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Monday, February 5, 2018

You Heard The Thunder Now Here’s The #BlackLightning #3weekroundup #recap #review #CW #DC

You Heard The Thunder Now Here’s The #BlackLightning #3weekroundup #recap #review #CW #DC

All pictures courtesy of the CW


The wait is over! Well, I guess it’s sorta been over for a long time now. In any case, black superheroes have returned to your screens both big and small... and handheld. Though Black Panther still has a few weeks to go, Black Lightning is here to bless you with that Mandingo power you've been lookin’ for. Don’t act like you ain’t been lookin’ for it, you know you have. But is Black Lightning electrifyingly good or is it shockingly bad? Let’s find out together!

Black Lightning is the CW’s newest addition to their superhero lineup. Though it currently doesn’t feature into the same universe as Arrow, Supergirl, The Flash, and Legends of Tomorrow, never say never as Supergirl was previously not part of the group also, and it does have a producer in common with Greg Berlanti behind it along with black producers Mara Brock and Salim Akil (a married couple; Mara was behind the show Girlfriends). Here, we are introduced to a new (to the audience) hero with a storied past. Black Lightning or Jefferson Pierce is unlike any of the other superheroes we have seen on the CW so far. Played by veteran actor (you’ve seen him before but probably never knew his name) Cress Williams, Jefferson Pierce is a middle-aged high school principal with two near-grown daughters (one is a student at the school and the other seems to be a teacher there but maybe also a college student) that lives in the fictional city of Freeland. A city similar in tone to Chicago or some other Midwest city, it has its pockets of good and bad neighborhoods with decent houses and decent people while also having gangbangers and thugs lurking around many corners.


Right now the city is in the throes of another bad run which has given rise to a gang known as The 100 (RIP CW’s teen drama The 100). A predominantly black gang, it has many members stretched like tentacles throughout the city but seems to be run by one Tobias Whale; however, the front man for Jefferson’s section of the city happens to be a man by the name of Lala, a past student of our do-gooder principal. I don’t want to age neither the character nor the actor, but I must point out here that it does give me some pause to think about just how old Black Lightning is supposed to be. I get that he could’ve been a young teacher that has only recently taken on the principal role, but on the second episode we meet a woman who was a past student of his and who also now has a daughter that goes to the same high school and I’m like what? I thought he was supposed to be closer to 40 but maybe he is closer to 50 than I thought. I digress.

Lala being one of the heads of The 100 has to operate the business as he sees fit and tries to play the big baddie of the hood. But because he was once a student of Jefferson the kind-hearted principal thinks he can reason with the man. See, Jefferson has actually had a deal with the surrounding gangs for a number of years: his high school remains off limits to and for any illegal gang activity. In return, he doesn’t get the police involved in stuff that could be gang-related in his area. But this deal gets broken when his daughters get into some trouble.

His youngest daughter Jennifer, played by China Anne McClain of Disney fame, is still a teenager exploring who she wants to be as she comes of age. She does normal teen stuff like lying to her parents to sneak out to parties. She does exactly that when she skips a stuffy adult-laden school fundraiser in favor of a party down at Club 100 with a friend (yes, Club 100 is the favorite hang spot for The 100 gang). Well, she gets into a little trouble when a guy starts flirting with her in the club. Young, the boy looks near her age and is trying to get down to business, but she is not that fast. But when members of The 100 gang come and grab the boy, they take Jennifer too. In some crazy prostitution plan, they say that the boy has a debt and that “his girl” can work it off down at this seedy motel the gang runs. But Jennifer doesn’t really know this fool, and he’s certainly not her boyfriend. Still, that doesn’t quite matter to Lala and his brood.

At Center Focus: Jennifer played by China Anne McClain
Meanwhile, as Jennifer is getting into trouble, her father is at the charity dinner schmoozing donors, talking to one of his old friends and current cop Inspector Henderson. Henderson is taking heat for all of the gang violence that seems to have swept through the streets in the last ten years. He’s trying his best, but the cops can only do so much. Jefferson is committed to trying to choke the power of the gang’s by choking off their membership. He feels that if he truly invests in the youth in a meaningful and uplifting way, then they will never be tempted to join a gang. As a partner in his vision for the school, he has Ms. Fowdy. Let me get this outta the way right now and say that all the women (including the daughters) on this show are fine as hell and that you probably won’t find a better smoke show this season. #BlackExcellence. Ms. Fowdy, from what I can surmise, may be the assistant principal or the administrative assistant, but I don’t think she is part of the ordinary faculty. In any case, she seems to have a crush on Jefferson.

Though Ms. Fowdy may have eyes for Jefferson, he only has eyes for his ex-wife and mother of his children Lynn. The character list on IMDb says she never reverted to her maiden name which means—in conjunction with the heat they make on the show—that there’s a strong possibility of them getting back together. Neither is over the other and the only reason she left him was because she felt it was too dangerous for her and her mental health to be married to him as he continued in what she sees as his “addiction.” Funny enough, the girls still lived with him. Frankly, they need to explain this discrepancy better to me. 

Left to Right: Anissa, Jefferson  Back Center: Ms. Fowdy
Finally, there is Jefferson and Lynn’s eldest daughter Anissa. She is the Black Lives Matter, power to the people protestor that is supposed to be the troublemaker. As said before, she seems to be a young student teacher still in college or maybe just subbing on the side. Anyway, she covers for Jennifer when the latter goes to Club 100. Well, Jefferson finds out what’s going on with his daughter and goes to the club to rescue her from whatever dubiousness she might’ve gotten into. When he does, things get a little hectic. They won’t let him through to see his daughter in the boss’s back room, so he shuts the lights off and shocks a few people. Oh yeah, he’s Black Lightning.

See, about 20 or so years ago Jefferson was this amazing superhero called Black Lightning. He has electricity surging through his veins, and he can wield it at will. The problem, though, is that Lynn who saw her man coming home half-broken and beaten every night and wanted a normal, safer life. So while the streets were safe, she didn’t feel she was loved, and she left. Ever since, they’ve been co-parenting successfully while he managed to give up his crime-fighting in favor of time spent with his children. Still, he and Lynn didn’t quite make it back to what they once were. He’s retired from the hero biz.

Until that night. The electricity going out frees up Jennifer enough for her to escape into the crowd of the rest of the panicked patrons. The police come to make the crowd disperse and Jefferson hits them with some electricity too just for being idiots. The rest of the episode plays out like your standard kidnap and rescue. Jennifer is confronted at school by the same boy from the club who agreed to sell her into sex slavery to pay off his debt. As it turns out, he is the cousin of Lala and is part of The 100, and doesn’t even go to that school. Anissa embarrasses him by flipping him to the ground and showing that Woke Bae got some serious key-raw-tay skills. He comes back with a few of his fellow goons and kidnaps the both of them right out of class, whisking them away to the seedy prostitution motel. They’re gonna repay his debt to Lala.


So, while that is unfolding, Jefferson goes to see an old friend, a Mr. Peter Gambi played by veteran actor James Remar (you’ve seen him in a helluva lotta stuff, I’m sure). Gambi is like a mix between Batman’s Alfred and The Flash’s Harrison. A suit tailor by day, he’s been waiting for Jefferson to come back so that he can aid him in fighting crime again. In anticipation of this day, he helps Jefferson get cleaned up from his most recent soiree in the club and also makes him a cool new suit as he knows the old one probably doesn’t fit anymore. Now, dressed in a cool black and electric blue suit with hints of yellow on it and an eye mask similar to Batman’s Robin, he’s ready to get down to crime-fighting, if only for one night. He goes to the motel and beats through a gaggle of goofy goons before reaching the boy who kidnapped his girls. Having just missed Lala, he throws the boy off of a two-story balcony onto a car and rescues his daughters. The cops show after the fact to start arresting people and the day is saved for the moment. But not all is good. Lynn, while thankful and relieved that their babies are safe, sees his one-night-only foray back into the superhero biz as a harbinger of more to come. She’s starting to get scared again, and just when she was this close to caving and going back to him full force. Even crazier, the episode ends with the eldest daughter Anissa getting up to go to the bathroom in the middle of the night and having some kind of super-charged red energy surge through her body until she unwittingly breaks the porcelain sink in half like it’s nothing.

