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Showing posts with label #CW. Show all posts
Showing posts with label #CW. Show all posts

Sunday, April 22, 2018

Pretty Sure CW Is Gonna Give Viewers Early Parole #LifeSentence #CW #3weekroundup #recap #review

Pretty Sure CW Is Gonna Give Viewers Early Parole #LifeSentence #CW #3weekroundup #recap #review

All pictures courtesy of the CW 

Let me start by spoiling the review section and saying that I don't find this show dreadful like I did Krypton, I just can already read the wall's ample writings. This show was moved from its original premiere day of Wednesday to Fridays and hasn't done any better than that other godawful show My Crazy Ex-Girlfriend and that show doesn't even pull in a million viewers a week. It is possible that it could be outright canceled and yanked from air, which rarely ever happens to CW shows (again, see Crazy Ex). Still, I didn't think it was that terrible, it just wasn't what viewers are looking for. So, is Life Sentence living its best life or is it in desperate need of being put on support. Ay yay yay, that was a bad one. Let's find out together!

Life Sentence stars Lucy Hale as Stella Abbott, a young woman who, at the age of 15, was diagnosed with cancer. Ever since then (I think it's been eight or nine years) her family has worked tirelessly to make sure that she could have the best last days of her life ever. Her sister brought the party to her when she missed out on parties. Her brother (both siblings are older, by the way) tried to teach her everything cool he knew and dared her to live an adventurous life. Her parents cared for her even through her constant trips in and out of the hospital and lobbied for her to get into a potentially life-saving clinical trial. But she was still missing out on that one great thing: true love. So her college professor father decided to send his youngest daughter on a life-changing trip to Paris, the city of love, in order to go on that one last great adventure and maybe fall in love. And she does. She finds a great guy (black English bloke) who falls for her in a moment straight out of a Hugh Grant movie, and marries her within a couple weeks of meeting her because she supposedly only has six to eight months to live. I know that was a heck of an info-dump but don't worry because Stella does the same thing at the beginning of the first episode to get you caught up so that you can be just as shocked as she is when she goes to her doctor and finds out:

She's cured! Yay! The clinical trial worked for her, which means that her funeral that she and her husband were planning must go on hold for a long time. And though she tells her family at the strange pre-death wake she wanted to have, and they celebrate appropriately, things change for the worse almost immediately. Now that she is no longer sick she can learn who her family really is and no more be deceived by their work to make her happy.


The Family with Stella at center. 

As it turns out, while she lived the dream rom-com life that would ultimately end in her untimely death, her family was falling apart. Starting with her brother Aiden, we learn that he is a 27-year-old burnout who dropped out of college, has no job, lives at home and uses his sister's cancer to guilt-trip soccer moms into having sex with him. Things get crazy when the latest soccer mom he's banging (the one he brought to Stella's faux-wake) is actually married to a very big dude who threatens to kill him. He runs around most of the episode trying to avoid being pummeled to death by this distraught husband.

We jump to her older sister Elizabeth who seems to be the responsible one who can keep things together through the chaos. But we learn that the career-driven woman partially resents getting married to Diego and having two children so early in life, something she only did to make sure her parents had something happy to focus on. Also, because she was such a responsible one, she gave up her dream of being a writer, and a scholarship to a prestigious college, in order to stay home and help take care of Stella and make sure their mom didn't lose it.

Speaking of her mother Ida (played by veteran actress Gillian Vigman; she's been in a ton of stuff), she seems to be having the hardest time and is adopting an almost completely new second life. Apparently she's been having an affair with Stella's godMOTHER for a few years and announces that she's coming out as a “Bi” (bisexual) at a family dinner party, but only after Stella finds her mother and godmother sitting on the porch of her godmother's house making out (Stella came to talk with her mom after learning that Ida was leaving her husband and had already moved out the next day after Stella's announcement).

Stella and Paul
That husband that Ida is leaving is Paul Abbott (played by Dylan Walsh of Mighty Joe Young and Nip/Tuck fame), a conservative-looking father who, like most dads, tried to be the rock his family needed and found himself sinking deep into debt to keep his sick child alive and help her live out her dying wish. He has even been paying her rent on a small downtown loft apartment (it's not a big city so it shouldn't really cost that much).

Finally, there is her husband Wes who doesn't know if he can continue the charade he started to live when he first met her. Almost half of the stuff they do together he hates to do, including having her fall asleep in his arms every night, having sex by candlelight literally every time they do it, eating boiled eggs and a bunch of other stuff. He was attending a grief counseling group for spouses of terminally ill people until they kicked him out after hearing his story of woe that his wife is going to live far beyond the six months she was given to live when he first married her. Basically, Stella got the best news of her life—that she would even have a life—and then that said life immediately went to crap.

So, as she learns all of the secrets her family is keeping from her, she also must plan a celebration party for her doctor who cured her just to tell her thank you. Basically she does that while telling everyone throughout the episode that these problems they have can be fixed, and even does a big speech on that very subject. But the speech goes terribly and her sister once again points out that most of the family's problems stem from her having cancer and them trying to create the happiest, safest environment for her to live in, in order to foster a recovery. Still, all is not lost because she has now committed to change each one of her family members' lives so that they have a great one just like she did, in a huge pay-it-forward kind of thing.

