, he hung upside-down strapped 
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 into the pilot's chair, unconscious.
“Dah! Wha...? What?” he jolted awake. His first thought to free himself from the ship, he undid his seat belt without gravity's consideration, and fell to the roof of the vehicle, smacking hard against his left hip as he landed inches from the backpack.
“Ah! Ah! Oh god!” he moaned and squealed as he writhed in pain. Not done yet, he hobbled to his feet and used his one good arm and leg to pull him up to the console so he could smack the emergency beacon he had put in just for this scenario. Out of breath, he grabbed hold of a detachable satellite phone hidden in the under-panel of the captain's chair and turned it on. Above the phone's static he could hear what sounded like hot piss hitting a radiator, and turned to look to the back of the busted ship. The back lift-door/ramp torn completely off, he spotted some kind of liquid leaking from the undercarriage of the ship.
“That better not be somethin' flammable. That better not be somethin' flammable!” No fire in sight, he couldn't risk staying inside. He grabbed the backpack and managed to kick out a side door a few feet from him. Out went the door and out he went after it, tumbling to the ground of the newly formed cavern. A bluish-green glow still coming from inside the ship from the control panel was all the light he needed to take out the phone and push the “one” button.
As the phone rang, he set it on the ground, ripped at a control panel on the suit around his broken arm, and turned on a flashlight equipped in the palm of the suit. The phone continued to ring. He grabbed the backpack, yanked it open and, using his flashlight-hand, looked inside to reveal a small blue creature in what appeared to be some kind of stasis pod, like an egg but with half of the shell clear. Coiled up inside, he watched as the clear-side of the egg fogged and hardened in the new atmosphere.
19
His breath still not caught, the phone finally clicked over. He heard a human voice for the first time in two days. “Hello?”
“Tur... Turn on your locator beacon. Come get me ASAP. They're dead. The rest are all dead. Hurry up!” He clicked the phone off and laid his head back against the spaceship. Fatigue had quickly eclipsed his first thought to run from an explosion or chemical leak. Now, he needed only a breath and his sanity.

Corman undid the glove on his left hand, pulled his right hand across his waist and dug his bare left hand through the disrupted soil kicked up by the spaceship. A rich, gritty black, it fell through his fingers like soot and brown sugar, every bit his expectation. He smiled, then laughed as he watched the soil fall, “I'm home. I'm home.” And with those words, he passed out. 

And there you go. I do hope you liked it, and if it has wet your appetite, be sure to check on my Amazon page (click the word Amazon highlighted below) and check for the series premiere of the first three episodes tomorrow. Trust me, you won't want to miss this first season. It will be an emotional roller coaster that will have you both cheering and weeping for these characters. 

Check out my 5-star comedy novel, Yep, I'm Totally Stalking My Ex-Boyfriend. #AhStalking
If you’re looking for a scare, check the YA novel #AFuriousWind, the NA novel #DARKER, #BrandNewHome or the bizarre horror #ThePowerOfTen. For those interested in something a little more dramatic and adult, check out #TheWriter. Both season 1 and season 2 are out NOW, exclusively on Amazon. Stay connected here for updates on season 3 coming summer 2017. If you like fast action/crime check out #ADangerousLow. The sequel A New Low will be out in a few months. Look for the mysterious Sci-fi episodic novella series Extraordinary premiering soon on Amazon and my blog. Join us on Goodreads to talk about books and TV, and subscribe to and follow my blog with that Google+ button to the right.