Episode two focuses on the aftermath of Black Lightning’s sudden reappearance and re-retirement. Naturally, we get the “people are intrinsically stupid” trope here which sees parents asking why Black Lightning came back and only saved Jefferson’s daughters but not anyone else’s. Like, really? For real? For realsies? The dude doesn't even wear that good of a mask. Two and two have never been more eager to be put together but I digress. When he learns from one of the mothers (the former student I was talking about) that the whoring motel the cops raided after he took out all the baddies is now back open and that she thinks her daughter was kidnapped and taken there, he gets super angry and re-commits to his life as Black Lightning. Lynn steadily talks about his addiction to using his superpowers which he simply one day discovered he had, but he says that he was doing good with them before, and he feels compelled to start doing good with them again. Yet, he still insists that he only has to suit up one more time. In his mind, Lala is the one who is running things (he doesn’t seem to know about Tobias Whale yet), so he figures that if he takes out the homicidal thug, then he’ll have put a serious damper or end to The 100’s infestation. All he has to do is bring Lala in with the proper evidence to convict him.

Lala

As it so happens, Lala makes it easy on Black. First he kills his own cousin after springing him from the ambulance just after Lightning dropped him onto the windshield of that car. Yes, they say some BS story about how the kid hopped out of the ambulance himself but really? Really? Dude’s back should’ve been fractured in three places not to mention shards of glass embedded deep in it. In any case, Lala dumps his cousin’s body in a dumpster. He then kills the anguished mother who came to the motel looking for her daughter. Not wanting to be bothered, he shot her a few times in the parking lot, not knowing that she had a cameraphone set up in her car window recording the whole mess.

The cops find the recording, now all they need is to go and get Lala. As it happens, Lala is currently holdup in some downtown high-rise stacked with tons of bodyguards throughout the entire building to prevent any do-gooders from raiding. The police probably would’ve made a valiant effort to get through and lost. But Black Lightning is on the case because a brotha needs all the exercise he can get. He double-handedly takes out all the bad guys up the stairs leading to Lala’s place, electrocuting them and just outright beating them silly as he climbs to the top. And once he finally gets close enough to give Lala a thunder-slap beatdown, the cops burst in like they actually did somethin’ and look at him. And for a second we get this glimmer of recognition from Inspector Henderson but are unsure if he knows it’s his buddy or not. Black Lightning makes a clean escape, leaving Lala to be arrested and taken in on murder charges of that mother.

Obviously, Tobias Whale can’t have this. While Black Lightning might not know, the police do know that Lala is just a small cog in the gang’s overall dominance. It’s just a matter of time before they pressure him into a deal where he is going to talk about ways to bring Whale down. Who is Whale? Whale is the big boss similar to The Kingpin in Daredevil (at least I thought he was). He is, from what I can tell, a large albino black man who thinks he’s the coolest brotha alive and dresses like the pimp-gangster that he is. He runs all the crime in the city and has too many connections to count. And he wants Lala dead. Does he get one of the many cops on his payroll to kill him? No. In a supreme boss-level move, Whale and his right-hand woman go down to the police station where they are escorted into the building by a few cops and walk straight into Lala’s holding cell. Whale then proceeds to do some short but sweet pontificating about the idiocy of Lala for getting caught before one-hand choking the dude clean out, killing him with an effortless palm squeeze. At that point it is not known whether or not Whale has superpowers.


We end the episode with another glimpse of Anissa’s budding superpowers of her own. While we don’t get the same red flashes of lightning that we got from the first episode, we do get her being able to throw a robber clean across a convenient store, then shrugging it off. And it seems that using her powers makes her headache go away. Up until this point, they’ve been super sparse with the details on these powers for both her and her father, but this may tell us two things: these powers are hereditary, and maybe they actually do need to be used as some kind of stress reliever. I’m unsure.

Episode three starts with the funeral of the slain mother from episode two—or maybe it's just a wake or something because it's at night and far too late for a funeral. Jefferson, Lynn and Jennifer all show up to sit in the pews and listen to this pastor preach on how the mother was standing up to the gangs and how she didn't deserve what she got. In a feeble but exasperated attempt to do something, he calls on his congregation to take a stand against this violence from The 100 and march with him, something which Jefferson is hardly a fan of. Jennifer wants to go which ropes in her mother to go as well (chaperoning). Jefferson and Inspector Henderson try to talk the reverend out of doing this because they know that it will simply put good people in harm's way and escalate the violence even further. As a viewer, you understand both sides. The cops can't seem to do their job fast enough because they have so much corruption in the force, but are trying. Meanwhile, though the pastor is criticized for rocking his thousand dollar watch, he also wants to help, wants this to stop but truly has grown so frustrated that he's run out of ideas. In Old School Days, you wanted change you marched. Now...? But he sees the return of Black Lightning as a harbinger of hope again. He feels that he and the marchers will be protected by Black and that his return was a sign from God.

Meanwhile, as the rest of her family sits in the church, Anissa is out in some dark junkyard trying to train herself to use her powers. In what has got to be one of the fastest “let's see what I can do as a superhero” scenes I've ever seen, she beats on an older washer for a few minutes before getting super frustrated, nearly hurting herself and then coming to the epiphany that it all has to do with her breathing. Funny enough, the way this is filmed, I don't actually know if she was speeding up her breathing or what she was doing, but it works. When she was hardly able to make a dent on the washer, she can now kick it clear across the yard.

Anissa seems pretty jazzed about her powers for a while until she comes to a library and finds herself lost amid the stacks, searching for research books on mutations and powers and whatnot. There she runs into this cute Asian chick who is into comics and shows her one of her books. They flirt a little and I was like, “Hold up, doesn't she have a girlfriend?” The Asian girl tells her about this costume party they are having at what appears to be a lesbian bar (or maybe it was just ladies' night??) where she works and invites her to come dressed as a superhero or villain herself. Here, we also get our first reference to one of the other DC superheroes/shows on the CW in Supergirl. I'll withhold my judgment of that until the critique.

Anissa goes to the club and predictably grinds all over the Asian girl until her girlfriend suddenly pops up out of nowhere, and I was like, “Huh? What? Like... huh?” Was she tracking/stalking her? I digress, but just know that I thought it was kinda weird for her to just show up and find her. This leads to their break-up and Anissa having to give back her girlfriend's key. She doesn't hook-up with the Asian chick but she does sit at the bar and have a drink, so it seems that we might see this girl again.

With the march set for the end of the week, Jefferson and his apparent tech guru Peter Gambi (yeah, the tailor) have to figure out how to change the protest route to keep the marchers safe. Can I just say here that they kept saying “parade route” instead of protest route and it bugged me and the people I watched this with. Parades are for celebrating; protests are for when there is little to celebrate. Anyway, Gambi also makes some improvements to the suit which allow Jefferson to shoot a single concentrated beam of electricity toward a person and not hit bystanders, so he can safely take out gang members in the crowd. But while that is going on he and Lynn have bigger fish.