We end the first episode with her talking to a sick kid and realizing that even though life is tough, it's not the end of the world so long as you have people who care about you. She, for the first time, has sex without the candles, tries to setup her brother with her doctor only to learn that he has already impregnated that married woman, gets her mother to tell her dad the truth about her sexuality, gets her dad to realize that he needs to sell the house to pay his debt, and tells her sister that she will start babysitting the kids more so that she can finally start on that book she's been meaning to write.

Episode two is the classic example of the best laid plans of mice and men. Paul puts the house on the market but can't part with it when a couple low-balls him and wants all the furniture inside. This drives Ida into a crazed tizzy, and she wants to tear down the walls (bangs a huge hole in one of them) and dig a pool as part of the upgrades her husband wants to make before selling it. It's an overreaction even when you discover her reason for overreacting is because while Stella could remember all of her best memories in the house she grew up in, her mother can only remember the house as the place where her daughter got sick and her love story fell apart. Forget the fact that it's also the place where you learned that your daughter was cured from a cancer you thought would kill her, where you learned of the news that you had grandkids and where you learned that you were actually more into women than your husband. Her complaints about the house feel more like a jilted soon-to-be ex-wife craving for money. If she didn't want to have to see the house anymore, she could've opted not to come around until the house was sold. And when her husband offers to instead rent out a few rooms in the home which would give him enough time to make renovations and updates that could raise the price, she flips out and bangs a hole in the wall. And there I started to wonder why she would lower the buying price if she wanted the damn house sold so much. It didn't make logical sense.

Stella Talking To Another Sick Kid

Meanwhile, Elizabeth has lost her writing moji on account of not having done it in so long. She is easily distracted by Stella's bad parenting/babysitting skills which result in her daughter (Stella's niece) swallowing Stella's ring. Surprisingly, she's on the show so little in the first three episodes that it made me wonder if the actress had double-booked another TV series or film. But she is around long enough to team with Stella to try to get their brother to take some responsibility.

Yes, Aiden's now got a baby mama, but if the rest of his life is any indication, he's gonna not be responsible about that, too. In fact, he tries avoiding the woman completely, shutting the doors of his guest house and hiding out from the still-married woman, while also banging out every girl he meets. He says he'll change but that's going to take some time. His father gets tough on him, and they have a little heart to heart about how he knows his son is a smart kid, but just doesn't apply himself. Aiden's deal is that once he discovered that he was going to lose the person he loved the most in his life, his baby sister, he decided to never love or really care about much of anything anymore. But Stella convinces him that he can be a great dad if he just tries and stops selling pills to housewives. Stella also gets her sister into a writer's retreat, starts volunteering at the hospital that treated her and commits to listening more to her husband. 

Stella and hubby Wes
Episode three opens with her and her husband being confronted by INS. Yeah, dude married a terminally sick American white chick after knowing her for about a month. INS was bound to show up sooner or later. To make sure their relationship is real the agent is going to ask them a series of personal questions, but oddly gives them time to prepare for such a test. They have the weekend to make sure that they know possibly everything there is to know about each other. And Stella realizes that she really doesn't know this man at all. Not only did she not know his favorite meal (bangers and mash) but she didn't know that he slept with 11 people before her, doesn't have a great relationship with his mom and believed that this was the first time he had ever fallen in love. In fact, he had actually lived with a woman for two years prior to going on that fateful France trip. She's got a lot to learn.

But as she is trying to learn everything that she didn't know about her husband, which is everything, she decides to try to get the young cancer patient girl she was talking to at the hospital into the same clinical trial that she was in. Bad news, she lies to keep the girl's spirits up when she learns that the rich guy who was sponsoring the trial pulled his funding. So she, along with a hottie doctor, scheme to visit the rich guy at one of his hotel's restaurants to beg him for the funding or at least figure out why he pulled the funding. As it turns out, she talks to the guy after mistaking him for the bartender, and learns that he pulled the funding because she was the only survivor and that the FDA couldn't support the trial procedures any longer. So she must go back and tell the girl that she lied about getting her into that particular trial, but says that they will try to get her into a dozen other trials.
Her nighttime adventure to the restaurant leaves Wes at home to babysit Elizabeth's kids while she is at the writer's retreat and her husband is taking off work to go visit her. But when the niece gets sick, he calls Ida to come and help, only to learn that she doesn't do well with sick kids and overreacts to everything. Hello! She had a sick child that was probably suspected of having a stomach ache and ended up having cancer. She basically says what I just typed, and they have a come-to-Jesus moment with each other.

Stella and brother Aiden
Back at the restaurant, Stella happens to run into her loser brother and equally-loser father on a father-son night out. On Stella's request, Aiden decided to get their father out of the house because all he could do was look in at the new owners all day. Oh yeah, they sold the house but made a deal that allowed for Stella's father and brother to continue to live in the guest house. Now Paul lives with his rather disgusting son, who he hasn't hung out with in forever. Aiden thinks they should go and chase tail at the local hotel bar. His dad isn't that interested in it, but after a few very strange encounters, including a woman who had serious daddy issues, he finds a woman also going through a divorce and they vibe. They go back and have some meaningless sex only for Aiden to come home later and run into the woman. Yep, he's slept with her. Slightly older women seem to be his thing.

The night ends with that hottie doctor telling Stella that he wishes he had met her seven months ago (she got married six months ago). This show is the epitome of “life comes at you fast.”

