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Showing posts with label Comedy. Show all posts
Showing posts with label Comedy. Show all posts

Monday, July 26, 2021

Lips Like Strawberries Book Blog Tour 2021

Lips Like Strawberries  Book Blog Tour 



    Congratulations, you made it! First off, I’d like to thank you for coming to my blog. Welcome. If you’re here today, then you’re probably here for the launch of the Lips Like Strawberries book blog tour, starting with me, the author of the new rom-com/chick-lit/women’s fiction novel Michael Stephenson. For you today, I am giving you a peek at the cover of the book and a quick Q&A… with myself. Trust me, I’m not going crazy after the pandemic. I just thought I’d answer a few questions that some fans might have about the book before reading it. Also, check out the tour dates for the rest of the tour this week as well. As a little correction, July 29th will not feature my book on the actual Chicklit Central website, but on all other social media concerning it. Hope you do join me on this tour. And of course, go get a copy of Lips Like Strawberries over on Amazon right now. It is currently in Kindle format only, but will be coming out in hard copy later this year, so stay tuned right here on my blog or follow me on my other social media for updates on that!


What is Lips Like Strawberries about?

That seems like such a simple question, and yet can be so complex to answer. On the surface, it’s a simple book about a girl trying to get over her anxiety, reclaim her life, re-enter the modern dating scene and find love. Ara is a newly-30 agoraphobe who hasn’t left her house since 2020 (it’s 2023 in the book). She has a best friend she loves, and who always comes over to keep her company. Outside of him, she has little to no connection with the outside world and is suffering through loneliness. But she does have one saving grace: She has a quirky, insane, totally unrealistic “ability” of sorts. Ara can experience the world through someone else’s senses for 12 hours, so long as she touches that person. We’re talking sight, sound, taste, et cetera. She’s been bobbing through life for the last three years using her ability to make faux connections to what’s going on beyond her window, until finally she is hit with one experience through someone else’s senses that she can’t ignore. And that sets her off on this funny journey that will hopefully get her back to normal and help her find love in the process.

That’s the surface meaning. A deeper dive into the book for me starts to unravel one of the few themes in the book. This story is very much about connection, not only between people, but also with ourselves, our innermost feelings, and our own unique physiology. It plays off the old notion that love is more than just how you think about someone or the sweet words you share with them, but that it is a chemical reaction in our bodies. It essentially asks us the question: What is it that draws us to someone and creates a bond with an otherwise complete stranger?


What inspired you to write this book?

Well, as funny as it may seem, the pandemic inspired me to write it. No, not the 2020 pandemic, the 1918 one. Okay, so I’m going to try to sound as respectful to what’s happened in the last year and a half as I can here. I know that the pandemic was extremely hard for a great many people throughout the world, so I wanted to write something that would be uplifting to all of us, be relatable both to the pandemic and to the chaos that is the modern dating scene, and give us all a few good laughs along the way. Well, as it turned out, I realized back in May of 2020 that I had already half-wrote a story that would fit that perfectly. It was entitled the same name—Lips Like Strawberries—but was a period piece, in which a young couple first separated by World War I, then by the pandemic of 1918 had to re-find each other. Total honesty here, I think that version was far more romantic, just because we have flashbacks of the couple before the war and they knew each other and how they felt about each other then. It also had a more heartbreaking feel to it as well, but it had the same mysterious powers at its center as Ara has in this one. So, I took the bare bones of that, changed the races, gave it a modern-day twist, and added in more humor. Adding more humor was a conscious effort because I really believe that in this day, especially with cancel culture, the pandemic and political unrest, we all need things we can come together and laugh about. Humor that can help to unite us.


Hm? Interesting that this was actually based off of a different pandemic. That sounds like it could be a pretty good read all its own. You mentioned changing the races. Why?

First off, thanks me. I always appreciate the self-appreciating compliments. Yes, I did change the races between the two books. The original Lips Like Strawberries featured a black couple, where this version features a white one. This was a conscious decision to flip the races after some of the events of last year. Although I do try to keep it as lighthearted as possible throughout the read, I didn’t want to ignore some of the heavier issues that we as both a nation (the US) and the world dealt with in 2020, and still must confront on a daily basis. And for me, the best way to do that in this book, at least, was to switch the races of the main characters. If I reveal more it might be considered a spoiler, so I will leave it there. As for the other version of the book, I’m toying with the idea of releasing that one as well with the name Lips Like Blueberries a few years down the line. It’s funny because I had already been working on that version for over a decade when the pandemic hit and decided to switch gears and re-configure it into Lips Like Strawberries. So, hope is not dead for that one yet.


Who do you think this book is for? Who’s your target audience?

I think this book is for just about anyone, really. For starters, let me put this out there, it doesn’t have a whole lot of cursing throughout its text. I don’t really curse in my actual life, but I have been known to include cursing in many of my works. Here, however, I wanted to limit the amount of bad words so that even readers who prefer not to read that type of vocabulary could enjoy the read. And while I would say that it leans toward a younger crowd, I believe there’s a high amount of relatability for everyone, including an older reader set, as well as people who are married or not. Again, it’s really about connection between all people, and allowing us to realize that even though what we all went through was collectively bad, it is okay for us all to start having hope in a newer, brighter future again. In other words, I’d say anyone over fifteen could enjoy it. If it were a movie, it would definitely be PG-13.


With the pandemic still going, why did you feel now was the best time to release Lips Like Strawberries?

Good question. For starters, I really didn’t know how long the pandemic might last. The previous one did go on for about two and a half years, but with our current technologies, we got predictions ranging from anywhere between it ending in summer 2021 to 2022. So, me being an optimist, I went with the earliest date. But also, even though we are still in the pandemic, I wanted for people to be allowed to have hope for the future. That’s one of the reasons why I set the book in 2023. Because even though we are currently having variants rise up and we may have to take a step back, it’s still okay for people to look forward to a time when we’ll be able to think of this pandemic as just another event that couldn’t deter us from living out our dreams, finding love and happiness, and becoming our best selves.


Great interview. And where can people find your novel Lips Like Strawberries?

Currently, it is exclusively on Amazon as an Amazon Kindle digital ebook download. I hope to have the physical hard copies out by Christmas of this year, 2021. Look to Amazon for that as well. You can click on Lips Like Strawberries here and follow the link straight to the page. And check out the rest of the tour dates below. It was great talking with you, me, and remember to check out some of my other works as well.  