Lynn, Jefferson's Ex-Wife
That bigger fish happens to be Jennifer's deflowering. In a super-modern parent-child relationship, Jennifer tells her parents (and at family dinner no less, sans Anissa) that she is ready to have sex. Yeah. Black Rob circa 2000—Like, Whoa! She is very diplomatic and straightforward with it, too. She and her boyfriend plan on losing their virginity to each other (yes, he confessed that he was also a virgin in a rather cute little scene of acceptance) on Saturday, during the day, at a hotel room they'll be renting. They said she could always come to them to talk about it when she was ready, and she actually did that shit. Oh my god! Listen, I always thought I was a fairly good kid, but even I don't think I would've done this if it came up at that age. Naturally, Lynn and Jefferson are stunned by her decision and honesty and just want to make sure that her young self is having sex with the right person, and from what we've seen of Khalil (her bf) in the previous episode when he chastised Jennifer for drinking and being a bad role model for the other girls, he can't get any more righter at this point in life. This dude first lied about being experienced in sex, and then went back and told the truth on his minty-fresh dingaling. Hell, I still know at least five dudes in my life that swear up and down they made it with Beyonce and ain't never even been in the same building, let alone the same room with her. He is literally a younger, lighter version of her father—the epitome of what young black boys should be.

Still, being a father, Jefferson must interrogate the boy in as awkward of a way as possible. While he doesn't threaten him like most dad's might, he does ask the boy about his personal hygiene to check to make sure the boy isn't going to infect his daughter with some kind of fungus or something. It was a very funny but completely ridiculous scene and will be mentioned in my critique.

In an episode that feels like it moves super fast, the march is upon us in no time. Peter has put up construction signs all through the city to direct the people into safe areas that Black Lightning keeps watch over from the rooftop. When a thug hired by Tobias Whale jumps out with a machine gun to try killing all of the marchers, Black jumps down and puts up an energy force field to absorb the bullets. He then shoots the dude down with one of his bolts, along with another gang member that hid in the crowd. Saved, the group starts to sing Amazing Grace as the pastor stares at Black as if he was Jesus. From down the street, Whale and his henchwoman sit in the car talking about how much he hates churchgoers. Henchwoman takes a shot at Black but misses, instead hitting the pastor just above his heart. But the bullet flies through the pastor and ends up in the spine of Khalil—no loss virginity for Jennifer this weekend. Luckily, both the boy and the pastor survive, but this has only stoked the lightning more. Little does he know that he is not only battling against Tobias Whale but also against another, even bigger boss in Jill Scott's Lady E. Yes, the singer Jill Scott. What will the future hold? This family can only stay together to make it through.

What's my grade? I give it a solid B. Being black I definitely want to see more minorities succeed, so I try to judge things as fairly as possible. With that being said, there are a few flaws in this show and pet peeves of mine, but let's start with the good. The casting is phenomenal here. I can believe that the two girls are the daughters of Lynn and Jefferson. Everyone has good chemistry and there's no level on which I feel that any of the people don't know or are uncomfortable with their character. Out of all the late-40s actors that they could've chosen, I think that Cress Williams was actually a perfect choice for the role, considering the budget that they have and what they would ask him to do. He fits the role well both physically and presence-wise and seems like a high school principal. I also like Tobias Whale, even though he is thinner than I would expect for someone with the name Whale. I will say that at some times his acting is a little suspect, however, knowing that this is a comic book show and that he is supposed to be this over-the-top gangster allows him some wiggle room.

I also like the overall positivity of the show and how it displays a black family (any family, really) where the parents are both successful, and successful at co-parenting while not together. They broke up and don't hate each other; in fact, they still love each other but things are complicated. If you want good images of black people, this is it. Hell, the youngest girl is the picture of what a perfect daughter looks like. Yes, she's trying to be a little rebellious but you even get the strong sense that it is a phase and that she really just wants to be a good girl.

I also like how the show confronts the inner-city's issues head-on. It's not just about crime, it's about being socially conscious of the community, and what you can do to help it. And finally, I also like the costumes and the special effects are on par with every other CW show.

Now, for some of the bad and ugly, we have to discuss this writing, y'all. That third episode could be indicative of the people they have in the writer's room and if it is, God help us. The third episode was a mess. Everything from the strange conversation between Jefferson and Khalil, to Anissa's girlfriend randomly catching her in that bar grinding on that Asian chick, to Anissa magically learning how to use her powers in a snap, to Whale being able to stop and monologue about how he hates the protesters while sitting right down the street within their view. Almost all of it rang false and played false on the actor's lips. There's a problem with the writing when you have too many conveniences. They can make the writing overly melodramatic (some melodrama is fine, but too much and it becomes kitschy) and can make the audience put aside their disbelief in favor of asking too many obvious questions with no answer other than “because.” Why did Anissa's girlfriend know where she was at? Because it's convenient to the plot. Why did the mother get out of her car and start waving a camera in Lala's face? Because it's convenient to the plot. Why is it that the suit tailor happens to also be the tech guy? Because it's convenient to the plot. Too many of these will frustrate an audience.

Also, it feels like there's no backstory here. Other superhero shows on CW started with some kind of “creation moment” as I call it. It's that time when the person goes from regular guy/girl to superhero. Yes, we get a little of that with Jefferson, however the fact that he was a superhero before and is now returning to that somewhat cheats the audience. Look, you can do this with other, more popular characters like Batman or Superman or Marvel's main characters, but I had no idea who Black Lightning was before this show and three episodes into the series, I still have little idea of how he became the superhero in the first place. Yes, they have a full season to show his story, but they could've fit in a little flash back to his very first day on the job or what turned him or how he got his superpowers to let us know that he wasn't always this stand-up superhero man. Viewers need a good backstory in order to identify with the hero on a more human level before they exalt them to their pedestal.

And finally about the writing, how many bosses are there on this damn show? Because in episode one we see Lala, and I'm like, OK, cool. Then at the end of that episode we learn that he's working for the higher-up Tobias Whale. And I'm looking at this spooky, surly-looking, mean-mugging dude and I'm like, “I like this!” But then in episode three we see Lady E and I'm like, “Hold on. I like Jill Scott but what the new hell is this?” Because the way she spoke (and didn't offer him a seat) made me think she was the big boss. For starters, do any of them have superpowers or are they similar to Daredevil's many powerless rogues? And which one is the biggest one, the crown jewel of the underground? And am I always gonna meet one boss at a time, and that person is then taken out and replaced with another bigger boss? I mean, does Lady E have someone over her? Am I someday gonna see Jill Scott actually fighting in an action scene against Black? It's both intriguing and exhausting to think about. I never saw the first seasons of Arrow and because of that I don't watch it regularly now, but on all the other superhero shows on the CW there was always one main overarching villain for that season, and they were helped by other smaller weekly villains. And usually those villains were smart and/or had some kind of good twist to them.


Here, it's very different. There is no clearly defined main villain. He's just battling street punks, which is fine but can get repetitive if the stakes don't feel like they are steadily increasing on a weekly basis. I've already seen Black take out dudes with guns three times now. When will I see him take out dudes with something else, or truly see him actually be challenged on a physical level? With him already knowing his powers as opposed to bumbling through a learning process, and with every villain he beats being some dude with an illegal gun, there's almost no tension in his fights. He's Superman against non-Luthor humans. Basically, all of his villains so far have been red-shirt Trekkers (Trekkies are the fans, Trekkers are the actual characters) that are easily thrown away. And we keep hearing about how Whale thinks he killed Black himself a long time ago, but how? We haven't even seen a cool weapon that would match Black's powers and truly put him dire straits. He just wins all the time. And that can get boring, even if we are supposed to consider him an aged superhero who knows what he's doing.