Amazon click here for the Extraordinary premiere tomorrow, May 7th
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Wednesday, September 28, 2016

Zombies are Set to Walk Any Day Now, Pumpkin Spice is Everywhere and That TV Show You Totally Didn’t Expect To Come Back Is Totally Back! #PremiereWeek #ABC #FOX #NBC #CBS

Zombies are Set to Walk Any Day Now, Pumpkin Spice is Everywhere and That TV Show You Totally Didn’t Expect To Come Back Is Totally Back! #PremiereWeek #ABC #FOX #NBC #CBS



That’s right, laids and gents, the time has come for another crazy fall premiere week/season. Why season instead of just one or two weeks? Because the political shenanigans that have threatened to not only upend our country and current society as we know it under the leadership of orange-skinned or pant-suited tyrants are only now getting to the debates, which have frightened the major networks (and a few cable channels) into premiering their new shows at ridiculously staggered intervals. Because of Monday night’s first presidential debate, NBC has chosen not to premiere Timeless until October 3, while ABC has decided to do a similar thing with their new drama Conviction. While I think that delaying the premieres may be good in this case, I say that with a huge caveat: many of the new shows that premiered later into the season last year didn’t have a good chance to catch on, or couldn’t break preset viewing patterns. With the exception of Supergirl, ABC’s Wicked City, AMC’s Into the Badlands and a few other crap shows not worth mentioning struggled to find audiences. And while Into the Badlands may have gotten a renewal, most everything else did not. While I am well aware of the binge/Netflix-culture of today’s gotta-have-it world not being as tied down to certain norms, I still think that all shows benefit from one set deluge in the fall and again mid-winter after New Years, rather than a new show premiering each month, then going on hiatus, replaced with something for a few short weeks then back and forth and back and forth. While it encourages bingeing, I’m still not convinced that we as audience members enjoy the show more or as much as we think we do when bingeing. It makes water cooler talk way harder. But anyways...

Wait a minute, was that whole thing my opening paragraph? Oh my god! That was way too long. And then I went too deep into the subject matter of the schedule and... That definitely should’ve been in the second paragraph. Now I’ve wasted a second paragraph talking about how the first should’ve been at least two paragraphs, completely missing the point that this post is to inform people about some of the new shows coming this fall. Yeah, still knockin’ that rust off. Let’s get to the shows.

This year, let’s begin with the wimp of the major networks and go from there. I’m talkin’ about NBC.

NBC
For whatever reason—either because they think they’re returning shows are so fantastically great that they don’t need any new stuff or because they really couldn’t find anything that great to put on after all the really good shows went to FX and AMC, the good shows to ABC and FOX, and the decent shows to CBS—NBC has decided to premiere just three shows this fall. Frankly, none of them float my boat all too well, even after seeing countless commercials for them during NBC’s wonderful coverage of the 2016 Summer Olympics. While I keep an open mind for all shows, I can’t figure out which one of the three is the least appealing, so we’ll begin with The Good Place.

The Good Place

The Good Place follows the life—er... I mean, death and afterlife of Eleanor Shellstrop played by Kristen Bell. After living a far-less-than-stellar life rife with misanthropy, apathy for others, self-centeredness and a slew of curse words, she dies and goes to heaven or... The Good Place. Ha! Get it! Because it’s the name of the show. The joke’s probably funnier on the show. Her first overwhelming instinct is that she has somehow ended up in the wrong place. Not only should she not be in heaven, but she makes the argument that she shouldn’t even be dead yet. She makes this argument to Ted Danson in his return to goofy comedy after stints on more serious CBS dramas. Ted plays the mayor of the city in which Kristen’s character now resides. While he promises to look into the mystery behind her appearance in heaven and if her death was warranted, Kristen is paired with dorky black guy Chidi played by William Jackson Harper. Not only is he her guide to the new heaven where everything is roses, rainbows, lollipops and drunken nights with non-hangover mornings, but he is also revealed to be her soul-mate. Surprise, fool!

From here, the show seems to roll along in the same vein as most fish-out-of-water sitcoms as Eleanor explores/learns what it means to truly be a good person. Based off the commercials alone, I can’t figure out who this show is quite for. I can’t see it appealing to actual Christians as the spectrum of afterlife belief is so varied amongst all of them, that I’d find it hard to believe they would watch something like this for an extended period of time. Also, the euphemisms and funny twist-of-words for all the curses that she tries to employ through the show, while cute in a 30 to 60-second commercial, may grow immensely annoying over the course of a season, though I’m sure the writers would tone that down. Even worse, the show seems to be very much about nothing, and not in a good Seinfeld way. Again, I haven’t seen an episode and will give you my judgment after three episodes as always, but at the moment I can’t see this turning into a full series (maybe a full season) of comedic shenanigans that sitcoms so often thrive off. For instance, because it is heaven there shouldn’t be any random hookups—a singles’ sitcom staple. Eleanor is not married with children so the kids/family angle is gone, and she really isn’t a detective/sleuth so things like iZombie or other out-there concepts are also gone. This is really just laughing about the bad surrounded by good, which, at some point, can get old and feel more like we’re laughing at someone because they're different than us. Not that great of a message for a show billed as a wholesome comedy.