#LipsLikeStrawberries 


Friday, February 2, 2018

Is There Another Flight I Can Catch? No? You Sure? #LAtoVegas #3weekroundup #recap #review #FOX

Is There Another Flight I Can Catch? No? You Sure? #LAtoVegas #3weekroundup #recap #review #FOX

All pictures courtesy of FOX 


Boy, I guess my brain is just taking its dear, sweet time with getting back into the groove of things after such a long layoff. There are literally only, like, four or five new mid-season shows I’ll be reviewing and this is the second, yet it feels like the 20th. I’m already tired of watching new stuff, though that may be because I haven’t found a diamond in the rough yet. Still, my sluggish start to 2018 does not bode well for my upcoming projects this year, including season two of Extraordinary and the release of my mystery novel The Man On The Roof—look for those soon on Amazon Kindle. Anyway, we’re back with another new show (almost all the new shows are on FOX. Hmm? Interesting...) on FOX. Will this new half-hour comedy make a smooth landing into your heart or will it pull a Sully and have to crash-land in the Hudson before slowly sinking into the deep fridgid waters? Let’s find out together!

FOX’s LA to Vegas is an airplane workplace comedy about the pseudo-famous weekly flight from LA to Vegas. For those not in the know, there really are groups of people that hop onto a plane every weekend in LA and fly to Vegas, returning Sunday night. A respite for some, business for others. I guess an East Coast equivalent would be those yuppies and hipsters that drive from Manhattan to the Hamptons every weekend during the summer—hey, Bravo’s Summer House, you equally trashy Guido-less version of Jersey Shore. Because it’s a constant flight that happens every weekend and it’s very cheap and easier than driving, you get a lot of the same people on the flight every single week, so we will have both crew and passengers as regulars on the show. This is a fictionalized depiction of the drama that could happen amongst them all!

First, let me start by saying that ye should be not fooled ye weary viewer. Though the always classy and talented Dylan McDermott is put front and center in most of the advertising for this show, he is not exactly the star of the show. It doesn’t center around him, but rather the lead stewardess Ronnie, played by former soap star Kim Matula. I’ll talk more about this discrepancy later, just know that I had to get used to it. We open episode one with Ronnie fumbling out of an Uber while leaving a message for a DELTA HR person about a recently vacated flight attendant position on their LA to JFK flight, all while she sprints through the airport getting dressed into her current stewardess uniform. (Note: This is a single-cam, no laugh track, no studio audience kinda comedy for those who didn’t know). She manages to get fully dressed, get on the plane and start welcoming passengers while explaining to her co-worker her dreams of grand travels around the world. LA to JFK can eventually lead to JFK to London which can eventually lead to London to somewhere Asian, and before you know it she’ll have trotted more globe than those B-ball players from Harlem. If she can just get that Delta job and ditch this rinky-dink unnamed airline she works for now.

Ronnie at left, Bernard at right 

Her coworker is Bernard, played by Nathan Lee Graham. He is the fiery, sassy black gay dude that embodies the thick card-stock 90s-version of a gay man. He’s supposed to be funny and we all know it, but somehow the shtick feels dated. Again, I’ll address this more later but just know there’s something off about him. Anyway, he both commiserates with her while also giving her a “girl, bye,” about her seriously thinking she’s going to get her grubby paws on that Delta job—not that he wants it for himself, but no way she’s on the radar.

They break from their coworker powwow so that we can meet our first main-player passengers beginning with Artem. Played by the familiar character actor Peter Stormare (Armageddon, Bad Boys 2, Minority Report), Artem is supposed to be some West European (maybe Russian) sleazy gambler who will take a bet on anything and is superstitious like all gamblers. His gripe: some grown baby-man is sitting in his lucky seat on the plane. The baby-man is sitting with his fiance as they are flying to elope in order to piss off her parents (Artem won that bet. It was either piss off parents or she’s knocked-up). Ronnie gets them to move by offering free beer to someone else who will give up their seat and at first a pregnant woman stands up and it’s supposed to be super funny but... Eh!

Nichole
Through the pregnant woman and the couple we meet another one of our main-player passengers in Nichole (with a damn H!). Nichole is a scripper. She scrips. For a living. That’s some southern accent humor for you. If you don't get it, fine! Anyway, she works at the strip club Grapefroots where she earns a helluva lot of money over the weekends making it bounce and wobble from dem dollas. The pregnant girl works with her, though she doesn’t become a series regular. Nichole (with a damn H!) tells the bride-to-be that she can also make it drop and wiggle for green stacks because a girl that looks like her is built for the pole... or the lap, whichever. Nichole also makes a commission off of each girl she brings in, kinda like a stripper-recruitment pyramid scheme.

Before Ronnie completed her quest to get the couple to move to new seats in order to satisfy Artem (the couple doesn’t care where they sit, so long as they stay together—awww! Young love is so sweet and stupid), she also ran into our third main-player passenger, the very British Colin. Colin is played by actor Ed Weeks who I guess may be new to the US market. I’m sure he’s been being British in other things but I haven’t seen him in anything I can remember, and I’ve clearly seen a lot of crap. Colin is both irritatingly proper and charmingly sarcastic, making it a very odd but mildly satisfying love interest for our long-suffering Ronnie to get internationally dirty on a domestic flight with. Ronnie and Bernard at first stand at front and wonder about who he is and why he’s traveling back and forth to Vegas every weekend because he doesn’t seem like the gambling or stripping type. His fictional, fantasized options: a failing spy, somebody in WITSEC or something else. In reality, he’s a professor at some college, but that still doesn’t explain why he’s flying back and forth which is later revealed.

Moving on, we finally round out the main cast with our cockpit heroes (Boom! Just gave you a perfect name for another comedy show and/or movie. You’re welcome, Hollywood) Alan, the co-pilot played by Amir Talai, and Captain Dave played by McDermott, finally! Alan is given little to nothing to do on the first couple of episodes and may never be given more than 10 lines on each episode. He exists almost solely to sit next to Captain Dave, look like a doofus, act like a dingus, and play beta-male to Captain Dave’s clear alpha sensibilities. He and Captain Dave have been going number one and two together for some time now, as evidenced by his lack of laughter at Dave’s overplayed joke about the flight from LA to Lost Wages! Yeah, it’s that bad. The stick belongs to Dave. The yoke belongs to Dave. Alan does not get to touch either and that is how it will always be.

Alan at left, Captain Dave at right

Captain Dave is a four-time divorced non-ladies-man ladies’ man that all the women want to be with simply so that they get experience in knowing the type of guy that they don’t want to be with. Almost every one of his ex-wives cheated on him, seemingly because he couldn’t get them to climactic heights on a frequent enough occasion, or because his ego was too big and other things not big enough. Still, does that stop him? Well, yeah, it probably stops him from doing a lot of things, but not from flying the pond-hopper that is LA to Vegas on a weekend-ly basis. Granted, he has to have a few drinks to fly or to do just about anything in his life, but he’s always good to go and always sorta-professional. A bevy of bad jokes, filled to the brim with alcohol, and a sweat of jubilant desperation always filming his body, Captain Dave is everybody’s bad uncle but in a plane captain’s uniform.