Then there's the soundtrack. OK, so this is a pet peeve that will sound rather off-putting, especially to some younger black people but I have to be real when I say that I actually don't like all the Hip-Hop in the show. I know, that sounds super crazy because I do like Hip-Hop and can be found listening to some Drake or Kendrick Lamar when driving. And I know that supporting rap or R&B, which is predominantly black-created music, is exactly what we should want from a show like this, however I don't like it for a few reasons. First, I kinda hate when black movies and/or shows do this: assume that all black people like or want to hear rap, R&B or Jazz all the time. This is partially why you look at a lot of black films either from the past or current ones and will see soundtracks filled with the latest hot rappers that are often rapping about nothing. Or you will get the occasional theme song filled with weak lyrics from a black rapper that you don't know and couldn't recognize in a sea of white people. For some reason blacks always seem to do this, save for the times when there is extreme oversight. We did this on an almost continual basis in the 90s with everything from superhero movies to just about any black-made movie that came out. Unless it had high studio hopes, it got a soundtrack filled mostly with Hip-Hop, which, at the time, was often superior than what we hear today.

As I've said multiple times on this blog (usually in posts about movies) a soundtrack and overall sound of a movie or TV show can play huge into how well it is received and can even affect it's quality, either enhancing it or degrading it. The subtle tones followed by thumping beat of The Dark Knight soundtrack blended so perfectly with every scene that it helped to raise the tension throughout the entire film. Go and re-watch that police station interrogation scene starting with Gordon and then having Batman come in to beat on Joker. The music adds to the conversation, ratcheting up the insanity of Joker AND the intensity of Batman. Even in the movie Get Out which, thankfully, doesn't suffer from this trend, we hear one really good R&B song at the beginning (Redbone by Childish Gambino) which fits with the overall tone of the film both philosophically and music-wise. The song is slow-building just as is that song, both possessing a haunting quality to them. They pair well and each one feeds well off the other. Hip-hop often does not pair well.

With Rap or any form of Hip-hop, what we usually get is some form of a dance when the music is played. Often used in fight scenes, the repetitive nature of the beat (or just about any radio-commerical song) doesn't lend itself well to any climax in the fight. All cinematic fights need to steadily crescendo up but here? Eh! They don't crescendo, making them cool but far less effective to the arc of the hero. If it doesn't seem like the hero is ever really overcoming something while defeating his enemies, the music is partially to blame. The non-orchestral music makes it feel like every fight he gets into is just a warm-up/workout and that we haven't seen him actually challenged or tested in any capacity, which lowers the stakes. Often, the only good times to use Hip-Hop in a fight (or any radio-commercial songs) are to make a comical point. 


The second reason why I could do with less Hip-Hop is because I want the identifiable orchestral music. We all grew up knowing the themes to the original Superman, Star Wars, Indiana Jones, James Bond and a gamut of other films and TV shows. One of my gripes with the new Dynasty was that for the first two episodes they ditched the original music in favor of that pre-loaded synth-drum beat. Now they have a rushed, party-like version of the original music that strips away the grandeur of the original orchestration, which exuded wealth—the main thrust of the show.

Here, what do we get? There's a bevy of songs both old and new, both secular and religious coming at you every week, but none of them stick around for a second episode. And the theme song is barely understandable save for the last few words, “... Black Lightning's back!” Unlike the rest of the superhero shows on TV, it doesn't feel heroic. When you think theme song for a superhero, you want something that will either cause you to want to, or where you can think of the superhero themselves, stand “Supermanning” in a posed position of triumph. (For those unaware, the term Supermanning means standing in a position with your fists on your hips and your chest poked out and proud like you've just accomplished something, like Superman was always seen doing in the early comics). This music elicits none of that imagery. It feels like they went with what they thought would be the coolest thing to do, but sometimes, especially concerning superheroes, it's better to do what you think will be legendary than it is to do what will be “cool for the moment.” This theme song is not legendary and, in fact, feels almost like a placeholder for something better to come in the future. I would just like to see more orchestral music than this, but I know that there are going to be plenty of people who like the music as is, especially the younger crowd. But it's not like black people don't create orchestral music, too. Still, I like the show.

Should you be watching? Yes. If you are looking for a family show and/or are looking to add to the many comic-based shows you inhale, then I think that Black Lightning is different enough for you to like it and enjoy it as a family. I haven't seen the Luke Cage show so I can't compare the two, though I read some reviewer say that Cage's show was darker. Black Lightning fits perfectly with the rest of the CW shows. The one big question is: Will this show somehow fit into the wider DC TV universe and unite with the other superheroes on the CW? As yet, I don't think a decision has been made about it, but that Supergirl reference was enough to wet the appetites of CW viewers I'm sure, and it is from the same producers. If they do decide to cross in the future (remember, Supergirl wasn't originally part of The Flash and Arrow's universe) then it would be interesting to see in which world this would be set. With the other shows having established that there is a multiverse of 52 worlds, this show could very well take place either on Supergirl's world, Flash/Arrow/Legends world, or some other world we have yet to explore. Ooo, what if it took place on Earth-2 (or maybe it's three now) which Cisco and Barry visited in season two I think where their current HG is from (not Supergirl's world)? I think the possibilities are grand. Anyway, diverse superheroes are back in a big way. Support and we could see more. Black Lightning airs on CW Tuesdays at 9pm EST. Catch up on the first three episodes at CWTV.com.

What do you think? Have you heard of Black Lightning (not to be confused with Black Panther the movie)? If you haven't, do you think you'll tune in now? If you have heard of it, have you seen it? Did you like it? Was I being too harsh on it or too soft? If you haven't read the comic, how do you think Jefferson got his powers? Who is Peter really? When will Jefferson learn of Anissa's powers? And do you think Jennifer has powers too? Let me know in the comments below.

Check out my 5-star comedy novel, Yep, I'm Totally Stalking My Ex-Boyfriend. #AhStalking If you’re looking for a scare, check the YA novel #AFuriousWind, the NA novel #DARKER#BrandNewHome or the bizarre horror #ThePowerOfTen. For those interested in something a little more dramatic and adult, check out #TheWriter. Seasons 1, 2 and 3 are out NOW, exclusively on Amazon. Stay connected here for updates on season 4 coming summer 2018. If you like fast action/crime check out #ADangerousLow. The sequel A New Low will be out in a few months. Look for the mysterious Sci-fi episodic novella series Extraordinary on Amazon. Season 2 of that coming real soon. And look for the mystery novels The Knowledge of Fear #KnowFear and The Man on the Roof #TMOTR coming this fall/winter. Twisty novels as good as Gone Girl or The Girl on the Train, you won’t want to miss them. Join us on Goodreads to talk about books and TV, and subscribe to and follow my blog with that Google+ button to the right.


Until next time, “We didn't land on Plymouth Rock; Plymouth Rock landed on us!”