The strength of this show is in the casting as Kristen is everywhere right now and I’ve always loved her, and Danson is an old pro. Harper, while I’m not familiar with his work, also looks good. Ultimately, I think this show will be successful or fail based on the NBC network’s viewership’s eagerness to find a laugh amidst the drama-heavy slate of shows across the network. Other than this, the returning Superstore is the only real comedy that NBC has invested in after the critically-acclaimed but ratings-disappointments of Parks and Rec, Community, A to Z, Bad Judge and a slew of other shows over the last seven years. Will you tune in for a Good laugh or are you a soulless, heartless atheist with no chance of ever getting to meet Ted Danson in the afterlife? The Good Place airs Thursdays at 8:30pm on NBC.

That was a far too long preview of a show. I’ll try to cut it down to my standard from last year.
Next, This is Us.

This Is Us


Similar to The Good Place, NBC’s Olympics coverage bombarded viewers with advertisements for their new drama This Is Us. Fresh off his Emmy win for his role in FX’s American Crime Story: The People vs OJ, Sterling K. Brown was front and center for much of the commercials and promotion material. However, the sad thing in all of this was that even though they showed countless commercials for this series and even showed a reaction clip of people who watched the first two or three episodes and talked about how moving and heartwarming it was, I still have no idea what this show is actually about. That’s right, it’s another show that cannot communicate its draw within a commercial. I am flabbergasted by how someone in Hollywood would’ve elevator-pitched this successfully, but somebody did. So... Anyway, Brown is joined by Mistresses and Revenge alum Justin Hartley who, I guess plays some kind of Hollywood type, maybe an actor, though this isn’t made clear in the advertising. Milo Ventimiglia and Mandy Moore play a young couple on the cusp of starting their family as she is in labor with triplets. Then there is Chrissy Metz who plays a fat woman who is friends with Justin’s character. She meets a fat guy and wants to lose weight and can’t get involved with a fat person right now, and being a fat guy he’s funny and lovable, and laughs all around. The commercial then ends with Brown’s character revealing that he was orphaned at a fire station by this old black guy who he confronts on the stoop of some apartment building. Angry, he tells the man that he turned out alright without him, then seems to quickly forgive him and invite him to meet his grandkids.

All of this is supposed to be heartwarming (as said by the beta-viewers on the commercial) and really make you feel for these people going through life. Apparently, there is supposed to be one strand uniting them all, but with each commercial I found myself caring less and less. Again, what is the show about? Why would I care about these characters? The commercial is so nondescript in a bad way (not in the American Horror Story good way) that this has to be my least anticipated show of the fall. It might be as fantastically touching as a Hallmark holiday movie, but.. eh! We shall see. This Is Us airs Tuesdays at 10pm on NBC. Will This Is Us become a part of you?

Lameee! I tried to do something slick and funny with that last line and it fell completely flat. Stupid words, always messin’ up what I wanna say! Moving on!

Timeless


Probably one of my most anticipated new fall shows, NBC’s Timeless stars Goran Visnjic (previously of ER fame) as a sinister time traveler who seeks to alter the history of some of America’s (and the world’s) greatest historical events. While not all of these alterations are bad (he helps the Hindenberg land safely, thusly saving the lives of three dozen people), they all have consequences that ripple through time’s expanse and effect us today. It is up to a team of three... or four or however many they want for that week to chase him through time with their own time machine vortex-thingy to stop him. See? See how easy it was to explain the concept of that show? And you can get all of that from the commercial. You’re probably even plotting in your head all the ways the series could go, the events they could cover. It’s simple, yet can get so complex. Granted, this is about concept more than character but it still has potential for great execution.

