To Write A Novel #NaNoWriMo #HalfwayMark #TMOTR

To Write A Novel #NaNoWriMo #HalfwayMark #TMOTR

This picture courtesy of the NaNoWriMo commission

Writing a novel can be pretty hard, y’all. Like... yeah! For those that don’t know or who have never tried, writing a full-length novel is very difficult and can be not only taxing on you mentally but quite a pain physically. And that’s even if you’re writing something you enjoy writing, something wonderful, something light and free and fluffy and lovey-dovey! Piecing everything together to create an easy, memorable and enjoyable reading experience for those future readers you one day hope to have is no easy task, but it is sometimes in this difficulty that we stumble upon (mental stumble upon. Wait, what do you call that...? Thunk upon! That sounds right) brilliance. The one drawback to brilliance is that you never quite know if it counts as such until it’s out there for others to see and consume. But that doesn’t mean you have to fret. I believe that all writing, even the fairly bad stuff, contains nuggets of greatness. That means that for you NaNoWriMo’ers this month, even if you struggle to get to your goal, even if you end the month without having completed your task, remember that you most likely have written something great.

Remembering back two years ago, I embarked on my first official (that’s very important) NaNoWriMo in November of 2015. It was a helluva month as I also decided to take on the unnecessary added challenge of NaNoBloPoMo or, wait... Is that what it is? That doesn’t sound right. NaBlo...? National Blog Post Month (NaBloPoMo! Ha!). For those that are unfamiliar with it or don’t blog, NaBloPoMo is where you post at least one blog post everyday for an entire month. Now, if you’ve read anything else on my blog, you’ll know that it is not like me to not be very verbose. Trying to both do my writing on my novel while also doing the whole blogging thing was extremely hectic and nearly pushed me over the edge. Somehow I managed to accomplish both in a whirlwind that saw me complete the month with at least 30 (don’t know the actual number. Would have to look back to check and I’m rather lazy and too busy to do that right now) blog posts and a 118,000 word first-draft mystery novel.

That novel is TMOTR (#TMOTR for social media) but you can call it by its god-given name The Man On The Roof. It was only the second mystery novel I had ever written, yet all the while writing it I felt a surge of energy that continued to push me forward each day and make me cognizant of its weightiness. I felt I was writing something that would be amazing. Now, granted, I am quite often delusional according to my therapist Bert the trash man who absolutely swears he’s just a trash man but is older, black, always has great nuggets of wisdom and totally fits the archetype of the magical negro (I swear that brotha went to Hogwarts or somethin’). But even with that I still couldn’t fight the feeling that I had created something great, which is one of the biggest reasons that kept me pushing through the project, pushing through the small snippets of writer’s block (though I find it insanely difficult to actually get writer’s block when you’re constantly writing and working on at least two different projects at once. I know it sounds crazy hard, but try it. It frees your mind) and the mental fatigue of crafting a story; pushing through the emotional roller coaster that was (and still is) my relationship with each of the characters and growing to love and loathe them as the time went on; charging forward through the quandaries and quagmires of questions that came up in the plot and how to get from point A to point C while making point B the most dramatic; creating a world and setting for not just my characters to live in but creating enough empty space for the reader to slot his or her thoughts and feelings into the setting too, in order to fill out the rest of the environment; battling to create not just narrative but atmospheric narrative; making sure each voice was right, each character just distinct enough; and figuring out a way to lure the reader deeper and deeper into the mysterious darkness while keeping them hooked on every word, every sentence, every idea put forth in the book. It’s a heck of a lot.

Now, two years after having written it, I finally am ready to release it and am looking for reviewers of this book that I think is similar to Gone Girl, The Girl On The Train, Big Little Lies, In A Dark, Dark Wood and the like. No, I wasn’t editing this the whole time. I worked on the editing for three weeks after I finished it and haven’t touched it since but only now do I think the timing for the book is right.

That’s neither here nor there. What is important is that I know your plight dear NaNoWriMo’er and for all you first-timers, I can say that it is wholly doable. Is it a challenge? Of course. And no, nobody expects you to finish over 100,000 words (which is only an achievement if the book is actually good). But push yourself further and harder than you ever have before.

First Mystery Suspense Thriller

Coming In 

December

OK, now it’s that cringe-worthy time where I give you unsolicited advice. I know. I hate getting that kind of advice because it seems to almost always come from some smart-butt who thinks he or she knows everything or knows something that I don’t, and just wants to rub it in. If you don’t want to take it that’s totally fine, but I do find that sometimes this stuff helps. Sometimes it helps to hear something you already know from someone else to sure-up your own confidence and sometimes there truly are things that you didn’t think of that another person has thought of and that can be helpful to you. So, here it goes, my tips on getting through the month.

First, I know that this month, for many, is so often not really about finishing the novel but about word counts and lengths, and as we get deeper into this thing, we’re gonna start seeing more and more people posting about how many words they’ve written in one day or one week, or how close they are to the minimum goal of 50,000 words. Ignore it! Ignore it all. Is it good to keep track of just how much you’ve done, you’ve accomplished? Of course. And taking a peek at how many words you’ve logged in a day or over a week does help you to gauge your productivity level, but don’t let this sidetrack you. In fact, don’t let the word count get you down at all. This is totally gonna sound like bragging but I assure you it is not and it’s truthful (you can go back through my blog and check if you’d like). So don’t judge.