P.S. To the people of power, stand strong. Happy Black History Month! I'll think of a better sign-off next time.
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Sunday, February 4, 2018

Is It The World Or Just Medicine That’s Apparently Filled With Assholes? #TheResident #3weekroundup #recap #review #FOX

Is It The World Or Just Medicine That’s Apparently Filled With Assholes? #TheResident #3weekroundup #recap #review #FOX

All pictures courtesy of FOX


FOX is batting three for 1000 this mid-season with the bad shows. First you have 9-1-1, which, while good, is far from the award-winning material that you would expect when reading some of the names in the cast (Connie Britton and Angela Bassett deserve better). Then you have the dreadful The Four: Battle for Stardom, which, thankfully, will be put out to pasture in a few short weeks—how can you make a show about stardom-hungry performers going head-to-head in singing battles so boring? Now you have this crap? Really? Oh crap! I’m burying the lede. I’m sorry, uh... So, is The Resident good enough to stay around and become a chief of some kinda... medical... department, or is this the wrong diagnose for FOX’s viewing schedule? God, that was terrible! I’m so pissed right now!!

FOX’s new mid-season show The Resident (#TheResident) follows the lives and sufferings of the staff at Chastain Medical Center. We open with a scene that sets the tone for the entire show and made me question why I (or anyone) even watches a medical show in the first place. Our opening takes place in a surgical room with a guy laying on the table to have a simple appendectomy before it completely ruptures. Here, we meet our first main player, Dr. Randolph Bell (note: I assume he’s one of the main players because he’s been on every episode so far and has had a lot of speaking and character development time, however IMDb lists him as only appearing in 4 out of 10 episodes). Dr. Bell, played by veteran actor Bruce Greenwood, is the aging chief of surgery that every patient loves and the hospital dotes on. People come from near and far to be operated on by him. Later in the episode they literally make a Grey’s Anatomy reference about how he’s the real-life Dr. McDreamy. As another aside, here I was reminded of what some song critic said about an old Omarion song IceBox when he remixed it and had Usher feature on the track. He said something to the effect of never let someone who’s clearly far better than you appear on your song. Dear The Resident, never reference a superior show in your same genre unless you really think you can compete with them. The viewers will just get pissed off and end up wondering why they aren’t just watching re-runs of that show rather than yours.

Hella-long aside but someone had to say it.

Anyway, Dr. Bell is really good, or at least he was at one point. Now, he’s secretly suffering through what looks like an early form of Parkinson’s. In what has got to be one of the worst, cheapest “I totally understand Millennials and even the most well-trained doctor-Millennials would do this” piece of garbage writing, during surgery the rest of the young surgical team (excluding an older nurse) stops to take a selfie because it is one surgeon's first surgery. Yes. That actually happened. It was a real scene. In this show. Not only was it a real scene but it was the opening scene. Of the series. Keep this scene in mind for later because when I tell you about all the other things that happen in these three episodes, you can refer back to this scene and see why I make the conclusion I do.

While everyone else is stopped to do the selfie and hold up the peace sign as they pose in front of a splayed stomach of a HUMAN BEING, Dr. Bell gets the shakes and accidentally slices through an artery. The team rushes to save him as one of the nurses yells something about pinching the artery, and the patient dies. They all gang-up on the doctor for killing the guy in a routine procedure, but he turns the tables on one of the other doctors and says that he “covered” for him on another accidental death during surgery and that if he goes down, the whole team does. The dude blackmails the team into covering up a medical malpractice. I was floored, and not in a good way.

That was the prelude surgery. We open in earnest with our two main characters. First we have Dr. Devon Pravesh, a young, newly Harvard Med-graduated doctor of Indian descent. Think of him as our Noah Wyle from ER (another show that was better than this). Fresh to his internship, he is ready to learn as much as he can and try to apply whatever he learned at Harvard to the real world. He is paired with who I’m assuming is our titular character in Dr. Conrad Hawkins.

Dr. Conrad Hawkins is a dick. I was gonna give some deep description of his look and whatnot, but eh! You know that one really annoying guy at your work who really is quite good at his job, but has few people skills and thinks he knows everything? Yeah, just picture him but white (if the guy at work isn’t). Conrad is supposed to be the semi-young Gen Xer who looks down upon everybody around him because they have an inferior intellect, yet really has a heart of gold because he actually saves patients and OH MY GOD! We’ve all seen this stupid show before, except on that one Conrad was an older, surly bloke who walked with a cane and called himself House. Anyway, ladies (and some fellas) if you aren’t convinced that he is a dick, after his intro scene where he is shown doing something stick-it-to-the-man-good, we are officially introduced to him when Pravesh meets him, and Conrad asks the very engaged Indian doctor what color he likes, referring to women.

Look, if you read this blog with any bit of frequency, you’ll know that I have said some pretty sexist, pretty politically incorrect things in my time but this bit of dialogue and character building felt pointless. Not only that but it later half-confuses the characterization of Conrad. In writing, they generally teach you to try building character through action and dialogue rather than just saying that the character is this or that. Ex: Sewn into the lining of Carl’s jacket was his most prized possession, the Terrible Towel. OK, that’s not a very good example, but do you see how I use a well-known item of memorabilia to tell you something about Carl rather than just saying it flat? Now you not only know that Carl is a football fan but that his favorite team is the Pittsburgh Steelers. So, it only seems natural for you to assume that this doctor who is gawking at a grouping of women through a thin glass like they are cuts of meat is probably a womanizer or at least a surgeon. Conrad is not a surgeon and he apparently is or was a playboy maybe? It’s uncertain.

At this point, let me stop and point out how I often only go on such long tangents and sink into this weird “I know things about writing” mode when I dislike something. Please bear with me.
Back to the show, Conrad gives Pravesh the rundown about how he is his boss from now on, how Pravesh may have just graduated from med school, but he really knows nothing, about how he can end the kid’s career if Pravesh ever talks back to him or questions his judgment because he’s always right (he actually said those words. I couldn’t believe it), and how he’s pretty much like god around there. At this point I stopped to ask myself, “Self, if this hospital is supposedly so good and Conrad is such an amazing doctor, then why doesn’t he have a gaggle of other doctors following him around too? Shouldn’t he have more than just Pravesh to oversee?” Myself didn’t have the answer to that question.


Conrad and Pravesh go to what will be Pravesh’s first patient interaction, a guy with some kind of disease that could eventually lead to lower-leg paralysis. After the back and forth “intern, what do we do” exchange, and Pravesh wanting to perform some expensive test, Conrad told him to stick a finger up the guy’s butt which will tell him if his anus is tight enough. If not, then paralysis is already beginning. Conrad takes the opportunity to make another crude sex reference before leaving and finding one of the nurses.

Nurse Nicolette Nevin (played by the lovely Emily VanCamp) is Conrad’s ex who he still wants. While it’s not explicit on the first episode, it’s implied through some careful spying on her Tinder-like account that he might have cheated and/or been too afraid to fully commit, not to mention childish. He displays his childishness by yanking her into an on-call room and trying to Christian Grey her in the middle of the day. I’m quite shocked that this scene wasn’t changed considering the atmosphere currently involving sexual assaults/harassment because it’s clearly both. However, that’s not what pissed me off about this scene. What pissed me off was how it so blatantly and easily fueled the fire with ammo for feminists on men’s behavior. It felt like it was written by a woman who hates men and who sees them all as sex-hungry monsters with no tact, which is overall what’s wrong with the character. Conrad, so far, has never tried to be a decent human being. A great doctor? So-so. But just human, someone who understands the most base rules of etiquette or decency? No. And the scene rings false, too. So even after he tells her that he will do anything to get her back, and she leaves him with his pants around his ankles and inside a locked (from the outside?) room, you don’t feel that sorta, “Yeah, you go girl! Show that ass-hat what’s what!” feeling that I think the writers wanted you to feel.