Sick Stella

What's my grade? I give it a solid C+. The problem with this show is that it is neither wholly dissatisfying nor satisfying. It's very middle-of-the-road. Yet, it kind of feels like this show could've been so much better if put into the hands of the producers of either Grey's Anatomy or This Is Us. It is a pseudo-sweet show that doesn't quite push far enough to get to the emotional peaks you might want it to, nor does it sink to the level of funny you want it to either. It feels like a nondescript CW show or one that doesn't have a hook to it. I know that it does have a hook, but it doesn't feel like it does. It's hard to explain it because it's all so vanilla. Ultimately, the show is about figuring out how to live life once you've been given a second chance at it and everything you thought you knew about living it the first time is terribly wrong. It is similar in tone to last year's No Tomorrow which I actually loved. (Goodness, I don't know what it is about CW but between this show and that show, these lighthearted comedies have made me fall in love with their respective female stars--Lucy Hale here and Tori Anderson off No Tomorrow). This show is OK, but I don't think it is better than that show. In fact, I would prefer to watch that show again than to watch this. Frankly, I absolutely hate the mother. I have seen the actress in so many roles before and this is, by far, the one I hate the most. She's an annoying, over-reactive, boring character that I really don't care about. And I would've loved if her character magically disappeared for multiple episodes at a time rather than the sister.

Should you be watching? It's a decent show but it premiered in the literal middle of March (like March 14th; the exact middle) when there're tons of other shows that are more heartwarming and better written. But these characters are easy to relate to and the acting is on point. I'd say check out at least one episode before this gets canceled. Life Sentence next airs on April 27th, CW Fridays at 9pm.
What do you think? Have you heard of Life Sentence? If you haven't, do you think you'll check it out now? If you have heard of it, have you seen it? What do you think? Should this show really be facing the axe so soon in its life? And with the CW expanding to six days of programming next season (now they'll be showing stuff on Sundays, should this earn a shortened season order? Let me know in the comments below.

Check out my 5-star comedy novel, Yep, I'm Totally Stalking My Ex-Boyfriend. #AhStalking If you’re looking for a scare, check the YA novel #AFuriousWind, the NA novel #DARKER#BrandNewHome or the bizarre horror #ThePowerOfTen. For those interested in something a little more dramatic and adult, check out #TheWriter. Seasons 1, 2 and 3 are out NOW, exclusively on Amazon. Stay connected here for updates on season 4 coming summer 2018. If you like fast action/crime check out #ADangerousLow. The sequel A New Low will be out in a few months. Look for the mysterious Sci-fi episodic novella series Extraordinary on Amazon. Season 2 of that coming real soon. And look for the mystery novels The Knowledge of Fear #KnowFear and The Man on the Roof #TMOTR coming this fall/winter. Twisty novels as good as Gone Girl or The Girl on the Train, you won’t want to miss them. Join us on Goodreads to talk about books and TV, and subscribe to and follow my blog with that Google+ button to the right.

Until next time, “Oh my god! This discovery... could change life as we know it.”
'Dude, I totally loved that show.'
“By show you mean movie, right?”
'Wait, aren't we talking about the show currently known as 3rd Rock From the Sun?'

P.S. Yeah, I just hit you with a little TV history that is super-easy to learn if you do just one IMDb data search. I hate when shows that could do fairly well aren't given time to find an audience while shows that clearly should've been canceled (lookin' at you Crazy Ex) have somehow remained on TV to suck resources and opportunities for better programming. Oh well! I'll try to think of a better sign-off next time.

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Monday, February 5, 2018

You Heard The Thunder Now Here’s The #BlackLightning #3weekroundup #recap #review #CW #DC

You Heard The Thunder Now Here’s The #BlackLightning #3weekroundup #recap #review #CW #DC

All pictures courtesy of the CW


The wait is over! Well, I guess it’s sorta been over for a long time now. In any case, black superheroes have returned to your screens both big and small... and handheld. Though Black Panther still has a few weeks to go, Black Lightning is here to bless you with that Mandingo power you've been lookin’ for. Don’t act like you ain’t been lookin’ for it, you know you have. But is Black Lightning electrifyingly good or is it shockingly bad? Let’s find out together!

Black Lightning is the CW’s newest addition to their superhero lineup. Though it currently doesn’t feature into the same universe as Arrow, Supergirl, The Flash, and Legends of Tomorrow, never say never as Supergirl was previously not part of the group also, and it does have a producer in common with Greg Berlanti behind it along with black producers Mara Brock and Salim Akil (a married couple; Mara was behind the show Girlfriends). Here, we are introduced to a new (to the audience) hero with a storied past. Black Lightning or Jefferson Pierce is unlike any of the other superheroes we have seen on the CW so far. Played by veteran actor (you’ve seen him before but probably never knew his name) Cress Williams, Jefferson Pierce is a middle-aged high school principal with two near-grown daughters (one is a student at the school and the other seems to be a teacher there but maybe also a college student) that lives in the fictional city of Freeland. A city similar in tone to Chicago or some other Midwest city, it has its pockets of good and bad neighborhoods with decent houses and decent people while also having gangbangers and thugs lurking around many corners.


Right now the city is in the throes of another bad run which has given rise to a gang known as The 100 (RIP CW’s teen drama The 100). A predominantly black gang, it has many members stretched like tentacles throughout the city but seems to be run by one Tobias Whale; however, the front man for Jefferson’s section of the city happens to be a man by the name of Lala, a past student of our do-gooder principal. I don’t want to age neither the character nor the actor, but I must point out here that it does give me some pause to think about just how old Black Lightning is supposed to be. I get that he could’ve been a young teacher that has only recently taken on the principal role, but on the second episode we meet a woman who was a past student of his and who also now has a daughter that goes to the same high school and I’m like what? I thought he was supposed to be closer to 40 but maybe he is closer to 50 than I thought. I digress.