The flight filled with potential syphilis carriers finally takes off toward Vegas. It isn’t long into the flight before Ronnie learns that a fellow stewardess—some Asian chick—has already landed the Delta job behind her back. With her dreams crushed, Ronnie quits mid-flight and goes to sit down in the seat next to the professor who not only heard her and Bernard’s theorizing about who he is and what he does, but also logically explains how he thinks she made a terrible mistake because now she will have to pay for her flight back to LA and is in no better possession for a national flight than before. His logic infuriates her. So much so that they hurriedly scamper to the bathroom to make things super awkward and get a little strange and wet, which they do in a PG-13 sorta way. After there mile-high make out, they de-board never to see each other again... until the return flight on Sunday night. It’s only then revealed why he goes back and forth from LA to Vegas: he is married and has a young son. And Ronnie feels like an absolute peach about the situation.

While Ronnie is losing her shiznit on the Brit, Captain Dave is trying to find a bit of weekend glory as his life has dive-bombed in a most miserable way. He had hoped to flaunt his captain-of-the-air power by officiating an on-board wedding for that eloping couple in the same way a boat captain can marry off anyone at sea, but Ronnie informs him he has no such power. Then, on the return flight he manages to leg-lock that very same young, dumb baby-man when the guy comes back complaining about the flight and the passengers on it who convinced his girl that she wasn’t actually in love with him anymore—Nichole (with a damn H!) totally got that pyramid-scheme bonus. Captain Dave sneaks up from behind and subdues the kid who has threatened to do something really mean to the plane. Ronnie un-quits her job (never made it official) and commits to suffering in hopes of that one day. One day! And the Brit confesses that he has been separated from his wife because they went through a quickie Vegas wedding after a few Hangover-esque nights of wild times that accidentally produced a baby. He is in no way in love with that woman. Ronnie feels a little better about their in-air slobfest.

Episode two is about Captain Dave being chosen as one of the top 10 pilots to watch out for by some flyboy magazine, which he hopes really sticks it to his rival. But as the time draws near for him to do the photo shoot for the zine, he comes down with a severe case of the yips and, assumingly like in all of his past four failed marriages, can’t quite perform. The plane is up in the air and cruising on autopilot but no way in hell is he gonna be able to land this bird.

Meanwhile, Ronnie and Bernard are suffering through their own crisis. After handing out a coupon for Grapefroots to her seatmate, Nichole discovers that the old man has died on her shoulder. Per airline and FAA rules and regulations, a person cannot be legally pronounced dead until on the ground. Ronnie and Bernard don’t want to freak-out the passengers, so they (Nichole helps) try to pretend the man is just sleeping until doofus Alan comes out from the cockpit and mistakes the old white dead guy for another old white alive guy and announces that there is a dead guy onboard. And who wants to ride around with a dead guy? So Nichole has to enlist the help of British bloke Colin to help her carry the body to the front for no apparent reason other than to set up the pratfall of Alan when he is summoned to the front to land the plan. Alan trips over the dead guy and smacks into the cockpit door, knocking himself out. So Ronnie has to go into the cockpit and convince Captain Dave that he can land the plane, and simultaneously she has to explain why she failed to show up for a date with Colin after their misunderstanding got understood. Her explanation: She just couldn’t because he scared her with all of his overbearing, polite Britishness. But carrying a dead body together changed things and once the captain does land the plane, she is totally ready for a real relationship. And now Colin agrees with her that they shouldn’t be in a relationship, and she’s lost her chance. It’s DELTA’s LA to JFK all over again!

Episode three finally introduces us to Captain Dave’s nemesis. Upon coming into work with an injured wrist that he claimed he hurt while trying to lift an armoire off of someone, Dave suffers through Bernard calling it into the airline. They quickly send a replacement in Captain Steve, a man who flies international (LA to Canada) and who is married to a model (a catalogue model an internet catalogue model). Dave hates him because he finished at the top of their flight school and beat him out for multiple routes in their time as professional pilots. So the last thing he wants to see is this man take another win by doing a better job than he ever could. At first the crew are enamored by him. Ronnie thinks he’s a hunk of a man, ditto Bernard and even Alan thinks he’s cool. In fact, they could get used to flying with him, and Steve brags about maybe taking over LA to Vegas for an easier workload. They’d at least never have to check Dave’s hair for grays anymore or baby him about his terrible jokes and drinking. But when Steve cracks the whip and insists that they are terrible at their jobs.

Bernard and Ronnie then unite with Dave in operation: Get Steve Off LA to Vegas. Riding as a passenger, Dave tells Steve to ease up on his crew but Steve ain’t hearin’ it and says that he’ll have them fired if he takes over. Dave then turns on the plan when he learns that he can take over Steve’s international flights if Steve takes his LA to Vegas. Still, Ronnie and Bernard are like family, so he sticks up for them again only for Steve to reveal that he was never serious about taking over LA to Vegas. Hell, the dude flies international. International! So, all is saved as far as flights go.

Left to Right: Captain Dave, Ronnie, Colin
On the ground, Colin struggles to throw his son a really cool Vegas birthday party but is thwarted when the place he booked was previously used by an anti-vaccine parent and now has a super-virus or something. Ronnie hooks him up with Artem who knows people in Vegas. Artem takes him to a nice indoor playhouse of sorts only for the budget to balloon to a few thousand dollars. So Colin and Artem end up at Grapefroots where Nichole (with a damn H!) welcomes them to throw the party on Sunday because it is a dead day anyway. The kids have fun sliding down the pole, have condom-balloon animals and even get to pet a man dressed as a dog who is the slave to his dominatrix mistress. It’s the best b-day party ever!

What’s my score? I give this a C. This show is dumb, OK? Like, seriously dumb. It reminds me of a defunct show from about ten or 15 years ago called The Loop where the comedy elicits more head shakes and “this is stupid” comments than actual laughs, yet I liked The Loop. This? Eh! Take it or leave it. I don’t think it’s as smart as Brooklyn-9-9 but I don’t watch that either. And it’s definitely no New Girl. The funny thing is that every situation, so far, has been pretty realistic. Can I believe that a pilot would get the yips, a guy would die in flight, an eloping couple would break up and the girl would run off to be a stripper? Yes. It’s all happened before. Yet, there is something so very inauthentic/unfunny about the show. I think that it fails to properly balance or even have some kind of emotional weight to any of the episodes. One of the reasons why most comedies in the past were successful was because they had at least one “aww” moment either per episode or per every two episodes. That moment when the audience stops, the plot slows and a real connection is made between the characters and the viewers, either exploring some kind of meaningful topic or hitting on something revealing about the characters. But with most single-cam shows of the last decade, they fail to do this unless they are strictly about families. Even then it’s difficult. With the exception of Seinfeld which never had to have an aww moment, many of today’s comedies go strictly for the laughs without establishing any personal connection. Such is the problem with this show.