Somehow Conrad gets out of the room and Pravesh finds him after having checked the guy’s butt (note: I don’t remember them talking about the dude’s butt again after that). Right in front of them an addict is brought in with some kind of injury and struggles against all the doctors because she doesn’t want to be treated and is in denial about her addiction. Conrad looks at one thing on her hand and immediately IDs her ailment and tells her that she’ll be dead by tomorrow if she doesn’t allow them to treat her. Time never being on time itself, that tomorrow thing comes immediately, and she collapses to the floor. Conrad then says that Pravesh will take lead on this girl and that it is his call on what they should do about her. Pravesh performs CPR for 26 minutes even after Conrad tells him to stop. Her heartbeat finally returns but Conrad tells him that her brain’s been starved of oxygen for too long and that she’s brain-dead now and that Pravesh broke the first rule.

Meanwhile, we are introduced to another surgeon, Dr. Mina Okafor, a black woman from Nigeria. Not only is she a pretty good surgeon she is also the hospital’s leading surgical robotics expert. She is set to perform the hospital’s first surgery using a machine to make every incision and whatnot. She is shown to lack any sort of personal skills and is solely there to perform surgeries and become the world’s top surgeon, I guess. Frankly, little is known about her for the first two episodes save for that she is black, tall, from Africa, rather rude, single and is having visa problems. That last thing about her is used by Dr. Bell to blackmail her into letting him do the surgery that she’s been training months to do. He’s never operated the robotics, still can’t hold his hands steady with the robotic interface on his fingers, and can’t even cut into an apple with the robot, let alone a person, yet he wants to do the surgery on the hospital’s biggest donor.

Now, ready for the kicker? Though newbie Pravesh idolizes Dr. Bell, almost everyone in the hospital knows that the old guy is unhealthy and that he keeps killing patients. A few other doctors know, all the nurses do and most of the other surgical crews do as well, yet he keeps doing surgeries. And nobody reports him for malpractice or violation of the Hippocratic oath or violation of hospital guidelines or something! My mind has never been more boggled. And worse, Conrad comes face-to-face with him multiple times and asks him when he’s going to give it up and stop trying to operate on people and the dude is just like, “I still got it.” And it’s half-baffling because you don’t know if these interactions were written on some kind of artistic level or if the writers were completely unaware, because from any outside viewer with a decent understanding of what’s going on in the episode, you can see that Bell is basically Conrad in 20 or 30 years. They’re both the same amount of arrogant, narcissistic and egotistic. But worst of all is that near the end of the episode you learn that they’re also the same amount of corrupt.

Left to right: Dr. Bell, Dr. Conrad
After Bell blackmails Dr. Okafor into a genius plan of operating the robot during the surgery while he sits up front (the surgery is recorded and broadcast worldwide) and mimes the movements to take credit for her work, Conrad sneaks off to the brain-dead girl’s room, closes the door and the blinds and turns off her machine on the sneak. Luckily, Nurse Nevin comes in and catches him, guilt-staring him into turning the machine back on and quietly leaving. Dude was about to Million Dollar Baby the girl without any forethought to organ donation or something like that. And I really sat there like, “What?” He seems more like an idiot than a compassionate person trying to save the family weeks, months or years of agony thinking she might wake up. You wanna take a guess at what the next episode involves?

Episode two starts with three people all going down in a medical emergency that will unite them all with the brain-dead girl. While at career day for a local high school speaking to the class of one of his patients, Conrad helps to save the life of his teacher-patient by recognizing the signs of heart failure. Across town, Dr. Bell and another lead doctor in the hospital Dr. Lane Hunter are out on a hunting excursion with a congressman and a lobbyist. The Congressman has a heart attack and errantly fires his gun, filling the lobbyist’s ass with buckshot. You know what happens next?

Yep, you guessed it: both the congressman and the young teacher need a heart transplant. At first they only have one new heart that is on the way from another donor and because the teacher is on the top of the list, it’s scheduled to go to him. However, because the congressman is a VIP, Dr. Bell does some shady stuff and un-allocates the heart for the teacher (he’s black, by the way) in order to give it to the old, white congressman. Antoine Fuqua is one of the producers of this show. I can’t believe that he or somebody didn’t see this or read the script, or stop to think about the casting and say, “Wait a minute, something’s not right about this.” But nope! Nobody saw the blatant racism in episode one; nobody saw the blatant racism in episode two. And no I’m not talking about the Dr. Okafor thing from episode one. I’m trying to save my critiques for... you know, the critique, but it’s just so stupid to set up these kinds of easily identifiable racial plot-points and not actually make a statement about race that I have to call it out a little right now. I digress.

After a ton of back and forth about whom the heart belongs to, Conrad tampers with the DNA/viability tests that determine if the heart would take in the old congressman. This forces the head of surgery to finally concede and go talk to the mom of the brain-dead girl and convince her to donate her daughter’s organs. Both men get saved.

Meanwhile, Conrad sends Pravesh out on his own on what he’s deemed “Independence Day.” He will have no other doctor to help him with anything but can turn to nurses for stuff. Now, I don’t want to compare this to Grey’s Anatomy but since this show did bring that show up, isn’t it customary for the new interns to follow their lead resident for at least a couple weeks before going out on their own even for basic chart work-ups? There is literally nothing in this episode that makes us think this is even two days after episode one. I swear it’s the next day. In any case, Pravesh has to do all the charting and sign-out work for the other doctors. He also has to visit a few patients and deal with the pesky task of learning. There’s a scene where he is in the room with Dr. Bell and a patient can't breathe so Conrad comes and dumps a bucket of ice on her to stop her from crashing, and Pravesh also fonds over the female doctor that was on the hunting excursion. He then notices that something is happening with the lobbyist who took the buckshot and runs the guy up to surgery when the nurses and another doctor told him that he should've paged Conrad and that they could’ve taken care of whatever was happening with a much more simple procedure.

In the end, Pravesh and the rest of the doctors (not Bell) end up in a bar like Grey’s Anatomy, where he stands up to Conrad and tells him that this spoiled white boy really doesn’t know everything and that he made the right call about the lobbyist and that if Conrad wants to end his career he can, but he was right. Conrad, in turn, congratulates him on passing Independence Day because he wanted him to realize that no doctor is always right, which felt kind of like a false-flag victory because the dude is Harvard trained. I think he has the sense enough to figure out that no human is ever always right about something.

Dr. Okafor
Oh and there’s also this completely perfunctory scene that, unfortunately, cemented my original idea that this series was written by a male-hating woman who clearly doesn’t even care to entertain notions that the male mind or social norms could both be slightly different than she expects. Case in point: The male nurse who works to remove the buckshot from the lobbyist sits at the bar and tells a woman that he is on-call and that he works at the hospital across the street, and she assumes he’s a doctor and moves closer to him. Meanwhile, Dr. Okafor, the tall, short-haired Nigerian woman sits at the same bar and is approached by a black man who sits and smiles and asks her what she does. When she says she works at the hospital, he assumes she’s a nurse. She corrects him and says that she’s a doctor actually. He then, in the most ludicrous way possible, stares at her and quietly slips off the seat and away into the crowd. A-tee-hee!

I’m sorry but this was the funniest thing. First off, I get that they are ever-so briefly touching on social attitudes about gender and what’s assumed here. It’s not that the guy is mistaken for a doctor and the girl for a nurse that is funny. What’s funny is both how this scene is acted and this recurring notion among professional women of all races (black women especially) that men are too afraid or intimidated by their success, which is why they are single. It’s not that serious. And if you are going to keep thinking this then you will remain single. The gender love gap is far more complex than that.