Lala being one of the heads of The 100 has to operate the business as he sees fit and tries to play the big baddie of the hood. But because he was once a student of Jefferson the kind-hearted principal thinks he can reason with the man. See, Jefferson has actually had a deal with the surrounding gangs for a number of years: his high school remains off limits to and for any illegal gang activity. In return, he doesn’t get the police involved in stuff that could be gang-related in his area. But this deal gets broken when his daughters get into some trouble.

His youngest daughter Jennifer, played by China Anne McClain of Disney fame, is still a teenager exploring who she wants to be as she comes of age. She does normal teen stuff like lying to her parents to sneak out to parties. She does exactly that when she skips a stuffy adult-laden school fundraiser in favor of a party down at Club 100 with a friend (yes, Club 100 is the favorite hang spot for The 100 gang). Well, she gets into a little trouble when a guy starts flirting with her in the club. Young, the boy looks near her age and is trying to get down to business, but she is not that fast. But when members of The 100 gang come and grab the boy, they take Jennifer too. In some crazy prostitution plan, they say that the boy has a debt and that “his girl” can work it off down at this seedy motel the gang runs. But Jennifer doesn’t really know this fool, and he’s certainly not her boyfriend. Still, that doesn’t quite matter to Lala and his brood.

At Center Focus: Jennifer played by China Anne McClain
Meanwhile, as Jennifer is getting into trouble, her father is at the charity dinner schmoozing donors, talking to one of his old friends and current cop Inspector Henderson. Henderson is taking heat for all of the gang violence that seems to have swept through the streets in the last ten years. He’s trying his best, but the cops can only do so much. Jefferson is committed to trying to choke the power of the gang’s by choking off their membership. He feels that if he truly invests in the youth in a meaningful and uplifting way, then they will never be tempted to join a gang. As a partner in his vision for the school, he has Ms. Fowdy. Let me get this outta the way right now and say that all the women (including the daughters) on this show are fine as hell and that you probably won’t find a better smoke show this season. #BlackExcellence. Ms. Fowdy, from what I can surmise, may be the assistant principal or the administrative assistant, but I don’t think she is part of the ordinary faculty. In any case, she seems to have a crush on Jefferson.

Though Ms. Fowdy may have eyes for Jefferson, he only has eyes for his ex-wife and mother of his children Lynn. The character list on IMDb says she never reverted to her maiden name which means—in conjunction with the heat they make on the show—that there’s a strong possibility of them getting back together. Neither is over the other and the only reason she left him was because she felt it was too dangerous for her and her mental health to be married to him as he continued in what she sees as his “addiction.” Funny enough, the girls still lived with him. Frankly, they need to explain this discrepancy better to me. 

Left to Right: Anissa, Jefferson  Back Center: Ms. Fowdy
Finally, there is Jefferson and Lynn’s eldest daughter Anissa. She is the Black Lives Matter, power to the people protestor that is supposed to be the troublemaker. As said before, she seems to be a young student teacher still in college or maybe just subbing on the side. Anyway, she covers for Jennifer when the latter goes to Club 100. Well, Jefferson finds out what’s going on with his daughter and goes to the club to rescue her from whatever dubiousness she might’ve gotten into. When he does, things get a little hectic. They won’t let him through to see his daughter in the boss’s back room, so he shuts the lights off and shocks a few people. Oh yeah, he’s Black Lightning.

See, about 20 or so years ago Jefferson was this amazing superhero called Black Lightning. He has electricity surging through his veins, and he can wield it at will. The problem, though, is that Lynn who saw her man coming home half-broken and beaten every night and wanted a normal, safer life. So while the streets were safe, she didn’t feel she was loved, and she left. Ever since, they’ve been co-parenting successfully while he managed to give up his crime-fighting in favor of time spent with his children. Still, he and Lynn didn’t quite make it back to what they once were. He’s retired from the hero biz.

Until that night. The electricity going out frees up Jennifer enough for her to escape into the crowd of the rest of the panicked patrons. The police come to make the crowd disperse and Jefferson hits them with some electricity too just for being idiots. The rest of the episode plays out like your standard kidnap and rescue. Jennifer is confronted at school by the same boy from the club who agreed to sell her into sex slavery to pay off his debt. As it turns out, he is the cousin of Lala and is part of The 100, and doesn’t even go to that school. Anissa embarrasses him by flipping him to the ground and showing that Woke Bae got some serious key-raw-tay skills. He comes back with a few of his fellow goons and kidnaps the both of them right out of class, whisking them away to the seedy prostitution motel. They’re gonna repay his debt to Lala.