The team is filled out by Abigail Spencer (she’s a familiar face from multiple series), Matt Lanter and funnyman Malcolm Barrett. It promises fun period-piece adventures while reminding us of just how much things have changed and stayed the same. As already stated, Timeless will have a later premiere than the other two shows already mentioned. It premieres Monday, October 3 at 10pm.

ABC
Home-cave of the cancellation bear, the alphabet network always comes with a plethora of new shows to sub-in for the shows decimated by the previous season’s slaughtering of decent TV. While NBC has only three shows to premiere over the course of three weeks, ABC has a new show for nearly each night on its schedule. We’ll begin with Monday where the surprise cancellation of Castle left an hour-long hole in the 10’clock timeslot after Dancing With the Stars. In this slot, they’ve placed Conviction.

Conviction


Starring Hayley Atwell (formerly Peggy Carter of Agent Carter/Captain America-fame) as a defense attorney with a heart of gold, from what I understand the show follows her and her team as they try to solve the crime of their clients and dig into the truth of what really happened before their clients are convicted of wrongdoing... or slide when they actually did do something wrong. Either way, it puts her into a tough kick-butt-worthy role similar to her days as Carter, while giving her a softer, more nurturing edge—testament to the female-leaning edge of the network. While I am glad to see more of Hayley... Mmm, more Hayley (and there’s your sexist comment of the day. You’re welcome!), I am a little taken back by the tone of the show. Castle dominated the Monday timeslot not just because it had two lovable, charismatic leads with great chemistry, but because it played well to the drama/comedy aspect that people often like to see to wind down their first day back into the workweek. Reality shows tend to do so well on Mondays because people don’t want heavy mental fare after the exhausting Monday. But since CBS hasn’t had a problem with its shows, I’m sure conviction can do just fine. Still, after my three viewings, if I feel it is better suited for a different day, I will tell you.

Conviction airs Mondays at 10pm on ABC. It will premiere one week after the first presidential debates. Next up, American Housewife.

American Housewife

Sitcom veteran role player Katy Mixon (of Mike and Molly fame) gets her first starring role as a typical American Housewife in this new 30-minute sitcom. While the commercials haven’t quite made it clear if this is a multi-cam or single-camera show (a la Modern Family), it does have the vibe of a new-age Roseanne. Joined by veteran actor Diedrich Bader (of Drew Carey Show-fame) who plays her eccentric husband, the two navigate life as a typical American Middle-class family situated somewhere in middle America. Katy is sure to bring her down-south sass to the role and the commercials look promising, though typical of such a show.

The polar opposite of NBC, ABC has decided to go heavy on the comedy and feature, not one but two nights of back-to-back comedies on Tuesday and Wednesday, all geared toward family viewing. With American Housewife sandwiched between the likes of Fresh Off The Boat and The Goldbergs, it should play well to the same audience and eke out a modicum of success for the network. American Housewife will air Tuesdays at 8:30pm on ABC and premieres October 11th after the second presidential debates.

Speechless

Sticking with comedy, but moving to Wednesdays, we have ABC’s Speechless. Headed by Minnie Driver in yet another attempt of hers to break into the steady paycheck of the American sitcom market, she plays matriarch to a family whose life revolves around their handicapped son. While he has siblings, the family has been forced to relocate and change schools countless times as the son struggles to fit into a society that still has lots to learn about disability adjustments. The commercials I’ve seen of it don’t delve into the boy’s affliction, but I may have missed such a diagnosis in the few times I’ve watched. The boy, however, seems to have MS as, similar to Theorist Stephen Hawking, he is confined to a wheelchair and cannot speak for himself. Here is where Reno 911! vet Cedric Yarbrough comes in to serve as some sort of speech surrogate (hence, the name of the show).