Have you ever been watching a comedy or any kind of movie and thought, “Wow! This seems like it should be good and I should be more into it but I’m just not.” The jokes could even be funny or the action pretty good but you just don’t feel a thing? That’s sorta this show. And it’s really no more epitomized than by the character of Bernard. It’s rare that after spending a few weeks/episodes with a show (or a movie) that I can’t figure out what it is that either I or some other viewers won’t/don’t like about something, yet here I am with Bernard. I can’t figure out if I don’t like the actor, don’t like the way he’s playing the character, don’t like the way the character is written or just don’t like the dialogue for the character but something is painfully off about him to me. This is not a Seth MacFarlane/Orville problem where if you get rid of him the entire show becomes exponentially better, but Bernard currently doesn’t feel like he fits with the rest of the cast. Don’t get me wrong, some of the lines they’ve written for him are quite funny if not new, but they don’t make me want to laugh. It’s almost as if every line he says he knows is funny, but he doesn’t want you to laugh because he’ll then feel laughed at. I don’t know, it just feels strange. It doesn’t fit with everyone else.

Speaking of casting, I have to say that I was a little disappointed when I realized that McDermott really wasn’t the full-on lead. Again, you can usually tell who the star of a show is by who they open up on and whose private life is explored more. Ronnie gets both the opening shot and gets all the questions about her private life explored on a continual loop for the first three episodes. You have all the answers to her major questions by the end of episode four (yes, I watched four eps instead of just three but only covered three per my usual): she’s single, she wants to travel the world, she’s socially open to dating but kinda has a crush on British guy which is really complicated, she is nosy and thinks she’s a do-gooder, she once had an affair with a married man and et cetera. McDermott you hardly know anything about except that he is a lush with ex-wives who thinks he’s better than he is. Does he have kids? Why did he move to LA? What does he do when in Vegas? Who knows. Again, not hating because the woman who plays Ronnie is quite charming and good, but for those tuning in solely for McDermott (me at first), temper your expectations. You get him, but he’s more of a co-lead. Funny enough, this is a real tricky way to get women to top-line network shows. I digress.


Should you be watching? Eh! Probably not. It’s certainly not a family comedy and chances are good that if you’re single, you’re probably too busy with work or other shows that you feel a lot more comfortable with on Tuesday nights—a night with a glut of comedy already, with NBC’s reality game shows and ABC’s two-hour laugh block. It’s ultimately a forgettable show that tries but doesn’t try hard enough to exploit its novel idea. I’ve called many a show and movie forgettable before and some have turned out to be good or stick around longer than I hypothesized they would, but I would say that this one does not supply you with any joke or comedic setup that you’ll be talking about the next day at work or tweeting about with your buddies that aren’t currently already watching the show. Sorry, but I’d expect a lot more from producers Adam McKay and Will Ferrell. Oh, did I bury the lede there? Oh well! LA to Vegas airs on FOX Tuesdays at 9:00pm, right before The Mick. You can catch up with the first four episodes on FOXonDemand or at FOX.com now.


What do you think? Have you heard of LA to Vegas? If not, do you think you’ll tune in for an episode or two now? If you have heard of it, have you seen it? Do you like it? Was I too harsh on it? Is it your new favorite show? And what crazy shenanigans do you want to see happen to the crew and passengers of the flights? And when will Colin and Ronnie hook up again? Let me know in the comments below.

Check out my 5-star comedy novel, Yep, I'm Totally Stalking My Ex-Boyfriend. #AhStalking. If you’re looking for a scare, check the YA novel #AFuriousWind, the NA novel #DARKER#BrandNewHome or the bizarre horror #ThePowerOfTen. For those interested in something a little more dramatic and adult, check out #TheWriter. Seasons 1, 2 and 3 are out NOW, exclusively on Amazon. Stay connected here for updates on season 4 coming summer 2018. If you like fast action/crime check out #ADangerousLow. The sequel A New Low will be out in a few months. Look for the mysterious Sci-fi episodic novella series Extraordinary on Amazon. Season 2 of that coming real soon. And look for the mystery novels The Knowledge of Fear #KnowFear and The Man on the Roof #TMOTR coming this fall/winter. Twisty novels as good as Gone Girl or The Girl on the Train, you won’t want to miss them. Join us on Goodreads to talk about books and TV, and subscribe to and follow my blog with that Google+ button to the right.


Until next time, “Do you fly often?”
'No, I... don't have wings.'

P.S. That's a little Airplane humor for you. See, the sneaky part about it is that it's not an actual quote from the Airplane films. Sure, I could've used the most quoted quote from the overly quotable film, but I didn't. So... yeah. I'll think of a better sign-off next time.
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Thursday, November 16, 2017

Growing Up Ain’t Always Easy... Or Fun #YoungSheldon #3weekroundup #CBS #recap #review

Growing Up Ain’t Always Easy... Or Fun #YoungSheldon #3weekroundup #CBS #recap #review

All pictures courtesy of CBS and Young Sheldon promotional materials


It’s time for another review/recap of one of this fall’s new shows. And because these idiot networks can’t seem to premiere everything at once like they used to, and insist on shuffling, re-shuffling, and cutting the deck that is their lineup of shows, we’re here in the middle of November for a show that premiered back in October (or September. Whichever). Yay! So, is CBS’s hit show Young Sheldon really deserving of all of its blue ribbon accolades or is this one of those homemade volcanoes at the school science fair (womp, womp)? Let’s find out together.

CBS’s Young Sheldon, a spin-off of the long-running hit comedy The Big Bang Theory, stars Iain Armitage as our titular character and follows a nine-year-old sheldon as he embarks on the hormone-soaked wilds of the high school jungle in, apparently, 1989. It is at this point in the review that I must stop and give a caveat that I am not a fan of The Big Bang Theory. It is not that I actively dislike the show, but simply is a matter of timing. I didn’t see the very first episode (or season, for that matter) of the show and I hate coming into things at the middle when I can get it at the beginning. It premiered during a time in which I was watching zero CBS shows because most of them seemed to trend older with the exception of How I Met Your Mother. I didn’t even like Two and a Half Men, so nothing drew me to watch CBS. I have only seen a literal handful of episodes of The Big Bang Theory and that was in syndication, so if you are a fan of The Big Bang Theory, then take everything I have to say both during the recap and during the review with a grain of salt. OK? Good. I now return you to your recap/review already in progress.

Young Sheldon, at the start of our series, is thrust into a new world that he is hardly frightened of, but, in fact, looks forward to the adventures of learning and overachieving at the high school level. But there’s a few problems. First, he is leaving his twin sister Missy behind in, I’m assuming, elementary school. She is your average little girl but she abhors her I’m-smarter-than-you brother and has a sarcastic outlook on life. He will also be joining his eldest brother Georgie (George Jr.) who is, at 14, entering High School also as a freshman. As a football jock, Georgie wants nothing to do with his younger brother because he has to build his own reputation which is difficult enough, especially with the family’s current situation.