So, while that is unfolding, Jefferson goes to see an old friend, a Mr. Peter Gambi played by veteran actor James Remar (you’ve seen him in a helluva lotta stuff, I’m sure). Gambi is like a mix between Batman’s Alfred and The Flash’s Harrison. A suit tailor by day, he’s been waiting for Jefferson to come back so that he can aid him in fighting crime again. In anticipation of this day, he helps Jefferson get cleaned up from his most recent soiree in the club and also makes him a cool new suit as he knows the old one probably doesn’t fit anymore. Now, dressed in a cool black and electric blue suit with hints of yellow on it and an eye mask similar to Batman’s Robin, he’s ready to get down to crime-fighting, if only for one night. He goes to the motel and beats through a gaggle of goofy goons before reaching the boy who kidnapped his girls. Having just missed Lala, he throws the boy off of a two-story balcony onto a car and rescues his daughters. The cops show after the fact to start arresting people and the day is saved for the moment. But not all is good. Lynn, while thankful and relieved that their babies are safe, sees his one-night-only foray back into the superhero biz as a harbinger of more to come. She’s starting to get scared again, and just when she was this close to caving and going back to him full force. Even crazier, the episode ends with the eldest daughter Anissa getting up to go to the bathroom in the middle of the night and having some kind of super-charged red energy surge through her body until she unwittingly breaks the porcelain sink in half like it’s nothing.

Episode two focuses on the aftermath of Black Lightning’s sudden reappearance and re-retirement. Naturally, we get the “people are intrinsically stupid” trope here which sees parents asking why Black Lightning came back and only saved Jefferson’s daughters but not anyone else’s. Like, really? For real? For realsies? The dude doesn't even wear that good of a mask. Two and two have never been more eager to be put together but I digress. When he learns from one of the mothers (the former student I was talking about) that the whoring motel the cops raided after he took out all the baddies is now back open and that she thinks her daughter was kidnapped and taken there, he gets super angry and re-commits to his life as Black Lightning. Lynn steadily talks about his addiction to using his superpowers which he simply one day discovered he had, but he says that he was doing good with them before, and he feels compelled to start doing good with them again. Yet, he still insists that he only has to suit up one more time. In his mind, Lala is the one who is running things (he doesn’t seem to know about Tobias Whale yet), so he figures that if he takes out the homicidal thug, then he’ll have put a serious damper or end to The 100’s infestation. All he has to do is bring Lala in with the proper evidence to convict him.

Lala

As it so happens, Lala makes it easy on Black. First he kills his own cousin after springing him from the ambulance just after Lightning dropped him onto the windshield of that car. Yes, they say some BS story about how the kid hopped out of the ambulance himself but really? Really? Dude’s back should’ve been fractured in three places not to mention shards of glass embedded deep in it. In any case, Lala dumps his cousin’s body in a dumpster. He then kills the anguished mother who came to the motel looking for her daughter. Not wanting to be bothered, he shot her a few times in the parking lot, not knowing that she had a cameraphone set up in her car window recording the whole mess.

The cops find the recording, now all they need is to go and get Lala. As it happens, Lala is currently holdup in some downtown high-rise stacked with tons of bodyguards throughout the entire building to prevent any do-gooders from raiding. The police probably would’ve made a valiant effort to get through and lost. But Black Lightning is on the case because a brotha needs all the exercise he can get. He double-handedly takes out all the bad guys up the stairs leading to Lala’s place, electrocuting them and just outright beating them silly as he climbs to the top. And once he finally gets close enough to give Lala a thunder-slap beatdown, the cops burst in like they actually did somethin’ and look at him. And for a second we get this glimmer of recognition from Inspector Henderson but are unsure if he knows it’s his buddy or not. Black Lightning makes a clean escape, leaving Lala to be arrested and taken in on murder charges of that mother.

Obviously, Tobias Whale can’t have this. While Black Lightning might not know, the police do know that Lala is just a small cog in the gang’s overall dominance. It’s just a matter of time before they pressure him into a deal where he is going to talk about ways to bring Whale down. Who is Whale? Whale is the big boss similar to The Kingpin in Daredevil (at least I thought he was). He is, from what I can tell, a large albino black man who thinks he’s the coolest brotha alive and dresses like the pimp-gangster that he is. He runs all the crime in the city and has too many connections to count. And he wants Lala dead. Does he get one of the many cops on his payroll to kill him? No. In a supreme boss-level move, Whale and his right-hand woman go down to the police station where they are escorted into the building by a few cops and walk straight into Lala’s holding cell. Whale then proceeds to do some short but sweet pontificating about the idiocy of Lala for getting caught before one-hand choking the dude clean out, killing him with an effortless palm squeeze. At that point it is not known whether or not Whale has superpowers.


We end the episode with another glimpse of Anissa’s budding superpowers of her own. While we don’t get the same red flashes of lightning that we got from the first episode, we do get her being able to throw a robber clean across a convenient store, then shrugging it off. And it seems that using her powers makes her headache go away. Up until this point, they’ve been super sparse with the details on these powers for both her and her father, but this may tell us two things: these powers are hereditary, and maybe they actually do need to be used as some kind of stress reliever. I’m unsure.

Episode three starts with the funeral of the slain mother from episode two—or maybe it's just a wake or something because it's at night and far too late for a funeral. Jefferson, Lynn and Jennifer all show up to sit in the pews and listen to this pastor preach on how the mother was standing up to the gangs and how she didn't deserve what she got. In a feeble but exasperated attempt to do something, he calls on his congregation to take a stand against this violence from The 100 and march with him, something which Jefferson is hardly a fan of. Jennifer wants to go which ropes in her mother to go as well (chaperoning). Jefferson and Inspector Henderson try to talk the reverend out of doing this because they know that it will simply put good people in harm's way and escalate the violence even further. As a viewer, you understand both sides. The cops can't seem to do their job fast enough because they have so much corruption in the force, but are trying. Meanwhile, though the pastor is criticized for rocking his thousand dollar watch, he also wants to help, wants this to stop but truly has grown so frustrated that he's run out of ideas. In Old School Days, you wanted change you marched. Now...? But he sees the return of Black Lightning as a harbinger of hope again. He feels that he and the marchers will be protected by Black and that his return was a sign from God.