The sassy, take-no-BS, angry but lovable black man shtick on full display here, much of the comedy will be mined from the relationship between Cedric and the boy as he interprets what the young man says, and between Minnie and Cedric as he interacts with the overbearing mother. What Black-ish tried to do with modern blackness, this show will try to do with the trials and tribulations of being handicapped and being the family/caretakers of someone with a disability. Truthfully, I’m not very interested in sitcoms these days and the ones that I did like from Fox last year both got canceled. Regardless of how good these shows are, I probably won’t tune in regularly to Speechless and American Housewife. Speechless will air on Wednesdays at 8:30pm on ABC. It premieres Sept. 28th.

Designated Survivor

Ending the comedy additions to the network, Designated Survivor ends the Wednesday night with another political drama that has promised to be unlike previous DC-centered productions. The always committed Jack Bauer—er, I mean Kiefer Sutherland returns to TV in yet another riveting role. Based around the very real idea that during large political speeches (not just the State of the Union) in which the majority of the top federal governing body is cloistered into one area (think President, Vice President, Secretary of State and on down), one person from the President’s cabin is chosen as a designated survivor to stay within a plan of succession in case something horrific happens to the entirety of the top staff. Well, something terrible happens. From the commercials we see that a bomb goes off during the State of the Union address, killing the President and pretty much everyone in the federal government. Because of this Kiefer is sworn in as President when before, he had never been elected to anything in his life—a fact we learn from Kal Penn’s character. Oh yeah, Kal Penn is in this thing, too, though I don’t know what role he plays yet. While I can see this making for a great movie concept, thinking toward the future, this show could become very stale and similar to any other political drama by the end of the first season. With that said, I still look forward to the insanity of a guy who has no idea what he’s doing becoming president amidst the country’s greatest tragedy and how he will handle that, as he and everyone around him has to know that whoever dared kill the federal government deserves a war, but more importantly wants a war. And how will his family deal with it? Obscurity to the most protected, scrutinized family in the world? Only time will tell. Designated Survivor airs at 10pm Wednesdays on ABC.

Notorious

Thursday night sees an unexpected entry in the TGIT lineup. With Kerry Washington toting around another gut-full of her NFL-baller husband and that not playing into the plot of Scandal, Rhimes and her cohorts have decided to delay the premiere until midseason. This move has made way for another scandalous show, Notorious. Hoping to feed off the OMG-crowd of Scandal and How To Get Away With Murder, Notorious follows the working relationship between a high-powered celebrity attorney and a national news show producer as they decide what will and won’t be the biggest news stories. Very similar to my own novel A Negotiation of Wounds (sequel coming soon), the show feeds on public perception and how a court case plays out in the eyes of the public, and how that makes or breaks the news and vice versa. As an example, if the news producer wants to paint the lawyer’s client in a bad light, make him America’s newest villain a la Nick Dunne in Gone Girl, then that just makes everything much harder for the lawyer. And with TV vets Piper Perabo as the news producer and Daniel Sunjata (of Rescue Me fame) as the lawyer, things promise to get hot and downright devious as they work to control the narrative at every turn.

ABC clearly has high hopes for Notorious as they have slotted it in a fantastic slot at 9pm on Thursdays right behind the long-standing Grey’s and before How To Get Away. The biggest problem I see with this is that if the writing is subpar and less than emotional, it could damage the entire brand of TGIT.
Fridays and Sundays stay pretty much the same with the exception of ABC’s Secrets and Lies making its triumphant return after delaying its spring second season premiere to take advantage of the gaping hole left in the Sunday night schedule. Though not new, it will continue in the vein of an anthology series with Juliette Lewis’ detective character picking up another case rife with secrets... and, uh... lies.