First off, they’re in a bar. You seriously think this dude is looking for a wife or even a relationship in a bar? No. Most men are looking to pick up some woman, so they can get laid. This is how you can tell that the scene was most likely written by a woman, just like you can often tell when female sex scenes are written by men, because they think differently about the situation. A woman is already thinking long-term about how her success will intimidate a man away when you just met. The guy is not. The guy is just thinking about how hot she is and how quickly he can get her to put out. Might be a sad commentary on things but it’s true. There’s no way he’s gonna care about your career or what you do the first time he meets you, especially if it’s not an ACTUAL date. Most men are like those four kids from Stand By Me, they only care about DAT BODY! So thinking that a man is gonna slip away just because you’re a successful doctor (actually, he doesn't even know if she's a successful doctor or not and doesn't even know she's a surgeon), and not because he maybe saw some other more attractive woman down the bar, is slightly self-fulfilling-prophecy-ish. But I digress.

Episode three starts with Conrad in a bike race with another doctor. He does some nice BMX jump to show how cool and fearless he is and wins by a hair over the other doctor. As soon as the race ends, some drunk guy (horrible acting) steps into the spokes of a bike on the ground and snaps his leg. They take him to Chastain where Conrad and Pravesh, along with all the other doctors must sit through a presentation on the billing practices. Basically, they're showing more corruption because they are trying to figure out ways to charge patients more for simple things like irrigating ear infections. Naturally, Conrad bails.

While the pay thing is going on, one of the women who subcontracts with Chastain and helps to exercise long-term patients experiences some back pain that turns into something serious when she drops to the floor. The billing specialist doesn't want to treat her because she doesn't have insurance and can't pay for the expense that the hospital will incur. It turns out she's an illegal immigrant with a huge tumor that's killing her, but the billing specialist doesn't care. Even worse, she was brought here as a child and has no more family here, so she can't be released into her own care by law. She is, essentially, a ward of the hospital, and, regardless of what they do, they aren't getting out of the situation without an expense of at least half a million. So the CEO of the hospital then engages in a bidding sale to try to pawn the girl off onto some other hospital for a fee. They're trading the girl for cash considerations.

Left to Right: Dr. Pravesh, Immigrant, Nurse Nevin

And then somebody calls immigration. Before the men in ICE jackets get to her Conrad the black doctor and their minions send her into surgery with Conrad's other doctor surgeon buddy. And the operation goes well, which means that she will be their patient for a little while longer but as soon as she can walk they will kick her out because she becomes someone else's problem then. Dr. Bell even tries to make her walk the moment she gets out of surgery and I sat there wondering how ridiculous this show could get. Nurse Nevin even has to stick it to the billing specialist when she discovers that the woman has ordered an expensive MRI for a patient who doesn't need it without checking his history. MRI's are magnetic and will rip out anything metallic. He happens to have a metal penis implant. Yet another bit of close-call malpractice in a hospital rife with it.

As far as the broken leg guy, his liver is failing, and he needs to stop drinking but can't. Oh, and Conrad was in the Marines at one point making him a poor man's TC from The Night Shift.

What’s my grade? I give it a D+. Yes, the plus is for the diverse cast. Other than that, you would be hard-pressed to find something worth a single damn in this show. It’s funny because it’s actually rare that I give not one but two super-low ratings to new shows in a single season, let alone in a single week, yet here we are. And for them to both be on the same network is astounding. It’s funny how I started this 2017-18 viewing season back in September/October thinking/writing, “Gosh, there are really not that many new shows premiering this year for the networks, at least not full-season orders.” If this show is an example of what they were offered, I can see why. And it’s also crazy how everyone calls out either ABC or NBC for constantly having new shows because they have to cancel so much stuff. At least they actually try to make good and/or innovative and creative programming. FOX decided not to do something creative this year, but instead went with watered-down carbon copies of other things that are hits. Between this show, The Orville and The Gifted (which started good but became like every other X-men film you’ve ever seen, save for Logan and Deadpool), we’ve gotten stuff that reminds us of other, much better stuff. Where do I thoroughly begin?

Before I rip into this show, I cannot stop and stress enough how much I hate critiquing other people’s work even when it’s good. As a creative myself it always makes me queasy. And distance-critiquing is the worst because you know that you are too far away to effect anything which makes it feel like you’re old-man-shouting obscenities at the kids on your neighbor’s lawn. “Like, Old Man, we’re not even on your lawn. Chill!” Just know that this is going to be very painful for all parties involved.

Like House But Without House And Kal Penn's Character Alive
To say that The Resident is a ripoff of House, MD does a disservice to all the other medical shows it rips off. Now, before you start jumping on me about how medical shows are a genre to themselves and how there will of course be overlap and similarities, let me take you through the odyssey of good/decent versus lazy shows. For those people who were there in the beginning, Grey’s Anatomy, when it first came out, was so good, so new, so different from the reigning medical show at the time (ER), that it literally (in concert with Desperate Housewives) helped to change the language and flow of all of ABC’s shows going forward. It became somewhat of a cultural phenomenon, so much so that to this day people are still referencing the McDreamy, McSteamy thing. Hell, this very show did it! Not only that but it melded music from up-and-coming artists into what often became the most heartfelt moments of the show. Would The Fray have been as big without Grey’s Anatomy pumping their single “How To Save A Life?” Maybe.

We can jump off Grey’s and over to other medical shows in recent years. To try to be different from Grey’s, they all went with some kind of hook that either drew us in on an emotional level or made us sit at the edge of our seats. Private Practice had a different feel than Grey’s while still fitting into that universe. The Night Shift was a hospital populated by soldier-doctors dealing with all sorts of PTSD, US disillusionment, etc. Code Black followed a hospital under severe stress from running out of supplies. Pure Genius tried to bring super-tech into medicine. Red Band Society tried to show what it was like to be a sick kid living in a hospital. Even The Good Doctor has a unique twist with our main character having autism. The only one that didn’t have a huge twist was Chicago Med, which survives because it is part of a much larger shared universe with the entire Chicago franchise on NBC.

The Resident does not have a draw or catch, at least not a good one. From what I can see, and this will take us back to the beginning of this post about how I had to think about why we watch medical dramas, this show is about corruption in the field of medicine. Our main character has a surgeon’s-like god complex and so does the actual surgeon. Both of them have already proven in the first three episodes that they will stop at almost nothing not to do what’s right but to do what best feeds their ego. If that means breaking the law, blackmailing someone, or just flat-out committing malpractices, so be it. What’s worse is that there is an emotional dissonance about this whole thing. Whereas House seemed like he really did care and was an overworked, beleaguered genius who was essentially always mad because he could never master the art of being human, Conrad doesn’t seem to show any of that. For House his gift was his curse. Conrad doesn't seem compelled to help people. Yes, the hot nurse he used to sleep with tells Pravesh that he totally has a heart of gold and is the guy you go to if you “want your engine fixed” but there’s something so intrinsically oily about him that it’s hard to see past his bad behavior.

Yeah, I used this pic twice, in ode to this recycled show 
Also, the supposed genius of him feels lost when, on Pravesh’s first case, the girl goes brain-dead and he just seems completely pissed about it. Yes, Conrad told Pravesh to stop and he wouldn’t, but he also told him that the case was his. And in the end, when the girl’s organs were needed for harvesting, I kinda felt, “Well, wait a minute so Pravesh technically did the right thing twice and both times Conrad told him he was doing wrong? What?” I know every single thing doesn’t have to be written in one episode and you need to give the characters time to build and whatnot, but it truly felt like Conrad didn’t even conceive of the possibility that the girl’s organs could be harvested. He was willing to turn off the machine and let her die and risk having some of her organs sour in a corpse. Who knows how often they would come in to check on the girl? Whatever.