Meanwhile, as the rest of her family sits in the church, Anissa is out in some dark junkyard trying to train herself to use her powers. In what has got to be one of the fastest “let's see what I can do as a superhero” scenes I've ever seen, she beats on an older washer for a few minutes before getting super frustrated, nearly hurting herself and then coming to the epiphany that it all has to do with her breathing. Funny enough, the way this is filmed, I don't actually know if she was speeding up her breathing or what she was doing, but it works. When she was hardly able to make a dent on the washer, she can now kick it clear across the yard.

Anissa seems pretty jazzed about her powers for a while until she comes to a library and finds herself lost amid the stacks, searching for research books on mutations and powers and whatnot. There she runs into this cute Asian chick who is into comics and shows her one of her books. They flirt a little and I was like, “Hold up, doesn't she have a girlfriend?” The Asian girl tells her about this costume party they are having at what appears to be a lesbian bar (or maybe it was just ladies' night??) where she works and invites her to come dressed as a superhero or villain herself. Here, we also get our first reference to one of the other DC superheroes/shows on the CW in Supergirl. I'll withhold my judgment of that until the critique.

Anissa goes to the club and predictably grinds all over the Asian girl until her girlfriend suddenly pops up out of nowhere, and I was like, “Huh? What? Like... huh?” Was she tracking/stalking her? I digress, but just know that I thought it was kinda weird for her to just show up and find her. This leads to their break-up and Anissa having to give back her girlfriend's key. She doesn't hook-up with the Asian chick but she does sit at the bar and have a drink, so it seems that we might see this girl again.

With the march set for the end of the week, Jefferson and his apparent tech guru Peter Gambi (yeah, the tailor) have to figure out how to change the protest route to keep the marchers safe. Can I just say here that they kept saying “parade route” instead of protest route and it bugged me and the people I watched this with. Parades are for celebrating; protests are for when there is little to celebrate. Anyway, Gambi also makes some improvements to the suit which allow Jefferson to shoot a single concentrated beam of electricity toward a person and not hit bystanders, so he can safely take out gang members in the crowd. But while that is going on he and Lynn have bigger fish.

Lynn, Jefferson's Ex-Wife
That bigger fish happens to be Jennifer's deflowering. In a super-modern parent-child relationship, Jennifer tells her parents (and at family dinner no less, sans Anissa) that she is ready to have sex. Yeah. Black Rob circa 2000—Like, Whoa! She is very diplomatic and straightforward with it, too. She and her boyfriend plan on losing their virginity to each other (yes, he confessed that he was also a virgin in a rather cute little scene of acceptance) on Saturday, during the day, at a hotel room they'll be renting. They said she could always come to them to talk about it when she was ready, and she actually did that shit. Oh my god! Listen, I always thought I was a fairly good kid, but even I don't think I would've done this if it came up at that age. Naturally, Lynn and Jefferson are stunned by her decision and honesty and just want to make sure that her young self is having sex with the right person, and from what we've seen of Khalil (her bf) in the previous episode when he chastised Jennifer for drinking and being a bad role model for the other girls, he can't get any more righter at this point in life. This dude first lied about being experienced in sex, and then went back and told the truth on his minty-fresh dingaling. Hell, I still know at least five dudes in my life that swear up and down they made it with Beyonce and ain't never even been in the same building, let alone the same room with her. He is literally a younger, lighter version of her father—the epitome of what young black boys should be.

Still, being a father, Jefferson must interrogate the boy in as awkward of a way as possible. While he doesn't threaten him like most dad's might, he does ask the boy about his personal hygiene to check to make sure the boy isn't going to infect his daughter with some kind of fungus or something. It was a very funny but completely ridiculous scene and will be mentioned in my critique.

In an episode that feels like it moves super fast, the march is upon us in no time. Peter has put up construction signs all through the city to direct the people into safe areas that Black Lightning keeps watch over from the rooftop. When a thug hired by Tobias Whale jumps out with a machine gun to try killing all of the marchers, Black jumps down and puts up an energy force field to absorb the bullets. He then shoots the dude down with one of his bolts, along with another gang member that hid in the crowd. Saved, the group starts to sing Amazing Grace as the pastor stares at Black as if he was Jesus. From down the street, Whale and his henchwoman sit in the car talking about how much he hates churchgoers. Henchwoman takes a shot at Black but misses, instead hitting the pastor just above his heart. But the bullet flies through the pastor and ends up in the spine of Khalil—no loss virginity for Jennifer this weekend. Luckily, both the boy and the pastor survive, but this has only stoked the lightning more. Little does he know that he is not only battling against Tobias Whale but also against another, even bigger boss in Jill Scott's Lady E. Yes, the singer Jill Scott. What will the future hold? This family can only stay together to make it through.