FOX
A network always searching for the next big think, FOX has come under fire in the last few years for canceling shows that had yet to hit their rhythm but was gaining steam in many fans eyes. This included such shows as Second Chance and Almost Human. While it has made questionable decisions like canceling freshman comedies Grandfathered and the Grinder, while renewing the low-rated Sleepy Hollow after one of the two main leads left, and renewing Scream Queens after a season of volatile ratings, it seems to have stuck to a few trends while bucking others. The network which has always skewed younger seems to have veered into nostalgia land to grab a slice of the older demographic this season with the onslaught of shows based on past film franchises. While they started this trend last year (or a few years ago) most notably with Minority Report, they continue it this year with the likes of Lethal Weapon and The Exorcist. With Monday and Tuesday staying much the same as last season (Lucifer moves to 9pm on Mondays), we start on Wednesday with Lethal Weapon.

Lethal Weapon

Yet another procedural that will stick heavily to the case-by-case weekly format while plying the familiar winks from the film franchise, Lethal Weapon stars Damon Wayans as Murtaugh, the freshly 50-year-old cop with a bum ticker that nearly killed him on the day of his newest baby’s birth. Much to live for and trying not to have another heart attack, he nearly retires the day he gets partnered with his newest young partner Martin Riggs (played by Clayne Crawford), a Texas transfer new to the LA scene. Just like in the movie Riggs just recently lost his wife and now has a death wish that causes him to over-commit to the dangerous and deadly in his pursuit of criminals.

So what makes this concept fresh from the 80s where first we saw it? Umm... The black guy is already a proven comedian? Honestly, nothing. The difference between this and the movie looks so negligible that it's a wonder they didn’t just reboot it into a movie. Still, with Wayans in the role of “gettin’ too old for this sh—oh, my bad! Can’t curse on network TV” guy, it could make for an interesting watch. And with the likes of McG behind the camera, it looks similar to a long-canceled show entitled Fastlane. I ain’t got time. Look it up! My biggest hope is that they don’t just have a weekly case, but that they roll with the one overarching big case that all of the smaller crimes feed into at the end of the season, but that may be too much to ask.
Lethal Weapon airs Wednesdays at 8pm on FOX, right before Empire.

Pitch

Speaking of minority capitalization—something both FOX and ABC have been very deft at achieving in the last 10 years—FOX throws viewers a curveball on Thursdays with the arrival of Pitch. Yes, I just pulled that reference out of the stereotypical entertainment-writer handbook for shows that deal with sports. Curveball. Just stupid! Anyway, Pitch, like more than a few other new shows I’ve seen pitched to us (there it is again! When will it stop) has a premise that sounds better as a two-hour movie than a 22-episode seasonal series. Even 10-13 episodes is pushing it. Pitch follows the drama, tragedy, struggle and triumph of Ginny Baker as she becomes the first woman to pitch in Major League Baseball. Played by Kylie Bunbury (I know her from Under the Dome; she is just... breathtakingly beautiful), the show flashes back and forth between her entry into the major leagues now, and what she did as a child to make it there. It is a feminist love-letter to sports. While I see no problem integrating women into the MLB as it is not a contact sport, I would have issue with the same going for football and basketball, as I’m sure plenty of fans would. 

To a larger point, I wrote that last sentence to make the point that this show courts precisely that critique. It will not be subtle about its aim and will field criticism from the point it’s trying to make. The strange part to me is that it looks like a family drama. Strange because shows with political statements to make do better when in categories similar to ABC’s American Crime or FX’s American Crime Story—far more serious and stoic about the subject matter. Again, this is only the tone I’ve gotten from the commercials so it could be far different than what I am envisioning, but we will see if it can weather the storm of critics who will hate it because of what it stands for, as well as the possibly low ratings due to the strength of its competition (it got lucky that Scandal wasn’t coming back because they’d play to a similar demo). Pitch airs Thursdays at 9pm on FOX right after Rosewood.