Anyways, as I was doing the posts and the novel writing, and we did have the Thanksgiving holiday on which I am always the primary cook for my family, I still also had yardwork to do. As some of my long-time readers may know, I am a vegetable gardener and all-around environmentalist (Go #CaptainPlanet) so I am really big into composting. Well, that year I foolishly, for the first (but not last) time requested a truckload of leaves be delivered to my house. Leaves which I would use both for mulching all of my aesthetic gardening beds, as well as mixing with coffee grounds, lawn clippings and food scraps to set as the base for my compost pile. The picture below is of the leaf pile.

The pile was taller than me, as long as a full-sized Sedan (maybe longer), and made of the driest, most compact assortment of leaves you can get. Most were maple leaves and they smelled amazing, like warm maple syrup. We had 70 degree temps that week in November which is unseasonably warm but pretty great because it would get dark hella early and it was the week of Thanksgiving so everybody was home and off. Moving the leaves alone, it took me four days to get them all moved from the front of my yard to all around the property where they needed to be. That was four days of not writing at all on my novel.

Whatever time I did get at the end of the night went directly to my blogging and sleep. And another full day of Thanksgiving-ing (uh... That should totally be a word. Yes, I know that thanksgiving in and of itself is technically a verb. Don’t bother me with minutia, reader) where I also hardly wrote anything. So out of 30 days I only wrote for about 25 of them. My point is that if I had stressed over word count and how much I got done during those days (I may have blogged about stressing a little), I would have volunteered my brain for writer’s block and never achieved my goal. How many words you have doesn’t matter as much as how complete the story is and how good those words are. Granted, there is some importance to the word count if all you’ve previously done is write short stories, but even then, I’d say don’t look at the word count until you are satisfactorily finished with the story, then hopefully you still have a week of time left at the end of the month to make some changes or additions within the story.

The Writer Seasons 1-3 Out NOW

on Amazon Kindle

With that point made, I feel everything else should flow easily. Remember, while this month is certainly focused on finishing a full novel, it’s not really about finishing a full novel, but telling a story as best you can in a way that pleases both you and a potential reader one day. Have fun with this thing. Remember that the writing is supposed to be the fun part, even if you are purging anger, resentment, depression or the like out onto the blank page (The Man On The Roof #TMOTR was written in a rage-fueled miasma that stemmed from continuing to be a failure at writing and all-around, and having poor timing in my life). Don’t stress over words. Take risks with your writing, try new things, let the story take you where it wants to venture and be willing to make mistakes. But—this is something that most other authors won’t tell you because everyone is a huge worshipper of the editing and revisions process—make your first draft as near to perfect as possible. Yes, you’ll have plenty of time to go back and tinker and fix and add and subtract, but one of the reasons why this month is so challenging is not because of the word counts or things of that nature, but because it wants you to challenge yourself to write a novel and not just slop together some pretty words that occasionally make sense. If you’re gonna stress over anything, stress over the tightness of the narrative and the believability of the characters (not even so much the relatability as each reader will pick and choose who they relate to based on their own biases).

Another big nugget of advice: DON’T TRY TO EDIT ANYTHING DURING THE MONTH!! It’s tempting, I know. And some people will tell you that it pays to be a perfectionist and if you just go back and tweak things, it’s OK. No. Stop before you do that and remember this thought: there is more brilliance deleted by authors than ever makes it into their novels. Quote from me. Michael Stephenson. If you’re a seasoned writer you should already know that you should never be deleting anything anyway, unless it is a grammatical error like mispalings and such. But sentences that don’t sound right in the flow of things, dialogue that you don’t particularly care for and even entire scenes that you think can be cut—keep all of it in your first draft. And if you want to make an edit later, then mark it as something you want to take a look at, then write whatever you wanted to edit it to be (if you already have something in mind) just below your note, but don’t delete it. And don’t slow down your mind’s conscious stream of thought to go back and question yourself if this one particular word is the right particular word in that sentence, because you could come back to the novel in a month or two and realize that your first choice was the best choice but you can’t remember what it was.

As for outlining and framework construction, I will leave it up to you. I will tell you that while I had been thinking of TMOTR for a while, I hadn’t had a proper outline and, in fact, the original idea I had for the story was drastically different than what the novel ended up becoming. Sometimes I have an outline but sometimes I simply leave prompts for myself, something which I recommend all writers do. The prompts are generally questions or brief synopses about what I want or think should happen either next in the story or what I am comfortable writing next. Again, this month should be about getting into a particular groove of comfort that allows you to open your most creative mindset. Some good questions are: what a particular character learned from what you wrote that day, when you want a crucial event to happen, how you see the characters interacting with each other at the end, and et cetera. Those are just examples, but it is important to think like a reader would which is going to actually drive your narrative. If you can get into the mind of your reader before they are in their own mind, and anticipate what they will think when reading your work, then you can reward them by fulfilling their expectations or yank them deeper into the story by throwing an unexpected twist at them. And yes, sometimes the best thing to do is to let yourself fall into a bout of writer’s block because right after that is usually when the magic happens, but never get concerned about not being able to get any words down on the page.