What's my grade? I give it a solid B. Being black I definitely want to see more minorities succeed, so I try to judge things as fairly as possible. With that being said, there are a few flaws in this show and pet peeves of mine, but let's start with the good. The casting is phenomenal here. I can believe that the two girls are the daughters of Lynn and Jefferson. Everyone has good chemistry and there's no level on which I feel that any of the people don't know or are uncomfortable with their character. Out of all the late-40s actors that they could've chosen, I think that Cress Williams was actually a perfect choice for the role, considering the budget that they have and what they would ask him to do. He fits the role well both physically and presence-wise and seems like a high school principal. I also like Tobias Whale, even though he is thinner than I would expect for someone with the name Whale. I will say that at some times his acting is a little suspect, however, knowing that this is a comic book show and that he is supposed to be this over-the-top gangster allows him some wiggle room.

I also like the overall positivity of the show and how it displays a black family (any family, really) where the parents are both successful, and successful at co-parenting while not together. They broke up and don't hate each other; in fact, they still love each other but things are complicated. If you want good images of black people, this is it. Hell, the youngest girl is the picture of what a perfect daughter looks like. Yes, she's trying to be a little rebellious but you even get the strong sense that it is a phase and that she really just wants to be a good girl.

I also like how the show confronts the inner-city's issues head-on. It's not just about crime, it's about being socially conscious of the community, and what you can do to help it. And finally, I also like the costumes and the special effects are on par with every other CW show.

Now, for some of the bad and ugly, we have to discuss this writing, y'all. That third episode could be indicative of the people they have in the writer's room and if it is, God help us. The third episode was a mess. Everything from the strange conversation between Jefferson and Khalil, to Anissa's girlfriend randomly catching her in that bar grinding on that Asian chick, to Anissa magically learning how to use her powers in a snap, to Whale being able to stop and monologue about how he hates the protesters while sitting right down the street within their view. Almost all of it rang false and played false on the actor's lips. There's a problem with the writing when you have too many conveniences. They can make the writing overly melodramatic (some melodrama is fine, but too much and it becomes kitschy) and can make the audience put aside their disbelief in favor of asking too many obvious questions with no answer other than “because.” Why did Anissa's girlfriend know where she was at? Because it's convenient to the plot. Why did the mother get out of her car and start waving a camera in Lala's face? Because it's convenient to the plot. Why is it that the suit tailor happens to also be the tech guy? Because it's convenient to the plot. Too many of these will frustrate an audience.

Also, it feels like there's no backstory here. Other superhero shows on CW started with some kind of “creation moment” as I call it. It's that time when the person goes from regular guy/girl to superhero. Yes, we get a little of that with Jefferson, however the fact that he was a superhero before and is now returning to that somewhat cheats the audience. Look, you can do this with other, more popular characters like Batman or Superman or Marvel's main characters, but I had no idea who Black Lightning was before this show and three episodes into the series, I still have little idea of how he became the superhero in the first place. Yes, they have a full season to show his story, but they could've fit in a little flash back to his very first day on the job or what turned him or how he got his superpowers to let us know that he wasn't always this stand-up superhero man. Viewers need a good backstory in order to identify with the hero on a more human level before they exalt them to their pedestal.

And finally about the writing, how many bosses are there on this damn show? Because in episode one we see Lala, and I'm like, OK, cool. Then at the end of that episode we learn that he's working for the higher-up Tobias Whale. And I'm looking at this spooky, surly-looking, mean-mugging dude and I'm like, “I like this!” But then in episode three we see Lady E and I'm like, “Hold on. I like Jill Scott but what the new hell is this?” Because the way she spoke (and didn't offer him a seat) made me think she was the big boss. For starters, do any of them have superpowers or are they similar to Daredevil's many powerless rogues? And which one is the biggest one, the crown jewel of the underground? And am I always gonna meet one boss at a time, and that person is then taken out and replaced with another bigger boss? I mean, does Lady E have someone over her? Am I someday gonna see Jill Scott actually fighting in an action scene against Black? It's both intriguing and exhausting to think about. I never saw the first seasons of Arrow and because of that I don't watch it regularly now, but on all the other superhero shows on the CW there was always one main overarching villain for that season, and they were helped by other smaller weekly villains. And usually those villains were smart and/or had some kind of good twist to them.


Here, it's very different. There is no clearly defined main villain. He's just battling street punks, which is fine but can get repetitive if the stakes don't feel like they are steadily increasing on a weekly basis. I've already seen Black take out dudes with guns three times now. When will I see him take out dudes with something else, or truly see him actually be challenged on a physical level? With him already knowing his powers as opposed to bumbling through a learning process, and with every villain he beats being some dude with an illegal gun, there's almost no tension in his fights. He's Superman against non-Luthor humans. Basically, all of his villains so far have been red-shirt Trekkers (Trekkies are the fans, Trekkers are the actual characters) that are easily thrown away. And we keep hearing about how Whale thinks he killed Black himself a long time ago, but how? We haven't even seen a cool weapon that would match Black's powers and truly put him dire straits. He just wins all the time. And that can get boring, even if we are supposed to consider him an aged superhero who knows what he's doing.

Then there's the soundtrack. OK, so this is a pet peeve that will sound rather off-putting, especially to some younger black people but I have to be real when I say that I actually don't like all the Hip-Hop in the show. I know, that sounds super crazy because I do like Hip-Hop and can be found listening to some Drake or Kendrick Lamar when driving. And I know that supporting rap or R&B, which is predominantly black-created music, is exactly what we should want from a show like this, however I don't like it for a few reasons. First, I kinda hate when black movies and/or shows do this: assume that all black people like or want to hear rap, R&B or Jazz all the time. This is partially why you look at a lot of black films either from the past or current ones and will see soundtracks filled with the latest hot rappers that are often rapping about nothing. Or you will get the occasional theme song filled with weak lyrics from a black rapper that you don't know and couldn't recognize in a sea of white people. For some reason blacks always seem to do this, save for the times when there is extreme oversight. We did this on an almost continual basis in the 90s with everything from superhero movies to just about any black-made movie that came out. Unless it had high studio hopes, it got a soundtrack filled mostly with Hip-Hop, which, at the time, was often superior than what we hear today.