The Exorcist

Friday sees FOX’s old standby Hell’s Kitchen returning to open the night. We Americans still can’t get enough of the angry Brit who has another slew of men and women to terrorize in his LA kitchen. But to pair with his hellacious outbursts, FOX will air their TV version of The Exorcist. If the summer box office has told us anything, horror is huge right now. FOX Studios not only has American Horror Story playing over on FX (soon to be joined in January by Legion and Tom Hardy’s Taboo) but they also have Scream Queens on FOX. And now comes The Exorcist based on the book/movie of the same name from the 70s. Little info on this one and how it will adapt the novel or movie into a full series, but from what I’ve gathered, it is supposed to follow the exploits of Fathers Tomas Ortega and Marcus Keane as they travel the country/world performing exorcisms. Again, little is known about the full plot of the season, so I can’t tell you if this is a case-by-case procedural or if the season will stick with one or two cases that stretch a large expanse of episodes, but I must say that I am intrigued by this series. The concept of an exorcist by itself is populated with so many possibilities that I can see this series going in a thousand different directions every week, let alone throughout a full season.
The Exorcist airs Fridays at 9pm on FOX.

Son Of Zorn

Last, and probably least, is FOX’s Son of Zorn. In keeping with their Animation Domination Sunday brand that had been recently interrupted with the addition and success of Last Man on Earth, FOX greenlit this animation-live action hybrid. A great cast filled with comedy vets Cheryl Hines, Tim Meadows and Jason Sudekis voicing Zorn, the show follows an animated barbarian from another realm named Zorn. Bored with his life as ruler over this other realm, Zorn returns to our earth where he has a human son with Hines. Gone for much of the boy’s life, only now does he try to bond with him and be the father he never was. He even gets a regular job here as he hopes to stay close to the boy. Another fish-out-of-water concept, Zorn still thinks with his hefty sword first and has the mind of someone on the battlefield even when trying to adapt and adopt modern concepts. To make this simple, I do not want to see this show. I’m sure it has its good points, but... eh! It looks like a show that’ll be good for two seasons, then fizzle/slog through a third season before dying, and that’s my thought based solely off the commercials. But again, time will tell.
From FOX we move to...

CBS
Another network filled to the brim with returning fair of Survivor, NCIS and Scorpion, CBS has two new notable series. We begin on Tuesdays with Bull.

Bull

Bull stars former NCIS actor Michael Weatherly as Dr. Jason Bull, a jury consultant for the defense. From what was shown on the commercial, his job is to help the defense team and their client to choose the perfect jurors, and craft the perfect story that will get them off. In doing this, he and his team use the latest in psychoanalytic technologies to help predict the voting behavior and thought patterns of each juror both pre-trial and during the adjudication. Think of it sort of as a CSI or Law and Order but focused solely around the jury and not necessarily the victims.

If you’re into the psychology behind why people do what they do and why a jury would vote a certain way (and after watching American Crime Story: People vs. OJ, who wouldn’t be?), then this might be worth checking out, though I don’t know how much mental flossing they go into each week.
Bull airs on Tuesday nights at 9pm on CBS.

MacGyver

Testifying to the fact that Generation Xers still aren’t over their sickening obsession with everything 80s (you know they’re seriously blaming Millennials for this? Ridiculous), we have yet another classic TV series reboot. For those who aren’t in the know, MacGyver, played by Lucas Till this time around, is a clandestine government agent who uses his “unconventional problem-solving skills” (yeah, from the actual IMDb synopsis) to solve crimes and cases and whatnot. While Lucas looks well-suited for the part, and the concept and brand are highly recognizable to viewers, I can’t help but think that this show might fail based solely on the same problem I pointed out last year in my Limitless show three-week review: There is an overload of too many geniuses on TV. There’s just too many abnormally smart people on TV. 

While MacGyver may have been novel back in 1985 when first it premiered, today we see countless genius characters solving crimes using some obscure factoid they learned once in the fifth grade that happens to come in handy right now as a bomb is about to go off. We’ve seen characters use pieces of gum to fix everything from broken heels to blot out security cameras. The very concept on which MacGyver thrived has become routine. But again, name recognition is very strong. Still, with Limitless not able to eke out another season with a much more elevated concept, and MacGuyver getting the cringe-worthy 8:00pm timeslot on Fridays on CBS, I wouldn’t be surprised if it only lasted a season, regardless of how good it may be. Again, we’ll see when I deliver my three-week reviews for these new shows.