Extraordinary Season One Out NOW!

This month’s pursuit is solely to make you a better writer, make you a faster thinker and more agile wordsmith. It is meant to challenge your perspective on how you write from start to finish, including the planning process. So get messy, make mistakes, and most of all, have fun! And some of the best times you’ll have during this process will come, surprisingly, not from the writing, though that will be pretty amazing. Some of the best times might very well come from social media and any other offline/real-life socializing groups that you have where you can get together and talk about either writing or reading or both. NaNoWriMo is one of the few months where you don’t have to be or feel alone in the writing process. Yes, writing is often solitary but it doesn’t have to be this month. Go to wherever other writers are and share your stories of what you are doing. Give updates on what you are writing, what characters you’ve fallen in love with, which ones you absolutely loathe, or how the plot has changed from what you thought it was originally. And don’t just share triumphs, share failures, the mundane, the quirky, the questionable and the like. If you’re struggling with a particular section, don’t agonize in silence, take it to Twitter or Facebook or Goodreads or wherever and ask questions about that situation there. Yes, while there is always a bit of paranoia about idea theft, there are still tons of authors out there willing to help you solve your writing problems. And sometimes it’s just good to commiserate with others trying to achieve the same thing. Make friendships and more importantly, make enemies, too. Seriously, haven’t you always wanted a nemesis? You could totally have one and have that person be a writer just like you. It’s perfect!

Anyway, that’s my two cents. To all my fellow writers and authors who dare to participate in the 2017 November NaNoWriMo, I wish you good luck and happy writing. And for anyone interested in reviewing my novel The Man On The Roof, I would love it if you did. Here’s a description:

“There was a man on your roof.” And so starts the psychological intrigue. A small, quiet, Northeast Ohio suburb plays host to a murder when the body of a teenage ne'er-do-well is found hanging from a street banner on a summer morning. At the end of the lane where the murder took place, live five different couples and one old man. Neighbors make for convenient friends as all five couples consider themselves one collective group. But someone here is a murderer. Lies, betrayal and twisted deeds come to light as fingers point and eyes narrow. Who's lying? Who can be trusted? Who has a secret worth killing for? As spouses turn against each other but one thing is for sure: The boy's murderer was trying to send a message. The murderer will kill again.

A psychological mystery thriller in the vein of Gone Girl, The Girl on the Train, and Liane Moriarty's Big Little Lies, The Man on the Roof is told in 10 distinct voices that dig into the inner marrow of the lives and secrets that the people at the end of Shady Lane hold. Designed to be re-readable and keep readers on their toes, it will keep you up at night and have you second and third-guessing every theory about who done it and why. You might want to take notes on this one because you'll surely be talking about The Man on the Roof (#TMOTR) all year long! If you'd like to review it, let me know in the comments below and we can set something up. Currently, it will only be an ebook but hopefully within six months I will have hard copies.

Otherwise, I wish you all as much success as you can stand this month and beyond. Write something cool, and if it isn’t cool don’t fret, nobody actually reads books anymore anyway ;).

Check out my 5-star comedy novel, Yep, I'm Totally Stalking My Ex-Boyfriend. #AhStalking If you’re looking for a scare, check the YA novel #AFuriousWind, the NA novel #DARKER, #BrandNewHome or the bizarre horror #ThePowerOfTen. For those interested in something a little more dramatic and adult, check out #TheWriter. Seasons 1, 2 and 3 are out NOW, exclusively on Amazon. Stay connected here for updates on season 4 coming summer 2018. If you like fast action/crime check out #ADangerousLow. The sequel A New Low will be out in a few months. Look for the mysterious Sci-fi episodic novella series Extraordinary on Amazon. Season 2 of that coming real soon. And look for the mystery novels The Knowledge of Fear #KnowFear and The Man on the Roof #TMOTR coming this fall/winter. Twisty novels as good as Gone Girl or The Girl on the Train, you won’t want to miss them. Join us on Goodreads to talk about books and TV, and subscribe to and follow my blog with that Google+ button to the right.

Until next time, (looks at book on coffee table) “Wow! Have you read that book?”

‘Uh... Yeah, totally.’

“I love the part when she takes the paddle and starts spanking the guy and he turns into a dragon and—”

‘Well, actually, I haven’t read it at all. I’ve just been using it as a coaster for my tea mug. Dat tea be hot and delicious!’

(exasperated head shakes)

P.S. Yes, I know that was a long sign-off. Don’t judge me. I should be judging you, reader. You totally know that you have at least one or two books that you have been meaning to read but is now serving as a cup coaster somewhere or is sitting somewhere in plain sight to make you look well-read. For shame! Well, at least drink a cup of tea for me. Cheers! I’ll think of a better, shorter sign-off line next time.

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