As I've said multiple times on this blog (usually in posts about movies) a soundtrack and overall sound of a movie or TV show can play huge into how well it is received and can even affect it's quality, either enhancing it or degrading it. The subtle tones followed by thumping beat of The Dark Knight soundtrack blended so perfectly with every scene that it helped to raise the tension throughout the entire film. Go and re-watch that police station interrogation scene starting with Gordon and then having Batman come in to beat on Joker. The music adds to the conversation, ratcheting up the insanity of Joker AND the intensity of Batman. Even in the movie Get Out which, thankfully, doesn't suffer from this trend, we hear one really good R&B song at the beginning (Redbone by Childish Gambino) which fits with the overall tone of the film both philosophically and music-wise. The song is slow-building just as is that song, both possessing a haunting quality to them. They pair well and each one feeds well off the other. Hip-hop often does not pair well.

With Rap or any form of Hip-hop, what we usually get is some form of a dance when the music is played. Often used in fight scenes, the repetitive nature of the beat (or just about any radio-commerical song) doesn't lend itself well to any climax in the fight. All cinematic fights need to steadily crescendo up but here? Eh! They don't crescendo, making them cool but far less effective to the arc of the hero. If it doesn't seem like the hero is ever really overcoming something while defeating his enemies, the music is partially to blame. The non-orchestral music makes it feel like every fight he gets into is just a warm-up/workout and that we haven't seen him actually challenged or tested in any capacity, which lowers the stakes. Often, the only good times to use Hip-Hop in a fight (or any radio-commercial songs) are to make a comical point. 


The second reason why I could do with less Hip-Hop is because I want the identifiable orchestral music. We all grew up knowing the themes to the original Superman, Star Wars, Indiana Jones, James Bond and a gamut of other films and TV shows. One of my gripes with the new Dynasty was that for the first two episodes they ditched the original music in favor of that pre-loaded synth-drum beat. Now they have a rushed, party-like version of the original music that strips away the grandeur of the original orchestration, which exuded wealth—the main thrust of the show.

Here, what do we get? There's a bevy of songs both old and new, both secular and religious coming at you every week, but none of them stick around for a second episode. And the theme song is barely understandable save for the last few words, “... Black Lightning's back!” Unlike the rest of the superhero shows on TV, it doesn't feel heroic. When you think theme song for a superhero, you want something that will either cause you to want to, or where you can think of the superhero themselves, stand “Supermanning” in a posed position of triumph. (For those unaware, the term Supermanning means standing in a position with your fists on your hips and your chest poked out and proud like you've just accomplished something, like Superman was always seen doing in the early comics). This music elicits none of that imagery. It feels like they went with what they thought would be the coolest thing to do, but sometimes, especially concerning superheroes, it's better to do what you think will be legendary than it is to do what will be “cool for the moment.” This theme song is not legendary and, in fact, feels almost like a placeholder for something better to come in the future. I would just like to see more orchestral music than this, but I know that there are going to be plenty of people who like the music as is, especially the younger crowd. But it's not like black people don't create orchestral music, too. Still, I like the show.

Should you be watching? Yes. If you are looking for a family show and/or are looking to add to the many comic-based shows you inhale, then I think that Black Lightning is different enough for you to like it and enjoy it as a family. I haven't seen the Luke Cage show so I can't compare the two, though I read some reviewer say that Cage's show was darker. Black Lightning fits perfectly with the rest of the CW shows. The one big question is: Will this show somehow fit into the wider DC TV universe and unite with the other superheroes on the CW? As yet, I don't think a decision has been made about it, but that Supergirl reference was enough to wet the appetites of CW viewers I'm sure, and it is from the same producers. If they do decide to cross in the future (remember, Supergirl wasn't originally part of The Flash and Arrow's universe) then it would be interesting to see in which world this would be set. With the other shows having established that there is a multiverse of 52 worlds, this show could very well take place either on Supergirl's world, Flash/Arrow/Legends world, or some other world we have yet to explore. Ooo, what if it took place on Earth-2 (or maybe it's three now) which Cisco and Barry visited in season two I think where their current HG is from (not Supergirl's world)? I think the possibilities are grand. Anyway, diverse superheroes are back in a big way. Support and we could see more. Black Lightning airs on CW Tuesdays at 9pm EST. Catch up on the first three episodes at CWTV.com.

What do you think? Have you heard of Black Lightning (not to be confused with Black Panther the movie)? If you haven't, do you think you'll tune in now? If you have heard of it, have you seen it? Did you like it? Was I being too harsh on it or too soft? If you haven't read the comic, how do you think Jefferson got his powers? Who is Peter really? When will Jefferson learn of Anissa's powers? And do you think Jennifer has powers too? Let me know in the comments below.

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Until next time, “We didn't land on Plymouth Rock; Plymouth Rock landed on us!”

P.S. To the people of power, stand strong. Happy Black History Month! I'll think of a better sign-off next time.
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