The current situation: the family has had to move sometime within the last few years. Why? Because their father George Sr. (played by Lance Barber) is a football coach. As we learned in the first episode where Sheldon sought to point out the flaws in everyone, including his teachers who break the school’s rule book and, according to him, aren’t smart enough, George must sit his son down and tell him about the lesson he recently learned. Recap of that last sentence: we learned that the dad learned and was about to learn his son something, you follow? George used to coach at another high school and I guess he saw some of the other coaches maybe at his own school (I was a little confused here because of the situation) who cheated in some way and was then let go and made a pariah. The reason I say I was confused (and I don’t usually confuse easily, but it was very late and I was mentally fatigued) is because it makes little sense for the school to have fired him for seeing some other school’s coaches cheating, especially if that rival school was cheating against his own school. Then again, maybe there was an acceptable culture of cheating, but that’s hard to believe because the show is set in Texas and we all know how seriously Texans take their football at all levels.

That, of course, leaves the most important character of the series, even more important than Sheldon: his mother Mary. Mary, played by Zoe Perry (fun fact: she is the Millennial-aged daughter of Laurie Metcalf of Roseanne fame and Jeff Perry of Private Practice and currently Scandal), is the best character on the series so far. I will try to withhold my critiques but just know that I like her. The typical 80s mom, she is concerned about all of her children but is most concerned about her little genius child and how he fits into his new school and the world in general. We see this more in the second episode, but let’s stick with the pilot for a little while longer.

Sheldon goes to high school where, as I said, he goes through every one of his classes and tells each one of his teachers something about how they are doing something wrong. He even says that one teacher has a mustache which goes against the school’s dress code. And that teacher was a white woman. To get him to fit in more, his parents talk to him about how everything isn’t always so rigid. While his parents argue with the school administration about how he needs to stay in that school and the teachers need to just deal with him, Sheldon ventures into a music class where he shows that he is a musical savant as he sits down to perfectly play the piano, though he’s never done it before. And while the teacher there tells him that he should pursue music, he refuses outright because he’s purely about science and musicians take drugs. We see a little bit of his brother being teased as the dumb brother as Sheldon’s reputation has already spread, and get a talk from dad about how to deal with a genius brother.

The episode bobbles along with some stuff in there to demonstrate Sheldon’s aversion to playing outside, watching cartoons and doing anything that doesn’t require the mind or science. And we also see a little thing about Sheldon going to church and how he simply doesn’t get it. But we end with a heart-warming and honest talk between Sheldon and George about his firing from his previous coaching job. “Is he sad about it,” Sheldon asks. Yeah. He’s angry and a litle sad. And that comment makes Sheldon touch his father’s bare hand without his mits on connecting on his father on a more human, personal level.
Georgie Jr. and Sheldon

Episode two focuses on Mary’s concern that Sheldon doesn’t have any friends. This stems from her seeing her two sons eating in the cafeteria and Georgie Jr. eating with friends but Sheldon sitting alone having delusions about the cosmos and the big bang (get it? Get it! Ha!). I should say, just in case you didn’t get it from the first episode, that George Sr. is the new football coach at this high school so his wife popping up and hanging with him during the day isn’t that weird around lunch time. I don’t yet know what she does for work, if she does work (this is the 80s and not the 50s, so I assume she does work but who knows).

Missy and Sheldon
Mary errantly tells Missy about her worries concerning Sheldon having no friends, and Missy then relays that message to Sheldon. So Sheldon goes on an adventure to develop some friendships. He goes to the library where he is pointed to the old book How to Win Friends and Influence People. He uses the techniques within the book to visit all the different cliques in the school to make friends. Along the way he makes a few funny jokes that align with the “greetings, earthlings” trope that fish-out-of-water stories have, but has no luck with friends. Finally, his sister, who is struggling with the idea of not being exceptional like her brother, comes up with the idea to read the names on the book’s reservation card because those people were also desperate enough to need a book to make friends. As it turns out, all of the people who recently took it out are adults, his teachers in fact. And after hearing a few terrible stories about how one teacher stole another teacher’s innocence and how that innocence-stealer was also left damaged from the breakup, he has to return the book.

In returing the book, Sheldon finds a young Asian boy who is also having trouble making a friend and huzzah! You’ve got a friend in me. Mary tells him to invite his new friend over and they have a dinner where George Sr. makes sure the boy’s mother doesn’t have a particular name (he fought in ‘Nam), and the boy tells the story of how his family escaped from Vietnam and have migrated here to become low-paid, overworked immigrants. How depressing! But the good news is that he and Sheldon can build rockets together and they both are super into math.

Sheldon's friend and Sheldon

Episode three focuses on two things: Sheldon’s grandmother (his mother’s mom) and his rejection of religion. Every Sunday, Mary goes to church and often takes the children (her husband is sometimes busy with the football team). But Sheldon, being the person he is, must call out the preacher’s claims that God created the world in six days, and challenges the existence of God and even tries to make that old stupid argument that God and science don’t align. But when he learns that some of the greatest scientists he admires also believe in God and that Pascale said that it’s smarter to believe in God than it is to not, he is flabbergast.

Meanwhile, his grandmother, played by Annie Potts, comes to babysit a few times. Like most grandparents, when she comes, the rules are a little more lax as she adores her grandchildren. But when George Sr. suffers some serious health emergency, grandmother or MeeMaw has to come and emergency-babysit while George and Mary go to the hospital. Things don’t look good when George thinks he is having a heart attack and has to stay in the hospital longer than expected. With Meemaw not being forthcoming enough with the deets about their dad’s health, Georgie Jr. decides to take it upon himself to steal his sleeping grandmother’s car and drive his siblings to the hospital. But being 14 he can’t drive and swerves all over the road hitting things at eight miles per hour. He finally lucks out when they all see an ambulance and follow it to the hospital.

Both plots come to a head when Sheldon sneaks away to pray in the hospital chapel. No, he doesn’t pray to God but to famed legendary scientist Pascale because he thinks that if Pascale was wrong and there is no God, then no harm done, and if he was right, then Pascale would surely be near God and able to pass along Sheldon’s message. He prays for his father’s good health, and just like that, his father is getting better again. The episode ends with the entire family going back to church and Sheldon’s tiny bit of belief having already dissipated back into atheistic doubt. All is well.


What’s my grade? I give it a C+. The only reason I see for this being this fall’s number one new show is that it has The Big Bang Theory as a lead-in and is associated with that show. If, however, this was not associated with that show in any way, I doubt it would really be all that. Let’s start with the way CBS rolled this thing out.