The CW
I wouldn’t normally cover the CW but since I did a little of that last year, I can dive in here again. The CW will have a few new shows to go along with the network-switched season 2 of Supergirl. Their two shows that actually have premiere dates so far are No Tomorrow and Frequency.

No Tomorrow

I haven’t seen too many commercials about this show, but from what I do know, it sounds very similar to NBC’s failed Me, You and The Apocalypse—a midseason replacement from last season that tried placing British humor in American primetime. No Tomorrow follows a main female character (again, I don’t even know her name at the time of this writing) who learns that the world is going to end in a set amount of days. From there we see the shenanigans that ensue as she tries to live her life and get things checked off her bucket list before it’s all over. One of those things happens to be fall in love. Enter Galavant—uh, I mean the guy who played Galavant from the now defunct ABC comedy. He’s there, he’s the one who knows the world is gonna end, and he’s gonna die, too, and, uh... there’s some funny stuff. And yeah. No Tomorrow will air Tuesdays at 9pm on the CW right after The Flash.

Frequency

Another new CW show is Frequency. I don’t know if this is based on the movie of the same name but it seems to have a similar concept. Frequency is about a young woman played by Peyton List, who begins to get strange messages from her father through a particular radio frequency. The twist? Her father, a bad criminal/police detective who was said to have murdered people, died over a decade ago. Now, they must band together to stop some future crimes from happening while mending their complicated relationship and figuring out the truth about each other.

All I can say about this one is that it looks interesting, although it is just another twist on the overplayed procedural/mystery/detective theme we get so often on TV. Could be worth a watch, but I’m not holding my breath on me wanting to tune in for this each week.
Last but not least, we have USA’s latest entry, Falling Water.

Falling Water

I know little about this series but am intrigued. From what I can decipher from the commercials, it looks as if this is about the connection between three or more people’s lives through their dreams. The trailer mentions something about being able to step into someone else’s dreams, which sounds similar to Inception and has long been an entertaining concept. Here, however, it seems to hint at a more sinister play between reality and fiction, and bending the will of others as they sleep.
Falling Water will air on USA network, but because it is cable, you will have to check your local listings for the exact time. It is set to premiere Thursday, October 13th.

AMC and FX will have more new series later into the season near the midseason point in January, along with the rest of the networks. Of course, I will have missed one of your most anticipated series as I can’t cover everything, and I tend not to cover premium channels save for that one time I did Ash vs. Evil Dead. So tell me, what new shows this fall are you looking forward to? What returning shows can you not wait to start watching again? Will you give the new shows a three week grace period like me, or will you knock them from your viewing list immediately if they don’t live up to your expectations? Let me know in the comments below (hint: click the no comments button if you see no comments).

Check out my 5-star comedy novel, Yep, I'm Totally Stalking My Ex-Boyfriend. #AhStalking
If you’re looking for a scare, check the YA novel #AFuriousWind, the NA novel #DARKER, #BrandNewHome or  the bizarre horror #ThePowerOfTen. For those interested in something a little more dramatic and adult, check out #TheWriter. Both season 1 and season 2 are out NOW, exclusively on Amazon. Stay connected here for updates on season 3 coming summer 2017. If you like fast action/crime check out #ADangerousLow. The sequel A New Low will be out in a few months. Look for the mysterious Sci-fi episodic novella series Extraordinary to premiere sometime this winter on Amazon and my blog. Join us on Goodreads to talk about books and TV, and subscribe to and follow my blog with that Google+ button to the right.

Until next time, "Ask the sex question."
‘OK. How often do you two have sex?’
“Never! This therapy didn’t work. We’re getting a divorce. We’ve tried everything, even killing each other.”
‘Maybe you should try that again.’


P.S. I know, that’s a terrible sign-off. For one, it’s too long, and for two it refers back to a movie that came out over a decade ago. Frankly, it’s not even a good joke as I really had high hopes for Ben and Angie. I hope that whatever this craziness is that is going on between the two of them gets worked out and the kids do well through the separation. They really made a good couple. Oh well. Love and marriage are hard.

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