And the third episode, to me, was morally washed out by the actions taken by nearly everyone on the first two episodes. They try to build this narrative that our titular character and his minions are the rebels against the corporate health machine, yet took no time to truly build the ground on which their moral superiority could stand. Between Bell willfully killing patients, Okafor being just as robotic as the tools she uses in surgery, and Conrad also being willing to kill, lie or cheat to get his way, why should I root for any of them to get their way over the wishes of the hospital? Do they really care or are they all just on a spiraling ego trip to the bottom? Right now I'd vote for the latter.

Then there is the overt racism, sexism, misogyny and misandry that has been written into the DNA of each character. Both Conrad and Dr. Bell are the literal epitome of white boy privilege. White male Trump voters, if you’re still wondering why or can’t see why so many minority groups dislike you and think that things are unfairly advantaged toward you, watch the first three episodes of this show, because this is why. The older, white male Dr. Bell who is known to be killing patients because he’s unfit to be a surgeon, gets to keep doing it for however long he’s been doing it because... well, because he’s white and has a good reputation. A reputation, mind you, which is filled with lies manufactured by him. There’s no oversight for this dude, nobody checking behind him, except for people that rank beneath him in the hospital. Meanwhile, Conrad gets to be as mean, conniving, sexist and racist as he wants and nobody says a thing. Can he sexually harass his ex-gf by pulling her into a room and forcibly kissing her? Sure. It’s just a cool joke and oh he will do anything to get her back. And seeing as how he was willing to kill a patient without consent (at least Bell attempts to save his patients every time), I’m not unsure that he’d do more devious things for Nevin if she asked. Do they have terrible personalities and could easily cause the hospital dozens of lawsuits if either of them were found out? Of course, but they’re really good at their jobs sorta (even that’s questionable) and they’re white males, so they get to stay.

This view of them and how their characters are built wouldn't be so bad if they tried to make an actual statement on social justice, or at least one that was less muddled. Right now it feels like they're saying that yes white men disproportionately have advantages in this society and that many of them can act like a-holes but it's OK so long as they do good with that. It is the Trump syndrome personified. Yes, House had some of this same shtick, however, he also had a certain bit of quirky, comical charm to both the character and the actor's performance. Here, unfortunately, Conrad looks like a d-bag. There's almost zero real charm here. Instead of a rye smile, you get a smug grin that doesn't feel like it's been earned either by age or experience. Oily. Super oily! I think what it is, is that almost all of the heroes here lack any kind of nobility. Again, I will keep going back to Conrad trying to kill the one patient, yet this military guy has Death Before Dishonor tatted on his back. Give me a break! 

Frankly, their behavior is partially indicative of a much larger problem in dramas (med dramas specifically) these days. They’re filled with assholes. We get it, hospital drama is life and death, so you need people who are at the top of their game to be the ones calling the shots, but where Grey’s Anatomy excelled at giving us more love and coaching-up of talent, most of these new dramas are corner-stoned in the chew out. There’s a sense that the teaching doctors have to be asses to you because that’s what the job requires. Uh, no. The job requires that you be on point and come ready. But you don’t have to challenge someone’s personality and try to make them in your own image in order to do that. On the flip, people are not as stupid as they are made out to be. They don’t come in thinking they know everything (and yes, that even goes for Millennials). Yes, they will come in thinking they know a lot but that doesn’t mean that they are so stupid that they have no idea what they signed up for. Again, I think this is a superficial generational thing to treat anyone under 37 as a complete moron because their brains are wired differently. I even noticed this in Grey’s Anatomy this season with the new interns. If you go back and watch the first season and compare how they were treated and reacted to things then as opposed to now, you can see that this new round of interns is, for some reason, written as intrinsically more stupid. It baffles me.

Dear Emily VanCamp, you are wasted on this show

Again, circling back to my idea that this show is about corruption in the medical field, I had to sit down in silence for a while and have a good think about why people even tune in to any kind of case-of-the-week procedural or medical drama. If we tune in to cop shows to see bad guys perform slick and ingenious crimes but ultimately getting caught, do we not tune into medical dramas to see people’s lives saved? Sure, there is always the one or two criminals that outsmart the cop or patients that die, which we ourselves learn from just as much as the characters, but we watch more for a good feeling, right? So then why the hell would I want to watch a medical show that has a malpractice seam running through its very fabric? Dr. Bell is almost every person’s worst nightmare whenever they think about going to the doctor’s even for a routine checkup. This man will kill you while removing a mole for god’s sake. He is definitely the one to leave a pair of scissors inside of you or accidentally make you blind when you had 20/20 vision. What’s worse is that Conrad doesn’t seem much better. They both operate with a mindset that rules don’t apply to them. Amidst the show’s light, sunny cinematographic composition lies a fairly dark show that both covers some of the same storylines as Grey’s and other medical dramas, yet has little to no gravitas underneath to support its weighty inquisitions. It’s a wonder to me that they chose Sam Smith’s “Stay With Me” as the song to promote this show because it doesn’t fit the tone of the show in anyway. Same can be said for the title of the show because it really isn't about The Resident. In fact, I would have appreciated this show more if they just named it Malpractice and explored the dark side of medicine. For now, however, it seems to have taken on a mixed tone where it doesn't know what it wants to be and both the viewer and the characters are lost in this murky mess.

Therefore, I’ve come to what, to me, feels like the only logical conclusion I could produce: this show is a satire of other, much better medical shows. It has to be. Whereas Grey’s is a serious show and Scrubs was a parody, this lies somewhere in the middle with worse writing than both. Taking the storyline of McDreamy’s hand problems after the accident and turning it into a head-shaking killfest with Dr. Bell has to be the writers and producers critique of how terrible they thought that Grey’s Anatomy storyline was. Just like the annoyed, egotistical Conrad, who thinks he’s some kind of drill sergeant and/or father figure to the younger doctor who he sees potential in has to be a nod to Scrubs’ Dr. Cox. Because if this is supposed to be taken seriously, then yikes! What's worse is that I know at least two of the writers on the show have done far better work on shows that have gotten cancelled. One of the male writers and past doctor (currently under investigation for sexual harassment) worked on The Night Shift which most likely influenced the bits and pieces of military protocol on this show. The creator of the show also worked on Black Box which handled the business side of medicine in a much better, more interesting light and, because it was an ABC show, had far more heart and emotional weight to it than this show does. It's rather sad that both of those shows were cancelled when they explored some of the same territory that this show has but with greater writing.

Should you be watching? I would say no, but it seems like I don’t know what people like because people seem to watch the shows that I vehemently dislike. So maybe people are looking for something new or are looking for villains in a medical drama because if so, this will fulfill that need. But I’d say that there have been far better medical shows within the last three years and I named some of them here. Hell, I liked Pure Genius better than this. Sadly, I can see this getting renewed, but I doubt that it would make it past season three. The Resident airs on FOX Mondays at 9pm. Catch it on FOXonDemand or at FOX.com.

What do you think? Have you heard of FOX’s The Resident? If you haven’t, do you think you’ll check it out now? If you have heard of it, have you seen it? What did you think of it? Was I too hard on it and it’s your new favorite show? What do you think will happen to Dr. Bell when the hospital board finds out about his sickness? And do you think Conrad will get back with his nurse ex-girlfriend? Let me know in the comments below.

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Until next time, “You got into Harvard Med?”
'What? Like it's hard?'
“Uh... Yes. It's really, like super hard. Super duper hard.”

P.S. There were some things that I wanted to say in this review/recap but I just got so frustrated with even reviewing this show that I couldn't spend another couple of minutes on it. I think of a better sign-off next time.
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