For starters, I have a few issues with how networks and streaming services premiere new shows these days. There almost seems to seldom be a happy medium and it’s getting worse, not better. With Marvel’s Inhumans premiering its first two episodes as a movie a few weeks before the TV premiere; Star Trek Discovery premiering one episode on CBS, then the second one on CBS All Access the very same night, and the third the next week; and with streaming services premiering entire seasons for binge-watching, I absolutely hate how we consume TV. One of the biggest pluses for cutting the cord, other than the cost, should be the ability to not fall prey to a network’s whimsical maneuverings of their schedule. I have yet to cut the cord. But even if I had, I would still have fallen prey to the same thing when viewing Young Sheldon. For some dumb reason, CBS decided to premiere this show not only out of its regular timeslot and date, but a full month ahead of the second episode. The first episode came on during premiere week on September 25th. The second episode finally came on on November 2nd, and the show moved from Mondays to Thursdays where it follows The Big Bang Theory. I can only guess that the network is deathly afraid of the show dying without the BBT lead-in. But in any case, having one episode of something play, then skipping weeks before showing the next one, then having it be off for at least another week during the Thanksgiving holiday, especially during an era in which people want full seasons of shows all at once, is courting cancellation. The time thing is needlessly disruptive and can leave a bad impression on viewers, especially if they didn’t love the first episode. And God the first show was awful.

Missy, MeeMaw and Sheldon
Speaking of, the pilot for this show is the textbook reason for why I always give a show at least three episodes to prove itself. To me, it was an absolutely terrible premiere episode, starting with who narrates the show. It’s funny that I went to the IMDb page for this to read some reviews and a few of those reviewers said the same thing I was thinking, and that is that the show seems to suffer from Jim Parsons narration. Parsons, who plays the adult Sheldon on The Big Bang Theory, voices Young Sheldon’s inner-thoughts similar to on The Wonder Years or Arrested Development. It’s not necessarily his narration that is bad, but the fact that the show comes from his viewpoint when it probably would be better if it came from his mother Mary’s viewpoint.

After having seen Zoe Perry on last season’s Scandal, I can say without doubt that she is a phenomenal actress. She shines in this series, too. The show might actually be better if she narrated the show and it focused on her perspective raising such a gifted child. She’s really quite young in real life, but somehow plays older and has the mother thing down really well. Out of all the characters on the show, she actually feels the most geniune in all of her scenes. The comedic lines are delivered with conviction, she showed true caring and motherly concern for her family, and she is the one trying to balance Sheldon’s genius eccentricities with being a regular kid. In fact, both she and the husband character are pretty good parents, even if they do play into a few stereotypical family sitcom tropes.

The biggest problem with the show, outside of the dramatic tonal shift between this show and The Big Bang Theory, is that the titular character is not likable. Let me say that I abhor the “likable” description for characters. I have watched and read enough book, film and TV reviews in my life to cringe every time I hear that word. To me, it is a cop out for whenever a reviewer doesn’t understand or agree with the choices of a character, and it only applies maybe five to ten percent of the time. Characters don’t have to be likable, they have to be interesting, and their interesting-ness should overpower any annoyance or outright disdain one might have for them. Young Sheldon does not overpower my disdain.

Of the few episodes of The Big Bang Theory I’ve seen, Sheldon is a strange genius who, while very annoying and flawed, is played in a way that can often come off as endearing. However, Sheldon’s annoying I’m-better-than-everyone attitude is evened out by the fact that he lives/works with a bunch of other geniuses that are deeply flawed and know they are flawed. They are the essential “geeks that can’t get girls” concept, who evolved over time.

Here, on Young Sheldon, I know we must give him enough time to develop into the character he is supposed to be, but that will take years/seasons to happen. On this show, he comes off as a smart-alecky, know-it-all brat who thinks that everyone around him is exhaustingly beneath him. I had a friend tell me that she didn’t want to watch the show because she felt that she would get pissed watching some smart-mouthed kid talk back to adults and would feel compelled to pop the character in the mouth once. She’s old school and from the Midwest so don’t give me the PC “you can’t hit kids” thing. And while I probably wouldn’t do that myself, I had the same inclination.

Young Sheldon is not endearing and seldom funny in his pursuits. Where adult Sheldon has this almost Grinch-like or Cat-in-the-Hat-esque mischievous grin upon his face even when putting down his fellow geniuses or the non-superior-brained normies, Young Sheldon never gives that particular type of warm invitation to come laugh with him. Instead, he looks at everyone as if he is fed up that they don’t think his way, and that they’re idiots for not. He’s got a huge superiority complex that goes beyond America’s love of precocious kids. This is only made more evident by the fact that he is surrounded only by his family. Where on Big Bang he is circled around three other geniuses in their own right, on this show he only has the laypersons of his family. On Big Bang when he makes jokes about his colleagues intelligence or eccentricities, its endearing because you know that he is speaking with people who are close to his equals. Here, we know that he has no equal. Everyone is mentally a peon to him, even the adults, and he treats them as such, which is the most annoying thing you can do in this particular political climate. Again, I’m definitely not the PC-type (read my books to find out) but saying that Texas is some stupid, backwards land where a child is the smartest person serves to make fun of the average working Joe and Jane in a way that might not be great viewing for everyone. I thought we were past the "small town life is full of simpletons"-trope about twenty years ago. If you’re going to satirize the “simple-minded” religious of Middle America, then you better be damn funny doing it, otherwise, they might tell you to take a hike. And this show really ain’t all that funny, even though I’m not one of the simple-minded.

Should you be watching? If you’re a fan of The Big Bang Theory then yes you should check it out. Some people won’t like the change in format between the shows--going from the multi-cam studio audience show that is The Big Bang Theory to a single-cam show of Young Sheldon in which there is no laugh track. This is a big departure for CBS in the comedy area, though ABC, FOX and NBC have all been doing it for years with much success. The other non-studio-audience comedy CBS has/had is the new show Me, Myself and I, which has since been shelved, but not officially canceled. This show will be a little different for most CBS viewers to watch as it doesn’t even have strong musical cues to hammer home the jokes. I personally think that was a bad idea to switch formats between the two shows, but it does give some variety. As far as it being funny: eh! The first episode wasn’t funny at all, but the next two episodes had a few good laughs in them. Personally, I probably wouldn’t watch the whole season and would only tune in now and then for Zoe Perry. I find that the callbacks to The Wonder Years and Boy Meets World aren’t strong enough for me to recommend it as the new go-to family show, but it’s serviceable, as in it can serve up one or two laughs per episode. Maybe. Young Sheldon airs on CBS Thursdays at 8:30pm.

Included this pic because Zoe Perry looks her age, a young 33.

What do you think? Have you heard of Young Sheldon? If not, do you think you’ll tune in now? If you have heard of it, have you seen it? Did you like it? Was I too hard on the show? Where do you think the show can improve? And do you think we’ll one day get kid-cameos of the other Big Bang characters somehow? Let me know in the comments below.

Check out my 5-star comedy novel, Yep, I'm Totally Stalking My Ex-Boyfriend. #AhStalking If you’re looking for a scare, check the YA novel #AFuriousWind, the NA novel #DARKER#BrandNewHome or the bizarre horror #ThePowerOfTen. For those interested in something a little more dramatic and adult, check out #TheWriter. Seasons 1, 2 and 3 are out NOW, exclusively on Amazon. Stay connected here for updates on season 4 coming summer 2018. If you like fast action/crime check out #ADangerousLow. The sequel A New Low will be out in a few months. Look for the mysterious Sci-fi episodic novella series Extraordinary on Amazon. Season 2 of that coming real soon. And look for the mystery novels The Knowledge of Fear #KnowFear and The Man on the Roof #TMOTR coming this fall/winter. Twisty novels as good as Gone Girl or The Girl on the Train, you won’t want to miss them. Join us on Goodreads to talk about books and TV, and subscribe to and follow my blog with that Google+ button to the right.

Until next time, “Let’s see: two and two make five? That doesn’t sound right.”
‘I don’t know. Looks right to me and I’m pretty smart. I’m a whale biologist.’
“But the numbers—”
‘Whale biologist!’

P.S. OK, that’s not the actual dialogue, but points to you if you know the reference to which that paraphrasing might refer to? Hint: It was an animated comedy on FOX. That show had scientists too. And, uh.. Yeah. That’s all I have to say. I’ll think of a better sign-off next time.

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Thursday, November 2, 2017

Well, It’s A Comedy With Letters #9JKL #3weekroundup #CBS #review #recap

Well, It’s A Comedy With Letters #9JKL #3weekroundup #CBS #review #recap

All pictures courtesy of CBS 

Not a very creative title for a show based on a real-life experience (I believe of the main actor in the show), so maybe you can’t expect much from this review/recap. Eh! Dude, like, whatevs! As we zoom full-speed ahead toward holiday time, expect for the posts to tighten around me promoting my own work and books and serials and whatnot. OK? So, let’s get into this show and see if 9JKL is a ball of laughs or if it flounders amidst the myriad of voices. Let’s find out together.

CBS’s new half-hour comedy 9JKL stars Mark Feuerstein as Josh, a 40-something actor (I totally almost put actress and I have no idea why) who, after a recent divorce and his TV show getting canceled out in LA, has had to slump back to New York in shame. With very little money and few business/role prospects for him after playing a character called The Blind Cop (or Detective) for many years, he is forced to live pseudo-with his parents. See, as I understood it, his parents are quite wealthy—his father runs either an accounting or law firm—and they happen to live in a building where they own/rent out not one but two apartments at the end of a hallway. The third apartment in the little circle of rooms is owned by Josh’s brother and sister-in-law. So, basically the show is like him moving back home and living in his parents’ basement with his brother’s family living in the attic, but with apartments instead of a house. Get it? Good, because that is the basic thrust of the show and this review/recap can go pretty fast because you all can already assume nearly every beat of the first three episodes.

Josh, Josh's Mom Judy, Upstairs Neighbor
His mother Judy (played by Linda Lavin) is the stereotypical overbearing Jewish mother whose life revolves around her favorite son’s life. And since Josh hasn’t been home in a while, she is naturally all up in his business. ALL. UP. IN IT! Most of the humor comes from the interactions between her and Josh and how she runs their very matriarchal family.

Next is Josh’s father Harry (played by Elliott Gould) who is the stereotypical Jewish dad who sorta wanders around aimlessly when not at work and follows every direction given to him by his wife in this matriarchal family. He’s the Peter Griffin of the family but with less lines and screen time. And yes, he’s slightly afraid of his wife even after so many years but it’s cute and funny (tries to be).

Then we have Josh’s brother Andrew (played by David Walton who last starred on NBC’s About a Boy TV series). Andrew is the taller, more successful brother who happens to be a surgeon, is happily married, way taller, more good-looking (if you ask him) and is a recent first-time father. And he’s taller. And yes, as you’ve already guessed, I listed all of his accomplishments to say that he is the one who seems to feel some brother envy because of how his brother Josh is treated as the golden child.

We also have Andrew’s wife Eve. Played by Liza Lapira, Eve is a fiesty Asian woman who thinks a lot like a dude and is supposed to be the embodiment of the modern woman—easygoing, not hung-up on her man, and clearly in control of the house as her husband moved from one matriarchy to another. They’re equals in their marriage, but she’s definitely more “equal” than he is. There’s huge potential for her to be an Asian Amy Dunne. Huge potential.

Rounding out the cast we have two side characters. First there is the lobby/front door man Nick who is the cool young therapist-type of dude that always talks to Josh and the family and makes jokes about Josh’s life. He is joined by the young Asian kid Ian who is always seen sitting in the lobby trying to avoid his own life and parents upstairs. Together, the two characters clown Josh about everything as he passes by, and they give him an outlet for jokes about his family.

Those are the characters and they play as such... Episode one is all about Josh moving back in and readjusting to life in an apartment that he gets to live in for free because his parents pay for it. He’s shockingly greeted by his mother and father hovering over his bed as they watch him sleep, realizes that his father doesn’t have any pants on but is in Josh’s apartment and not his own, then is greeted by his brother and Eve who both come over to greet him in the morning. The term close-knit was made for this family.

Throughout the episode, as he tries to adjust, he hears of a movie role in a Paul Feig comedy, a sequel to Bridesmaids called Groomies that he wants a part in but probably won’t get it. He also is trying to adjust to the comings and goings in his own schedule. Somehow, every time he leaves his apartment, when he comes back into the building, his mother always knows that he is coming home and stops him to invite him in for a visit. And he has to go because... you know, it’s his mom. While she is talking about him getting over the divorce and getting back on his feet, he is not trying to hear about any dating or any business setups.

And then he sees an old college friend who has also recently just gone through a very bad divorce in which her ex got their place and she’s out sleeping on a friend’s couch. But they had crushes on each other in college and they’re free now so why not go for it? Gag! Anyway, they have a decent date but when she asks to go back to his place, Josh panics because he doesn’t want to introduce her to his mother and knows that no matter what he does, she’ll know that he is in the building.

But when he enters the building and pushes his date onto the elevator, he hears Nick calling up to his mother to tell her that he’s coming up and realizes that Judy is paying the guy for forewarning about Josh’s comings and goings. Craziness. As you can guess, they get up to his apartment, comedic chaos ensues, he tries to seduce the woman while avoiding his overbearing mother who thinks that something is going on when he quickly flees her place after a one-minute sit-down, the lady ends up leaving and his family ends up arguing on the three balconies that are all next to each other. At this point, I was seriously trying to figure out how the hell this building worked because there was no way that the three balconies to three apartments that are at the end of a hallway—one on right, one on left and one at center—should be so close or even see each other. Architects, help me out here! And then his dad gets a call from his friend who knows a friend who knows Paul Feig, and somehow Josh gets down there to ask for a part in Groomies but is too late because the part’s gone to Steve Carrell. But that’s OK because Josh is back and fully adjusted to home.

Episode two is about the one night stand that Josh tries to accomplish. Always a relationship guy, he’s never had a wham-bam-thank-you-ma’am kinda night, so Eve and Andrew try to coach him through such an encounter. They take him to a club and point out a woman who looks down. Well, as Josh tries for a one-night conquest, Andrew realizes that Eve’s rules for said conquests are exactly how she treated him the morning after they first slept together. Now his feelings are a little hurt because he thought they had this deep connection that both of them felt immediately. Oh, and Josh’s parents are tripping over having a surplus of bananas after Harry bought a second stem of bananas.

Well, Josh’s one-nighter ends up leaving only for them to be caught by his mom at the elevator. Josh still says bye and counts it a job well done. But as he gets back later that evening, he sees who else but his one night stand sitting in his parents’ kitchen. Apparently, this woman and his mother spent the entire day together on accident. She didn’t mean to link with his mother and she apologizes, but now he’s gotta give her that tubesteak again, right? So, they try for another one-nighter and this time it goes successful. But while he is dismissing her, he agonizes over it because she seems like such a great girl. His mother just happens to have her number and gives it to him. Meanwhile, as Josh is calling the girl, Eve shows a keepsake box of the stuff that Andrew sent her after their first one night stand to prove that she did feel that magic he felt. All is well, until Josh gets back with that woman and realizes that she is too eager to get married and was play-acting being cool with one-nighters. Stage 5 Clinger Alert!


Episode three sees Josh try to get a new friend in the city who isn’t married because all of his old New York friends are married with children and want to get to bed by nine o’clock. He leaves his apartment one day with his bike to go on a long ride and bumps into another bike rider played by the recently busy Tone Bell. Let me say that if this show does survive, I hope that they make Tone part of the cast. And their biking adventures begin.

While Josh is forming a new friendship, his brother struggles to put together a baby crib to prove that he’s an everything man. Eve’s father can build anything and was a carpenter when she grew up and she loves her father very much. Andrew just wants her to love and admire him like that so he feels he has to live up to the standard her father set. But she hires Nick to put the thing together for them because she’s too busy and no way her husband can do that. Well, after a while of trying to put it together, Andrew caves and hires Nick back to construct the crib for him before Eve gets home from work so he could claim credit. But the crib gets stuck and they get caught and Andrew learns that his wife loves him just the way he is now and he doesn’t have to be Handy Andy.

Meanwhile, Josh and his black buddy are getting along swimmingly until he tells his parents the guy’s name. Apparently, the guy lives directly above their apartment and supposedly caused some water damage on the corner ceiling next to the shower in their bathroom (leaking or something). Well, he swears he didn’t do it, but Judy swears he did and tries to forbid and shame Josh into not being friends with the guy anymore. Josh bucks the matriarchal rule and continues his friendship until his mother devises a plan to get the man over to her place to admit he did the damage. But as the guy is unrelenting on his conviction, and Judy is unrelenting of her blaming, Harry finally confesses to doing the damage with the wand nozzle showerhead. He tried spraying a spider he thought he saw on the wallpaper just above the shower only to realize after he had saturated the wall that the spider was part of the wallpaper design. Everybody forgives everybody and life goes on.


What’s my grade? I give it a B-. Is this a comedy classic in the making? Probably not, but I will give it enough room for that. The chemistry across the show for all the characters is pretty good and you can believe that this would be a modern situation with so many people of all generations now living with family but there was just something missing for me that didn’t necessarily make me laugh all that much. The reason I gave it a B- is because I know that comedy is highly subjective and something funny to one is not always funny to another, and vice versa. While I find the old, over-bearing Jewish mother a well-worn and downright played trope, it clearly still works for many people. The show reminds me of (and don’t read too much into this) Seinfeld but without a definitive George Costanza or Kramer. The way Eve is written and acted reminds me a little of Elaine and if they played his brother up as the long-suffering brilliant doctor who seems like nothing more than a foil in his own life, then I could really get behind this show, but for now it’s just your average sitcom that’ll get you a few laughs before bed. Also, and I rarely point this out, but this is one of the only shows in recent memory where I felt that the laugh track really interrupted the show and interpreted some situations incorrectly. It felt like the laughs were too big at some points and forced at others. But again, the show was serviceable enough. Will it last the season? Probably, but I haven’t seen the ratings on it. I would say that if it lasts the season, it could last for five more seasons then either have to change or end.

Should you be watching? If you are a CBS viewer already, and like their other comedies, then chances are you’ll like this, too. It’s family-oriented, though not necessarily family viewing (the one night stand episode, remember) but it does try to use the most of the funny situation. I’d say that Will and Grace fans might get a few chucks from it as well. It’s old school comedy. If, however, you are into other comedies like single-cam comedies of ABC where there are no laugh tracks, then you might want to stay away. 9JKL airs on CBS Mondays at 8:30pm and you can also catch it on CBS on Demand and CBS All Access.

What do you think? Have you heard of 9JKL? If you haven’t, do you think you’ll tune in now? If you have heard of it, have you seen it? Did you like it? Where do you think this show can improve? Who’s your favorite character? And if it gets to stay around, what actor/director/Hollywood type would you like to see guest star like Paul Feig did? Let me know in the comments below.

Check out my 5-star comedy novel, Yep, I'm Totally Stalking My Ex-Boyfriend. #AhStalking If you’re looking for a scare, check the YA novel #AFuriousWind, the NA novel #DARKER#BrandNewHome or the bizarre horror #ThePowerOfTen. For those interested in something a little more dramatic and adult, check out #TheWriter. Seasons 1, 2 and 3 are out NOW, exclusively on Amazon. Stay connected here for updates on season 4 coming summer 2018. If you like fast action/crime check out #ADangerousLow. The sequel A New Low will be out in a few months. Look for the mysterious Sci-fi episodic novella series Extraordinary on Amazon. Season 2 of that coming real soon. And look for the mystery novels The Knowledge of Fear #KnowFear and The Man on the Roof #TMOTR coming this fall/winter. Twisty novels as good as Gone Girl or The Girl on the Train, you won’t want to miss them. Join us on Goodreads to talk about books and TV, and subscribe to and follow my blog with that Google+ button to the right.

Until next time, “We’re lookin’ for someone with the specialty license plate I. C. Wee Ner. Is there an I. C. Wee Ner here? I. C.—oh! Damn it! Fooled again!’

P.S. Seriously, 9JKL was all they could come up with? I totally thought the show was about working at the DMV and that being a specialty license plate or something. Then I saw the plainer than beige commercials for it and got really weirded out by the strangeness of the advertisements and thought I might be in for something transcendent. Nope! Regular old comedy. I’ll think of a better sign-off next time.

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